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Although widely viewed as the beginning of the legal struggle to end segregation, the U.S. Supreme Court's decision Brown v. Board of Education was in fact the culmination of decades of legal challenges led by a band of lawyers intent on dismantling segregation one statute at a time. Root and Branch is the compelling story of the fiercely committed lawyers that constructed the legal foundation for what we now call the civil rights movement. Charles Hamilton Houston laid the groundwork, reinventing the law school at Howard University (where he taught a young, brash Thurgood Marshall) and becoming special counsel to the NAACP. Later Houston and Marshall traveled through the hostile South, looking for cases with which to dismantle America's long-systematized racism, often at great personal risk. The abstemious, buttoned-down Houston and the folksy, easygoing Marshall made an unlikely pair-but their accomplishments in bringing down Jim Crow made an unforgettable impact on U.S. legal history.
The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.
Roots & Branches is rooted in a story of love and longing based on a fatal accident in a primitive upper Egyptian village over a century ago. In this rich and powerful story Meguid explores his remarkable early life based on a journal, letters and photos, which amply illustrate the book. How does a four-year-old boy uprooted from a cozy Egyptian family endure abandonment in impoverished post-war Germany? In his vivid biography of his formative years Meguid traces his childhood-alone, forsaken and often threatened with corporal punishment. Born to an Egyptian father and a German mother, his earliest memories of Cairo are idyllic, but his mother's refusal to adapt to Egyptian life resulted in upheaval. At the age of four, his parents left him in Hamburg with his German grandparents, where life became defined by the rigid rules of his Prussian grandfather. The desertion left him with a gaping hole, howling loneliness, and a longing that rippled through him. When his parents collected him five years later, they took him to England, where once again he had to adapt to being an outsider. When he eventually returned to his beloved Egypt, he had been gone so long that he no longer quite fit in there either. His father's premature death thrusted Meguid into another existential crisis of abandonment. Facing conscription and an uncertain future, Meguid learned to navigate his own path.
Roots and Branches, Robert Duncan's second major book of poetry (first published in 1964) is now reissued.
"Featuring eighty-two seminal writings, Social Theory helps students draw connections across different schools of thought. Each reading is enhanced by a concise, thought-provoking introduction that highlights its key points and frames it in a larger context. These introductions serve as a useful 'road map' for students as they travel through the diverse views and continuing debates that make the study of social theory an exciting adventure. The introductions also explain core issues and relationships among the topics covered.
Professor Tom Shippey is best known for his books 'The Road to Middle-earth' and 'J.R.R. Tolkien. Author of the Century'. Yet they are not the only contributions of his to Tolkien studies. Over the years, he has written and lectured widely on Tolkien-related topics. Unfortunately, many of his essays, though still topical, are no longer available. The current volume unites for the first time a selection of his older essays together with some new, as yet unpublished articles.
This book is a collection of articles written in the period 1985–2011. The articles form a background for perspectives that concern the foundations of Gestalt therapy: foundations in philosophy and foundations in psychoanalysis and connections with other therapeutic theories.
In this remarkable book, Graham Hodges presents a comprehensive history of African Americans in New York City and its rural environs from the arrival of the first African--a sailor marooned on Manhattan Island in 1613--to the bloody Draft Riots of 1863. Throughout, he explores the intertwined themes of freedom and servitude, city and countryside, and work, religion, and resistance that shaped black life in the region through two and a half centuries. Hodges chronicles the lives of the first free black settlers in the Dutch-ruled city, the gradual slide into enslavement after the British takeover, the fierce era of slavery, and the painfully slow process of emancipation. He pays particular attention to the black religious experience in all its complexity and to the vibrant slave culture that was shaped on the streets and in the taverns. Together, Hodges shows, these two potent forces helped fuel the long and arduous pilgrimage to liberty.
The history of jazz dance is best understood by comparing it to a tree. The art form's roots are African. Its trunk is vernacular, shaped by European influence, and exemplified by the Charleston and the Lindy Hop. The branches are many and varied and include tap, Broadway, funk, hip-hop, Afro-Caribbean, Latin, pop, club jazz, popping, B-boying, party dances, and much more. Unique in its focus on history rather than technique, Jazz Dance offers the only overview of trends and developments since 1960. Editors Lindsay Guarino and Wendy Oliver have assembled an array of seasoned practitioners and scholars who trace the many histories of jazz dance and examine various aspects of the field, including trends, influences, training, race, gender, aesthetics, the international appeal of jazz dance, and its relationship to tap, rock, indie, black concert dance, and Latin dance. Featuring discussions of such dancers and choreographers as Bob Fosse and Katherine Dunham, as well as analyses of how the form's vocabulary differs from ballet, this complex and compelling history captures the very essence of jazz dance.
In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.