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The Sacramento Mountains are an oasis of cool pine forests, alpine meadows, and fast-flowing streams. For more than a century, the area has been a summer haven for people living in the surrounding desert. The town of Ruidosoaa Spanish word meaning anoisyaais named for the sound of water rushing over rocks as the Rio Ruidoso runs (and occasionally rampages) through the town. The townas first resident, Civil War veteran Paul Dowlin, built an adobe mill that harnessed the riveras power. Word of the areaas beauty soon spread. Traveling over primitive roads, first by horse and wagon and later by automobile, visitors escaped the summer heat in what became known as aThe Playground of the Southwest.a Some came for horse racing or the gambling and night life offered by the townas many bars; others came to hike, fish, and later ski on the slopes of Sierra Blanca, the mountain whose 12,000-foot peak provides a stunning backdrop for the town.
Young Elijah was sitting on the porch of the Ruidoso Store when fourteen-year-old Beth Delilah and her father climbed down from the stage coach. Blond with lovely pale skin, big blue eyes and "dressed from boot to bonnet in black" in mourning for her mother, she was the prettiest, most exotic thing he had ever seen. And when she bent over to pick up a horned toad, which she then held right up to her face in complete fascination, Elijah learned that it's possible to feel jealous of an amphibian. In the last years of the nineteenth century, in the western territory that would become New Mexico, the two young people become constant companions. They roam the ancient country of mysterious terrain, where the mountain looms and reminds them of their insignificance, and observe the eccentric characters in the village: Mr. Blackwater, known as "No Leg Dancer" by the Apaches because of the leg he lost in the War Between the States and his penchant for blowing reveille on his bugle each morning; their friend, Two Feather, the Mescalero Apache boy who takes Beth Delilah to meet his wise old grandfather who sees mysterious things; and Señora Roja, who everyone believes is a bruja, or witch, and who they know to be vile and evil. Elijah has horrible nightmares involving Señora Roja, death and torture. And when the witch enslaves a girl named Rosa, the pair must try to rescue her from her grim fate. Together, Elijah and Beth Delilah come of age in a land of mountains and ravens, where good and evil vie for the souls of white men and Indians alike.
The Patch is the seventh collection of essays by the nonfiction master, all published by Farrar, Straus and Giroux. It is divided into two parts. Part 1, “The Sporting Scene,” consists of pieces on fishing, football, golf, and lacrosse—from fly casting for chain pickerel in fall in New Hampshire to walking the linksland of St. Andrews at an Open Championship. Part 2, called “An Album Quilt,” is a montage of fragments of varying length from pieces done across the years that have never appeared in book form—occasional pieces, memorial pieces, reflections, reminiscences, and short items in various magazines including The New Yorker. They range from a visit to the Hershey chocolate factory to encounters with Oscar Hammerstein, Joan Baez, and Mount Denali. Emphatically, the author’s purpose was not merely to preserve things but to choose passages that might entertain contemporary readers. Starting with 250,000 words, he gradually threw out 75 percent of them, and randomly assembled the remaining fragments into “an album quilt.” Among other things, The Patch is a covert memoir.
Rhyming text describes the many sounds associated with an airplane flight and what they mean. Includes a section with more facts about airplanes.
The dramatic true story of two brothers living parallel lives on either side of the U.S.-Mexico border—and how their lives converged in a major criminal conspiracy José and Miguel Treviño were bonded by blood and a shared vision of a better life. But they chose different paths that would end at the same violent crossroads—with considerable help from the FBI and an enigmatic, all-American snitch. José was a devoted family man who cut no corners in his pursuit of the American dream. Born in Nuevo Laredo, a Mexican border town on a crucial smuggling route, José was one of thirteen children raised by a hardworking ranch hand. He grew up loving the sprawling countryside and its tough, fast quarter horses, but in search of opportunity he crossed the border into Texas to look for work as a bricklayer. He kept his nose clean. He stayed out of trouble. Back in Mexico, José’s younger brother Miguel was leading a different life. While José struggled to make ends meet, Miguel ascended to the top ranks of Los Zetas, a notoriously bloody drug cartel—his crimes had become the stuff of legend and myth on both sides of the border. He was said to have burned rivals alive, murdered Mexican and American law enforcement officers, and launched grenades at a U.S. consulate. José, married with kids and now a U.S. citizen, gave every indication of rejecting his brother’s criminal lifestyle. Then one day he showed up at a quarter-horse auction and bid close to a million dollars for a horse—the largest amount ever paid for a quarter horse at an auction. The humble bricklayer quickly became a major player in the quarter-horse racing scene that thrived in the American Southwest and Mexico. That caught the attention of an eager young FBI agent named Scott Lawson. He enlisted Tyler Graham, an American rancher who would eventually breed José’s champion horse—nicknamed Bones—to help the FBI infiltrate what was revealing itself to be a major money-laundering operation, with the ultimate goal of capturing the infamous Miguel Treviño. Joe Tone’s riveting, exquisitely layered crime narrative, set against the high-stakes world of horse racing, is an intimate story about family, loyalty, and the tragic costs of a failed drug war. Compelling and complex, Bones sheds light on the perilous lives of American ranchers, the morally dubious machinery of drug and border enforcement, and the way greed and fear mingle with race, class, and violence along America’s vast Southwestern border. Praise for Bones “The true-life tale of the Zetas’ foray into quarter horses is masterfully recounted. . . . [a] finely-painted cast of characters . . . Tone weaves the threads together with skillful pacing and sharp prose, marking him as an important new talent in narrative nonfiction. . . . Tone adds some vivid details [and] digs deep into the colorful world of quarter-horse racing.”—The New York Times Book Review
This is a book that for over forty years was carefully researched and footnoted by the principal author Ernest S. Sanchez. It is a story that is weaved together by multiple interviews with families and their familial history that makes this account and supported by documentation. This book brings into focus the following points: 1. History of the settlement of New Mexico from Onate to the present 2. The principal families that were involved in the settlement and their experiences... 3. The New Mexican experience from the Hispanic view in the history of the settlement of Lincoln County and the Lincoln County War 4. An insight on the personal relationship of the Hispanics with William H. Bonney (Billy the Kid). 5. A very accurate reference in the genealogy of the families that settled in Lincoln County New Mexico. This story illuminates the rich customs and traditions of the people that make up New Mexico history. We get a view of the every day life experiences of the Nuevo Mexicanos, that were passed forward from generation to generation. This account also exposes the violence, greed and racism that not only permeated the Spanish settlement of New Mexico but also fueled the Lincoln County War. It is an American story, a story of the painful birth of a nation.