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Completed in 1958, and not published until 1990 due to Soviet censorship, Daniel Andreev reviewed and summarized the entirety of world progress, calling it a meta-philosophy of history. In the centuries ahead he saw calamities to envelop the world, to be culminated by the reign of Rose of the World. This is an international movement unifying the best of all religious and philosophic teachings, and a worldwide Federation of governments, harmonically regulating economic and social movements in the interests of the spiritual development of a person. Rose of the World will install a genuine golden age in our world and abolish poverty, tyranny, war, and violence. Daniel Andreev at the same time had visions of other worlds, both subterranean and celestial, and recorded them, with the struggle between good and evil, and the progress of humans for the goal of moral perfection. A New Translation of selections from the Russian into English by Daniel H. Shubin, for the American Reader.
An epic fairytale romance set in a semi-fictional ancient world, containing elements of action, adventure, poetry and comedy. The title has a triple meaning: the central character is a renowned beauty - 'the rose of the world' - while the rose flower features heavily in the plot, and it also implies that the world rose up. When Ronwind Drake discovers treasures in a distant paradise, a new golden age seems set to begin, but Ella Tundra will find that all which glitters is not gold as she faces many obstacles in her quest for true love.
Wide-wielding and strange, an invitation into an artist’s secret empire.
The new novel in the ever-popular Hawkenlye series Autumn, 1210. A year ago, King John was excommunicated and now his men have come to Hawkenlye Abbey to take it over. Abbess Caliste, Helewise's successor, worries how she is to feed the nuns under her care, let alone conduct her usual good works. Meanwhile, Helewise has moved into Hawkenlye Manor with Josse, and their lives are full of family and warmth. But after a visit to St Edmund's Chapel, Helewise's eleven-year-old granddaughter, Rosamund, goes missing and soon all that they hold dear is threatened . . .
In Bright of the Sky, Kay Kenyon introduced a milieu unique in science fiction and fantasy: The Entire, a five-armed radial universe that exists in a dimension without stars and planets and is parallel to our own universe. Stretched over The Entire is a lid of plasma, called the bright, which ebbs and flows, bringing day and twilight. Under the vast canopy of the bright live many galactic species, copied from our own universe. Former star pilot Titus Quinn loves The Entire, but now he must risk annihilating it by destroying the fortress of Ahnenhoon. To sustain a faltering Entire, Ahnenhoon's great engine will soon reach through the brane separating the universes and consume our own universe in a concentrated ball of fire. Quinn sets off on a journey across The Entire armed with the nan, a small ankle bracelet containing nanoscale military technology that can reduce Ahnenhoon and its deadly engine to chaos. He must pursue his mission even though his wife is held prisoner in Ahnenhoon and his own daughter has sent the assassin MoTi to hunt him down. As he traverses the galactic distances of The Entire, he learns more of the secrets of its geography, its fragile storm walls, its eons-long history, and the factions that contend for dominance. One of these factions is led by his daughter, who though young and a slave, has at her command a transforming and revolutionary power. As Quinn wrestles with looming disaster and approaches the fabled concentric rings of Ahnenhoon's defenses, he learns that in the Entire, nothing is what it appears. Its denizens are all harboring secrets, and the greatest of these is the nature of the Entire itself.
What happens when a former Zen Buddhist monk and his feminist wife experience an apparition of the Virgin Mary? “This book could not have come at a more auspicious time, and the message is mystical perfection, not to mention a courageous one. I adore this book.”—Caroline Myss, author of Anatomy of the Spirit Before a vision of a mysterious “Lady” invited Clark Strand and Perdita Finn to pray the rosary, they were not only uninterested in becoming Catholic but finished with institutional religion altogether. Their main spiritual concerns were the fate of the planet and the future of their children and grandchildren in an age of ecological collapse. But this Lady barely even referred to the Church and its proscriptions. Instead, she spoke of the miraculous power of the rosary to transform lives and heal the planet, and revealed the secrets she had hidden within the rosary’s prayers and mysteries—secrets of a past age when forests were the only cathedrals and people wove rose garlands for a Mother whose loving presence was as close as the ground beneath their feet. She told Strand and Finn: The rosary is My body, and My body is the body of the world. Your body is one with that body. What cause could there be for fear? Weaving together their own remarkable story of how they came to the rosary, their discoveries about the eco-feminist wisdom at the heart of this ancient devotion, and the life-changing revelations of the Lady herself, the authors reveal an ancestral path—available to everyone, religious or not—that returns us to the powerful healing rhythms of the natural world.
Agnes married Egerton Castle and co-authored many novels with her husband, including this book which explores English society at the turn of the 20th century. Following a family of high society members, this novel explores luxury and what was considered normal and expected for both men and women. That's especially the case when one finds themself being pulled in a different direction.
Translated from the Greek by Sarah McCann. Maria Laina's debut English collection. Laina's poems carve symbolically rich images drawn from mythology and the natural world. Rose Fear follows in the Sapphic vein: fragmented, prophetic, and emotionally charged. Sarah McCann in her translations deftly captures the music and the vividness of Laina's scenes, which take their inspiration from regions as diverse as Japan, the Caribbean, and her native Greece. Yet always behind the recognizable world lie the rhythms and lights of the fairytale, the fable, and the spell. "A moving, vivid collection of verse ... The collection's strength lies in its ability to challenge the reader, and its study of time offers new ways of imagining the intangible."--Kirkus Reviews "Like a grim fairytale, Laina's silvery lullaby lyricism morphs into beautifully dark chants and hanging, haikulike scenes as it moves between voices and scraps of stories, complicating and recoloring the feeling of fear itself."--World Literature Today Poetry. Women's Studies. Greek Studies