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Historian Sara Eskridge examines television’s rural comedy boom in the 1960s and the political, social, and economic factors that made these shows a perfect fit for CBS. The network, nicknamed the Communist Broadcasting System during the Red Scare of the 1940s, saw its image hurt again in the 1950s with the quiz show scandals and a campaign against violence in westerns. When a rival network introduced rural-themed programs to cater to the growing southern market, CBS latched onto the trend and soon reestablished itself as the Country Broadcasting System. Its rural comedies dominated the ratings throughout the decade, attracting viewers from all parts of the country. With fascinating discussions of The Andy Griffith Show, The Beverly Hillbillies, Petticoat Junction, and other shows, Eskridge reveals how the southern image was used to both entertain and reassure Americans in the turbulent 1960s.
Historian Sara Eskridge examines television’s rural comedy boom in the 1960s and the political, social, and economic factors that made these shows a perfect fit for CBS. The network, nicknamed the Communist Broadcasting System during the Red Scare of the 1940s, saw its image hurt again in the 1950s with the quiz show scandals and a campaign against violence in westerns. When a rival network introduced rural-themed programs to cater to the growing southern market, CBS latched onto the trend and soon reestablished itself as the Country Broadcasting System. Its rural comedies dominated the ratings throughout the decade, attracting viewers from all parts of the country. With fascinating discussions of The Andy Griffith Show, The Beverly Hillbillies, Petticoat Junction, and other shows, Eskridge reveals how the southern image was used to both entertain and reassure Americans in the turbulent 1960s.
The hilarious first book in an all-new illustrated middle-grade series starring young inventor Rube Goldberg—now in paperback Grab a wrench, flip a switch, and get ready to spring into this all-new, sidesplitting illustrated series featuring a young master of machines—Rube Goldberg! With summer gone too quickly, Rube must finally face what he’s been dreading all vacation: middle school! He’s not ready for new classes, new people, new everything—and it’s really taking a toll on him. With his anxieties in full gear, all Rube wants to do is do what he does best: invent! When Principal Kim announces that the school is going to throw a Contraption Convention—Con Con—Rube is ready to show off his skills and get out of his funk! But things just can’t seem to go right for Rube: He gets banned from Con Con, his friendships are strained, and weird, ghostly incidents begin to throw the town into total chaos. But Rube has a big solution to every little problem, and he’s ready to get back on track, solve the ghostly mystery, and come up with something brilliant before it’s time to face the judging table!
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-10-1948 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 101 VOLUME NUMBER: Vol. XIII. No. 20 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 17-91, 93-94 ARTICLE: 1. New India And Fundamental Rights 2. Conflicting Ideologies 3. Employment Exchanges AUTHOR: 1. Rev. Jerome D'Souza S. J. 2. Dr. Sita Ram 3. Mr. Rameshwar Agnibhoj KEYWORDS: 1. Fundamental rights after Indian independence, Fundamental rights in India and world, Constitution and fundamental rights 2. United Nations Organization, Political Ideologies, World Conflicts 3. Employment Exchange, Training of personnel, Ministry of Labour Document ID: INL-1948 (J-D) Vol-II (09)
If Rube’s inventions are any indication, “normal” means something very different in the Goldberg household. For Rube, up is down, in is out, and the simplest path to accomplishing an everyday task—like brushing his teeth or getting dressed—is a humorously complicated one. Follow Rube as he sets out on a typical school day, overcomplicating each and every step from the time he wakes up in the morning until the time he goes to bed at night. This book features fourteen inventions, each depicting an interactive sequence whose purpose is to help Rube accomplish mundane daily tasks: a simple way to get ready for school, to make breakfast, to do his homework, and so much more.
From Rube to Robinson aims to bring together the best Negro League baseball scholarship that the Society of American Baseball Research (SABR) has ever produced, culled from its journals, Biography Project, and award-winning essays. The book includes a star-studded list of scholars and historians, from the late Jerry Malloy and Jules Tygiel, to award winners Larry Lester, Geri Strecker, and Jeremy Beer, and a host of other talented writers. Beginning in the 19th century, Todd Peterson's "May the Best Man Win: The Black Ball Championships 1866-1923" opens the volume and inventories claims to baseball supremacy that preceded the Colored World Series competition that began in 1924. The late Jerry Malloy, whose name graces SABR's annual Negro League Conference, covers an early attempt at forming a Black baseball circuit in "The Pittsburgh Keystones and the 1887 Colored League."There are also profiles of some of the Negro Leagues' now-mythic figures: Sol White (by Jay Hurd), Rube Foster (by Larry Lester), and Oscar Charleston. Seymour Award winning author Jeremy Beer contributes his article "Hothead: How the Oscar Charleston Myth Began," which rebuts the oft-repeated notion that Charleston was in need of anger management.Ballparks and venues also get a look. James Overmyer's "Black Baseball at Yankee Stadium" describes the tenant/landlord relationship of Negro Leagues teams with the New York Yankees during the 1930s and 40s, while Geri Driscoll Strecker's "The Rise and Fall of Greenlee Field" is a cradle-to-grave biography of the Pittsburgh Crawfords' stadium.The final section of the book covers integration and the socio-economics of Black baseball. Leading off is Larry Lester's masterful "Can You Read, Judge Landis?" which refutes the contention that Judge Kenesaw Mountain Landis was blameless for the persistence of baseball's segregation. MLB's official historian John Thorn and the late Jules Tygiel weigh in with "Jackie Robinson's Signing: The Real, Untold Story," and Duke Goldman presents an in-depth and meticulously referenced recap of the winter meetings and in-season owners meetings from the formation of a second Negro National League in 1933 through the last gasp of the Negro American League in 1962.
Discover how Rube Goldberg followed his dreams to become an award-winning cartoonist, inventor, and even an adjective in the dictionary in this inspiring and funny biographical picture book. Want to become an award-winning cartoonist and inventor? Follow your dreams, just like Rube Goldberg! From a young age, Rube Goldberg had a talent for art. But his father, a German immigrant, wanted Rube to have a secure job. So, Rube went to college and became an engineer. But Rube didn’t want to spend his life mapping sewer pipes. He wanted to follow his passion, so Rube got a low-level job at a newspaper, and from there, he worked his way up, creating cartoons that made people laugh and tickled the imagination. He became known for his fantastic Rube Goldberg machines—complicated contraptions with many parts that performed a simple task in an elaborate and farfetched way. Eventually, his cartoons earned him a Pulitzer Prize and his own adjective in the dictionary. This moving biography is sure to encourage young artists and inventors to pursue their passions.
From a spring cake topper to festive winter wrapping paper, craft your way through the year by mixing painting with other art mediums. Paint, Make, Create showcases seasonal, multi-craft projects all woven together by painting. Designed for all abilities, the twenty engaging activities will guide you through the seasons and include working with clay, printing, collaging, sewing and embroidery with a fun and modern painterly twist. Including a comprehensive guide to getting started with painting, Paint, Make, Create will help you develop an understanding of types of paints, surfaces, color palettes and mixing your own colors while also arming you with the tools and confidence to create your own original pieces. Drawing on author Becki’s vast experience in the creative world, alongside each project’s step by step guide are helpful hints and tips, perfect for beginners wanting to experiment with paints. Your creativity will flourish with each contemporary craft project, from creating painterly table settings for Summer gatherings right through to painting Christmas gifts and decorations.
“It’s good to see Si Siman and the Ozark Jubilee get their due in Broadcasting the Ozarks.” —Willie Nelson Broadcasting the Ozarks explores the vibrant country music scene that emerged in Springfield, Missouri, in the 1930s and thrived for half a century. Central to this history is the Ozark Jubilee (1955–60), the first regularly broadcast live country music show on network television. Dubbed the “king of the televised barn dances,” the show introduced the Ozarks to viewers across America and put Springfield in the running with Nashville for dominance of the country music industry—with the Jubilee’s producer, Si Siman, at the helm. Siman’s life story is almost as remarkable as the show he produced. He was booking Tommy Dorsey, Ella Fitzgerald, and Glenn Miller during the mid-1930s while still a high school student and produced nationally syndicated country music radio shows in the decades that followed. Siman was a promotional genius with an ear for talent, a persuasive gift for gab, and the energy and persistence to make things happen for many future Country Music Hall of Famers, including Chet Atkins, Porter Wagoner, the Browns, and Brenda Lee. Following the Jubilee’s five-year run, Siman had a hand in some of the greatest hits of the twentieth century as a music publisher, collaborating with such songwriters as rockabilly legend and fellow Springfieldian Ronnie Self, who wrote Brenda Lee’s signature hit, “I’m Sorry,” and Wayne Carson, who wrote Willie Nelson’s “Always on My Mind.” Although Siman had numerous opportunities to find success in bigger cities, he chose to do it all from his hometown in the Ozarks.

Report

United States. National Advisory Committee for Aeronautics

Published: 1957

Total Pages: 324


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