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Left alone after her father’s death, Anne Waverly has come to London and secured a position as governess to Lord Tenbury’s niece. Her employer is all that is kind, the child is a delight, and she is content. But Lord Tenbury is keeping a secret from her, a secret that will change her life in a most astonishing and disconcerting way. Regency Romance by Lois Menzel; originally published by Fawcett Crest
Ruling Passion is the only book-length study of tyranny, statesmanship, and civic virtue in three major Platonic dialogues, the Georgias, the Symposium, and the Republic. It is also the first extended interpretation of eros as the key to Plato's understanding of both the depths of human vice and the heights of human aspirations for virtue and happiness. Through his detailed commentary and eloquent insights on the three dialogues, Waller Newell demonstrates how, for Plato, tyranny is a misguided longing for erotic satisfaction that can be corrected by the education of eros toward the proper objects if its pleasure: civic virtue and philosophy. In unfolding these reflections through his analysis, Newell also demonstrates a rich and deep grasp of the complexities of the tyrannical personality and countless new insights into the dramatic dimensions of Plato's dialogues. Written in a clear and engaging style, Ruling Passion will be of interest to philosophers, political theorists, classicists, historians, and anyone generally intrigued by the ironies, mysteries, and longings of human nature and psychology.
"Any car maker's greatest asset is their perceived image in the marketplace." Wangers knows what he is talking about, for he was part of the most successful brand marketing campaign to ever come out of Detroit. At a time when such automotive legends as "Bunkie" Knudsen, Pete Estes, and John DeLorean held sway in the Motor City, Jim Wangers created and defined the American musclecar image, devising savvy brand marketing strategies to promote the car that started it all and became a cultural icon: the Pontiac GTO.
The Tragic Hero through Ages is an illuminating work on the greatest Greek and English tragedies and their heroes. The first chapter deals with the Greek tragedies and their heroes. The next three chapters study the outstanding pre-Shakespearean, Shakespearean and post-Shakespearean tragedies and their heroes. The Miltonic and the Byronic heroes have been studied in fifth and sixth chapters, respectively. The closing chapter summarizes the whole work and many undiscovered facts have been brought to light. It is genuine contribution to the whole theory of Greek and English tragic drama. It embodies the most famous speeches and best scenes from the greatest Greek and English Tragedies: their short summaries and the lifelike portraits of their heroes. It is a running commentary on the Greek and English tragic drama, spreading over a span of 2500 years with all its charm and grandeur. It is a colossal work with the finish of an exquisite piece of jewellery.
As eighteenth-century scholarship expands its range, and disciplinary boundaries such as Enlightenment and Romanticism are challenged, novels published during the rich period from 1750 to 1832 have become a contested site of critical overlap. In this volume, scholars who typically write under the rubric of either the long eighteenth century or Romanticism examine novels often claimed by both scholarly periods. This shared enterprise opens new and rich discussions of novels and novelistic concerns by creating dialogue across scholarly boundaries. Dominant narratives, critical approaches, and methodological assumptions differ in important ways, but these differences reveal a productive tension. Among the issues engaged are the eighteenth-century novel's development of emotional interiority, including theories of melancholia; the troubling heritage of the epistolary novel for the 1790s radical novel; tensions between rationality and romantic affect; issues of aesthetics and politics; and constructions of gender, genre, and race. Rather than positing a simple opposition between an eighteenth-century Enlightenment of rationality, propriety, and progress and a Romantic Period of inspiration, heroic individualism, and sublime emotionality, these essays trace the putatively 'Romantic' in the early 1700s as well as the long legacy of 'Enlightenment' values and ideas well into the nineteenth century. The volume concludes with responses from Patricia Meyer Spacks and Stephen C. Behrendt, who situate the essays and elaborate on the stakes.
No books have been published on the practice of neuroscience in the eighteenth century, a time of transition and discovery in science and medicine. This volume explores neuroscience and reviews developments in anatomy, physiology, and medicine in the era some call the Age of Reason, and others the Enlightenment. Topics include how neuroscience adopted electricity as the nerve force, how disorders such as aphasia and hysteria were treated, Mesmerism, and more.
In this eminently readable book, G. Douglas Atkins continues the efforts undertaken in Reading Deconstruction/Deconstructive Reading to open eighteenth-century texts to the insights of recent critical theory. Through close readings of most of Pope's major poems, Atkins demonstrates how the powerful theoretical movement known as deconstruction enriches, challenges, and significantly modifies our understanding of the work of the greatest poet of the eighteenth century. The first full-scale deconstructive study of Augustan poetry, Quests of Difference at once offers a fresh and compelling reading of Pope and makes an important contribution to constructive criticism. Though it will be of particular interest and importance to specialists in both eighteenth-century studies and criticism and theory, Quests of Difference is written with the general reader in mind. All readers will appreciate the intelligence and balance of Atkin's approach as well as the clarity, informality, and grace that distinguish his writing.