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Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
In Home, eighteen of our finest writers evoke different rooms--from their pasts, their present, or simply their imaginations--in order to investigate the ways in which homes contain our lives. The results are touching, provocative, and sometimes hilarious. And since a portion of the editors' proceeds will go to organizations that help the homeless, Home is really where the heart is. Contributors include: Lynda Barry, Richard Bausch, Tony Earley, James Finn Garner, Henry Louis Gates, Jr., Allan Gurganus, Colin Harrison, Kathryn Harrison, Gish Jen, Karen Karbo, Alex Kotlowitz, Clint McCown, Susan Power, Esmeralda Santiago, Mona Simpson, Jane Smiley, Sallie Tisdale, and Bailey White. "Unforgettable...These pages are filled with the kind of details that etch a childhood place into the deep recesses of memory, that distinguish the sensual life of one family from another."--Los Angeles Times Book Review
Rooms of Their Own travels around the world examining the unique spaces, habits and rituals in which famous writers created their most notable works. The perennial question asked of all authors is, 'How do you write?'. What do they require of their room or desk? Do they have favourite pens, paper or typewriters? And have they found the perfect daily routine to channel their creativity? Crossing centuries, continents and genres, Alex Johnson has pooled 50 of the best writers and transports you to the heart of their writing rooms – from attics and studies to billiard rooms and bathtubs. Discover the ins and outs of how each great writer penned their famous texts, and the routines and habits they perfected. Meet authors who rely on silence and seclusion and those who need people, music and whisky. Meet novelists who travel half-way across the world to a luxury writing retreat, and others who just need an empty shed at the bottom of the garden. Some are particular about pencils, inks, paper and typewriters, and some will scribble on anything – including the furniture. But whether they write in the library or in cars, under trees, private islands, hotel rooms or towers – each of these stories confirms that there is no 'best way' to write. From James Baldwin, writing in the small hours of the morning in his Paris apartment, to DH Lawrence writing at the foot of a towering Ponderosa pine tree, to the Brontë sisters managing in a crowded co-working space, this book takes us into the lives of some of history's greatest ever writers, with each writing space illustrated in evocative watercolour by James Oses. In looking at the working lives of our favourite authors, bibliophiles will be transported to other worlds, aspiring writers will find inspiration and literature fans will gain deeper insight into their most-loved authors.
With a little help from Virginia Woolf, Susan Gubar contemplates startling transformations produced by the women's movement in recent decades. What advances have women made and what still needs to be done? Taking Woolf's classic A Room of One's Own as her guide, Gubar engages these questions by recounting one year in the life of an English professor. A meditation on the teaching of literature and on the state of the humanities today, her chapters also provide a crash course on the challenges and changes in feminist intellectual history over the past several decades: the influence of post-structuralism and of critical race, postcolonial, and cultural studies scholarship; the stakes of queer theory and the institutionalization of women's studies; and the effects of globalism and bioengineering on conversations about gender, sex, and sexuality. Yet Rooms of Our Own eschews a scholarly approach. Instead, through narrative criticism it enlists a thoroughly contemporary cast of characters who tell us as much about the comedies and tragedies of campus life today as they do about the sometimes contentious but invariably liberating feminisms of our future.
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In recent years there has been a growing recognition that a mature analysis of scientific and technological activity requires an understanding of its spatial contexts. Without these contexts, indeed, scientific practice as such is scarcely conceivable. Making Space for Science brings together contributors with diverse interests in the history, sociology and cultural studies of science and technology since the Renaissance. The editors aim to provide a series of studies, drawn from the history of science and engineering, from sociology and sociology and science, from literature and science, and from architecture and design history, which examine the spatial foundations of the sciences from a number of complementary perspectives.
Considers S. 1817 to clarify categories of federally aided assistance recipients.