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A rich production followed of objects for daily use, ritual, and luxury living, finely carved in various materials or fashioned of clay. Monumental sculpture was made in stone or bronze, and dramatic friezes were composed of brilliantly glazed bricks. Among the discoveries are tiny, intricately carved cylinder seals and splendid jewelry. Clay balls marked with symbols offer fascinating testimony to the very beginnings of writing; clay tablets from later periods bearing inscriptions in cuneiform record political history, literature, business transactions, and mathematical calculations. A very important group of finds from Susa is made up of objects brought back as booty from conquests in Mesopotamia. These works, many of them the royal monuments of Akkadian and Babylonian monarchs - for instance, the great stele of Naram-Sin - are among the best known of all objects from the ancient Near East.
This breathtaking survey of French royal patronage features full-color illustrations of more than 100 objects, many so precious that they rarely leave the Louvre. French decorative arts reached their pinnacle in craftsmanship and design between the reign of Louis XIV and the Revolution, beginning with the sumptuous works of art made at the Gobelins manufactory, which was established to furnish the royal palaces, and continuing with luxury pieces made in specialist workshops across Paris through the end of the ancient régime. This book reveals the story of patronage and collecting among the French kings and queens with some of the greatest works from the collection of the Musée du Louvre, Paris, alongside illuminating essays describing the history and background of these beautiful royal objects. Drawing from the Louvre's extraordinary Département des Objets d'Art, Royal Treasures from the Louvre examines the full breadth of decorative arts in 17th- and 18th-century France, offering readers a generous view into the splendor of the French court.
Contains excellent notes on the 100 works shown in color.
The centuries-long history of the Louvre, from humble fortress to Royal palace to the world’s greatest art museum—with photos and building maps. Some ten million people from all over the world flock to the Louvre each year to enjoy its incomparable art collection. Yet few of them are aware of the remarkable history of the site and buildings themselves—a fascinating story that historian James Gardner elegantly chronicles in this authoritative history. More than seven thousand years ago, men and women camped on a spot called le Louvre for reasons unknown. Centuries later, King Philippe Auguste of France constructed a fortress there, just outside the walls of a nascent Paris. Intended to protect the capital against English soldiers stationed in Normandy, the fortress became a royal residence under Charles V two centuries later, and then the monarchy’s principal residence under the great Renaissance king François I. In 1682, when Louis XIV moved his court to Versailles, the Louvre languished until the French Revolution when, during the Reign of Terror in 1793, it first opened its doors to display the nation’s treasures. Ever since—through the Napoleonic era, the Commune, two World Wars, to the present—the Louvre has been a witness to French history, and expanded to become home to a legendary art collection that includes the Mona Lisa and Venus de Milo. Includes sixteen pages of full-color photos illustrating the history of the Louvre, a full-color map detailing its evolution from fortress to museum, and black-and-white images throughout the narrative.
Selection from the Louve of over fifty precious jewelry pieces, pictured in paintings and photographs.
Francis I was the first Renaissance king of France, and reigned from 1515 to 1547. A man of considerable intelliugence and education, Francis embraced the new art of Renaisssance Italy with enthusiasm and taste, collecting the finest paintings and sculptures from Michelangelo, Raphael, Titian and others, When possible he brought the artists back to work with him in France. His many acquisitions and commissions formed the nucleus of the French royal collections, now in the Louvre.
From Mona Lisa's smile to Napoleon's plundered treasures and I. M. Pei's controversial glass pyramid, this book presents the world's greatest museum, not as the sum of its masterpieces, but as a living, changing institution that throws a high beam on the artistic, political, and social history of the Western World. 650 full-color photos.
For the past two centuries and more, the West has acquired the treasures of antiquity to fill its museums, so that visitors to the British Museum in London, the Louvre in Paris and the Metropolitan in New York - to name but a few - can wonder at the ingenuity of humanity throughout the ages. However, in the opinion of most people, many of these items are looted property and should be returned immediately. In 'Keeping Their Marbles', Tiffany Jenkins tells the intriguing and sometimes bloody story of how the West came to acquire these treasures. Originally published: 2016.
A narrative history of the founding of the Louvre that also explores the ideological underpinnings, pedagogical aims, and aesthetic criteria of this, the first great national art museum.
"Provides the cultural, archaeological, and historical contexts for a selection of thirty works of art in the Metropolitan Museum's collection"--Slipcase.