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In 1972 an English rock band released its first album to instant critical acclaim: Roxy Music. Here was a group that looked as though it came not only from another era, but also from another planet-a band in which art, fashion, and music would combine to create, in Bryan Ferry's words, “above all, a state of mind.” Written with the assistance, for the first time, of all those involved, including Bryan Ferry, Brian Eno, Andy Mackay, and Phil Manzanera, Re-Make/Re-Model tells how Pop Art, the 1960s underground, and Swinging London were transformed into a unique sound and look-theatrical, arch, literate, clever, sexy, thrilling. In the tradition of Jean Stein and George Plimpton's Edie, Re-Make/Re-Model is the story of extraordinary individuals and exceptional creativity-and nothing less than the history of an era in music and pop culture.
Following the formation and development of Roxy Music, one of the first and best art-rock bands of the 1970s, this account tells how the band, led by London's hippest working-class man, Bryan Ferry, rebelled against the denim-clad anonymity of the early 1970s and turned the decade into a decadent glam-rock party. Included are accounts of Ferry's affair with supermodel Jerry Hall and its public end when she left him for Mick Jagger, the band's various splits and regroupings, and the recent.
In ten short years, Roxy Music made two of the most experimental albums in popular music history and one of the most smoothly romantic. Conceived by Bryan Ferry at the turn of the 1970s, the band released its first album, Roxy Music, to wide acclaim in 1972 and swiftly followed up with the ground-breaking single ‘Virginia Plain’. Ferry, Andy Mackay, and Phil Manzanera remained Roxy’s core players over seven more albums in three distinct phases. The debut and For Your Pleasure (1973) featured all manner of electronic weirdness from Brian Eno, while Stranded (1973), Country Life (1974), and Siren (1975) marked the peak of Ferry’s songwriting and struck a delicate balance between edgy art and gorgeous craft. Finally, Manifesto (1979), Flesh + Blood (1980), and Avalon (1982), the last two without powerhouse founding drummer Paul Thompson, framed Ferry’s tales of doomed romance within a sophisticated wash of sound that used the studio itself as an instrument. The members of Roxy Music have had long and distinguished careers outside the band, but nothing can surpass the eight albums they made together. This book tells the musical story of this most enigmatic of British bands. Michael Kulikowski’s day job is teaching about ancient Rome as the Edwin Erle Sparks Professor of History and Classics at Penn State University, USA. He is the author of academic books and articles, as well as Imperial Triumph (2016) and Imperial Tragedy (2019), which are written for the general reader and narrate the history of ancient Rome from its height around AD 100 to the end of the western empire in the fifth century. He writes regularly for the London Review of Books and has been listening obsessively to Roxy Music for forty years.
At lunchtime on a bitterly cold January day in 1969, the strains of guitar chords could be heard in the streets surrounding London’s Savile Row. Crowds gathered – At ground level and above. People climbed onto roofs and postboxes, skipped lunch to gather and listen: For the first time in more than two years, The Beatles were playing live. Ringing from the rooftops, disturbing the well-to-do ears of the tailors below, they upset the establishment and bewildered the police. It was filmed by director Michael Lindsay-Hogg, who hoped the footage would act as the finale to a celebratory TV special. When it finally surfaced, it was in the bleak, tumultuous documentary Let It Be. And The Beatles would never play live again. Tony Barrell examines the concert within the context of its time. He speaks to those who were there: the fans, film-makers, roadies, Apple Corps staff and police. He explores the politics of 1968, when peace gave way to protest, and how music promotion began to collide with cinéma vérité and reality TV. The Beatles on the Roof makes essential reading for anyone interested in the band’s reinventions and relationships, revealing why the rooftop concert happened at all, why it happened the way that it did, and why it would never happen again.
324 pages of never before seen Roxy Music photographs from one of the most high-profile Roxy Music fans celebrating the 50th anniversary of the band's debut album. A perfect gift for fans of 80s bands, Roxy Music and music photography. 2022 marks the 50th anniversary of Roxy Music’s eponymous debut album, which the band are celebrating with a North America and UK tour, their first in over a decade. To coincide with this milestone, we are proud to present a one-of-a-kind historical document and celebration of one of the most beloved and enduring bands of our times. Documenting the band from their heyday in 1973 right up to Roxy’s last live performance in 2019 – more often than not from the photographer’s pit – and punctuated by rare memorabilia, priceless memories and cheeky anecdotes, Roxy Live is the book Roxy fans have been waiting for.
Argues that United States' creative class is fighting for survival and explains why this should matter to all Americans.
Having designed Roxy Music as an haute couture suit hand-stitched of punk and progressive music, Bryan Ferry redesigned it. He made Roxy Music ever dreamier and mellower-reaching back to sadly beautiful chivalric romances. Dadaist (punk) noise exited; a kind of ambient soft soul entered. Ferry parted ways with Eno, electric violinist Eddie Jobson, and drummer Paul Thompson, foreswearing the broken-sounding synthesizers played by kitchen utensils, the chance-based elements, and the maquillage of previous albums. The production and engineering imposed on Avalon confiscates emotion and replaces it with an acoustic simulacrum of courtliness, polished manners, and codes of etiquette. The seducer sings seductive music about seduction, but decorum is retained, as amour courtois insists. The backbeat cannot beat back nostalgia; it remains part of the architecture of Avalon, an album that creates an allusive sheen. Be nostalgic, by all means, but embrace that feeling's falseness, because nostalgia-whether inspired by medieval Arthuriana or 1940s film noir repartee or a 1980s drug-induced high-deceives. Nostalgia defines our fantasies and our (not Ferry's) essential artifice.
Roxy Music's mix of Bryan Ferry's sexual posturing and Brian Eno's synthesizer experimentation, along with Stockhausen and Stax, exploded with an energy unlike that of any other pop band -- ensuring an unbroken string of Top 10 albums. As Roxy Music evolved, their dazzling mix of space suits and 1950s haircuts gave way to lounge-lizard chic, and the band managed to become both a pop icon and a respected musical entity. Eclectic and effervescent, Unknown Pleasures is a celebration of Roxy Music and popular culture in the 1970s.
Gathers paintings and collages that interpret songs by Brian Eno and describes the working methods of both artist and composer