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Mexico and the United States exist in a symbiotic relationship: Mexico frequently provides the United States with cheap labor, illegal goods, and, for criminal offenders, a refuge from the law. In turn, the U.S. offers Mexican laborers the American dream: the possibility of a better livelihood through hard work. To supply each other’s demands, Americans and Mexicans have to cross their shared border from both sides. Despite this relationship, U.S. immigration reform debates tend to be security-focused and center on the idea of menacing Mexicans heading north to steal abundant American resources. Further, Congress tends to approach reform unilaterally, without engaging with Mexico or other feeder countries, and, disturbingly, without acknowledging problematic southern crossings that Americans routinely make into Mexico. In Run for the Border, Steven W. Bender offers a framework for a more comprehensive border policy through a historical analysis of border crossings, both Mexico to U.S. and U.S. to Mexico. In contrast to recent reform proposals, this book urges reform as the product of negotiation and implementation by cross-border accord; reform that honors the shared economic and cultural legacy of the U.S. and Mexico. Covering everything from the history of Anglo crossings into Mexico to escape law authorities, to vice tourism and retirement in Mexico, to today’s focus on Mexican border-crossing immigrants and drug traffickers, Bender takes lessons from the past 150 years to argue for more explicit and compassionate cross-border cooperation. Steeped in several disciplines, Run for the Border is a blend of historical, cultural, and legal perspectives, as well as those from literature and cinema, that reflect Bender’s cultural background and legal expertise.
This book is a wonderful collection of tex-mex recipes and stories about the American Southwest, and Matt Martinez, the Lone Star state's most famous chef.
An unlikely friendship, a four-thousand-mile voyage, and an impenetrable frontier—this dramatic odyssey reveals the chaos and cruelty US immigration policies have unleashed beyond our borders. Axel Kirschner was a lifelong New Yorker, all Queens hustle and bravado. But he was also undocumented. After a minor traffic violation while driving his son to kindergarten, Axel was deported to Guatemala, a country he swore he had not lived in since he was a baby. While fighting his way back through Mexico on a migrant caravan, Axel met Levi Vonk, a young anthropologist and journalist from the US. That chance encounter would change both of their lives forever. Levi soon discovered that Axel was no ordinary migrant. He was harboring a secret: Axel was a hacker. This secret would launch the two friends on a dangerous adventure far beyond what either of them could have imagined. While Axel’s abilities gave him an edge in a system that denied his existence, they would also ensnare him in a tangled underground network of human traffickers, corrupt priests, and anti-government guerillas eager to exploit his talents for their own ends. And along the way, Axel’s secret only raised more questions for Levi about his past. How had Axel learned to hack? What did he want? And was Axel really who he said he was? Border Hacker is at once an adventure saga—the story of a man who would do anything to return to his family, and the friend who would do anything to help him—and a profound parable about the violence of American immigration policy told through a single, extraordinary life.
The border region of the Sonoran Desert, which spans southern Arizona in the United States and northern Sonora, Mexico, has attracted national and international attention. But what is less discussed in national discourses is the impact of current border policies on the Native peoples of the region. There are twenty-six tribal nations recognized by the U.S. federal government in the southern border region and approximately eight groups of Indigenous peoples in the United States with historical ties to Mexico—the Yaqui, the O’odham, the Cocopah, the Kumeyaay, the Pai, the Apaches, the Tiwa (Tigua), and the Kickapoo. Divided Peoples addresses the impact border policies have on traditional lands and the peoples who live there—whether environmental degradation, border patrol harassment, or the disruption of traditional ceremonies. Anthropologist Christina Leza shows how such policies affect the traditional cultural survival of Indigenous peoples along the border. The author examines local interpretations and uses of international rights tools by Native activists, counterdiscourse on the U.S.-Mexico border, and challenges faced by Indigenous border activists when communicating their issues to a broader public. Through ethnographic research with grassroots Indigenous activists in the region, the author reveals several layers of division—the division of Indigenous peoples by the physical U.S.-Mexico border, the divisions that exist between Indigenous perspectives and mainstream U.S. perspectives regarding the border, and the traditionalist/nontraditionalist split among Indigenous nations within the United States. Divided Peoples asks us to consider the possibilities for challenging settler colonialism both in sociopolitical movements and in scholarship about Indigenous peoples and lands.
Perfect for readers of This Is Where it Ends, The Border is a gripping drama about four teens, forced to flee home after a deadly cartel rips apart their families. They must now face life-threatening danger and unimaginable sacrifice as they attempt to cross the U.S. border. "Thrilling... often brilliant."—Kirkus One moment changed their lives forever. A band plays, glasses clink, and four teens sneak into the Mexican desert, the hum of celebration receding behind them. Crack. Crack. Crack. Not fireworks—gunshots. The music stops. And Pato, Arbo, Marcos, and Gladys are powerless as the lives they once knew are taken from them. Then they are seen by the gunmen. They run. Except they have nowhere to go. The narcos responsible for their families' murders have put out a reward for the teens' capture. Staying in Mexico is certain death, but attempting to cross the border through an unforgiving desert may be as deadly as the secrets they are trying to escape...
NAMED A TOP 10 BOOK OF 2018 BY NPR and THE WASHINGTON POST WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN CURRENT INTEREST FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE NONFICTION AWARD The instant New York Times bestseller, "A must-read for anyone who thinks 'build a wall' is the answer to anything." --Esquire For Francisco Cantú, the border is in the blood: his mother, a park ranger and daughter of a Mexican immigrant, raised him in the scrublands of the Southwest. Driven to understand the hard realities of the landscape he loves, Cantú joins the Border Patrol. He and his partners learn to track other humans under blistering sun and through frigid nights. They haul in the dead and deliver to detention those they find alive. Plagued by a growing awareness of his complicity in a dehumanizing enterprise, he abandons the Patrol for civilian life. But when an immigrant friend travels to Mexico to visit his dying mother and does not return, Cantú discovers that the border has migrated with him, and now he must know the full extent of the violence it wreaks, on both sides of the line.
Thoughtful investigative report about a central issue of the 2008 presidential race that examines the border in human terms through a cast of colorful characters. Asks and answers the core questions: Should we close the border? Is a fence or wall the answer? Is the U.S. government capable of fully securing the border? Reviews the political, economic, social, and cultural aspects and discusses NAFTA, immigration policy, border security, and other local, regional, national, and international issues.
The New York Times bestselling author of Eyes That Kiss in the Corners, Joanna Ho, delivers a poignant picture book biography about the musician Yo-Yo Ma, immigration, and using music to build bridges. Joanna Ho's lyrical writing and Teresa Martinez's vibrant art weave together to tell an inspiring story of Yo-Yo Ma, who challenges conventions, expectations, and beliefs in order to build bridges to unite communities, people, and cultures. A beautiful picture book biography to enjoy and share in the home and the classroom. Before Yo-Yo Ma became one of the most renowned and celebrated cellists, he wanted to play the double bass. But it was too big for his four-year-old hands. Over time, Ma honed his amazing talent, and his music became a reflection of his own life between borders, cultures, disciplines, and generations. Since then, he has recorded over a hundred albums, won nineteen Grammy Awards, performed for eight American presidents, and received the National Medal of the Arts and the Presidential Medal of Freedom, just to name a few accomplishments. Staying true to himself, Yo-Yo Ma performed at the US-Mexico border at the Rio Grande on April 13, 2019, as part of his multi-continent "Bach Project" tour to prove a point--through music, we can build bridges rather than walls between different cultures.
Far from creating a borderless world, contemporary globalization has generated a proliferation of borders. In Border as Method, Sandro Mezzadra and Brett Neilson chart this proliferation, investigating its implications for migratory movements, capitalist transformations, and political life. They explore the atmospheric violence that surrounds borderlands and border struggles across various geographical scales, illustrating their theoretical arguments with illuminating case studies drawn from Europe, Asia, the Pacific, the Americas, and elsewhere. Mezzadra and Neilson approach the border not only as a research object but also as an epistemic framework. Their use of the border as method enables new perspectives on the crisis and transformations of the nation-state, as well as powerful reassessments of political concepts such as citizenship and sovereignty.
A picture book debut by an award-winning author about a boy's life on the U.S.-Mexico border, visiting his favorite places on The Other Side with his father, spending time with family and friends, and sharing in the responsibility of community care. Early one Saturday morning, a boy prepares for a trip to The Other Side/El Otro Lado. It's close--just down the street from his school--and it's a twin of where he lives. To get there, his father drives their truck along the Rio Grande and over a bridge, where they're greeted by a giant statue of an eagle. Their outings always include a meal at their favorite restaurant, a visit with Tío Mateo at his jewelry store, a cold treat from the paletero, and a pharmacy pickup. On their final and most important stop, they check in with friends seeking asylum and drop off much-needed supplies. My Two Border Towns by David Bowles, with stunning watercolor illustrations by Erika Meza, is the loving story of a father and son's weekend ritual, a demonstration of community care, and a tribute to the fluidity, complexity, and vibrancy of life on the U.S.-Mexico border. Available in English and Spanish.