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From "a striking new talent"(Sandra Dallas, author of Tallgrass) comes an unforgettable debut novel of young love and coming of age in an Iran headed toward revolution. In this poignant, eye-opening and emotionally vivid novel, Mahbod Seraji lays bare the beauty and brutality of the centuries-old Persian culture, while reaffirming the human experiences we all share. In a middle-class neighborhood of Iran's sprawling capital city, 17-year-old Pasha Shahed spends the summer of 1973 on his rooftop with his best friend Ahmed, joking around one minute and asking burning questions about life the next. He also hides a secret love for his beautiful neighbor Zari, who has been betrothed since birth to another man. But the bliss of Pasha and Zari's stolen time together is shattered when Pasha unwittingly acts as a beacon for the Shah's secret police. The violent consequences awaken him to the reality of living under a powerful despot, and lead Zari to make a shocking choice...
"In Sholeh Wolpe's Rooftops of Tehran , an unforgettable cast of characters emerges, from the morality policeman with the poison razor blade to the crow-girls flapping their black garments, from the woman with the bee-swarm tattoo emerging from her crotch to the author as a young girl on a Tehran rooftop with a God's eye view 'hovering above a city / where beatings, cheatings, prayers, songs, / and kindness are all one color's shades.' Here is a delicious book of poems, redolent of saffron and stained with pomegranate in its vision of Iran and of the immigrant life in California. Wolpe's poems are at once humorous, sad, and sexy, which is to say that they are capriciously human, human even in that they dream of wings and are always threatening to take flight." --Tony Barnstone, Award winning poet and translator, author of The Golem of Los Angeles
From "a striking new talent"(Sandra Dallas, author of Tallgrass) comes an unforgettable debut novel of young love and coming of age in an Iran headed toward revolution. In this poignant, eye-opening and emotionally vivid novel, Mahbod Seraji lays bare the beauty and brutality of the centuries-old Persian culture, while reaffirming the human experiences we all share. In a middle-class neighborhood of Iran's sprawling capital city, 17-year-old Pasha Shahed spends the summer of 1973 on his rooftop with his best friend Ahmed, joking around one minute and asking burning questions about life the next. He also hides a secret love for his beautiful neighbor Zari, who has been betrothed since birth to another man. But the bliss of Pasha and Zari's stolen time together is shattered when Pasha unwittingly acts as a beacon for the Shah's secret police. The violent consequences awaken him to the reality of living under a powerful despot, and lead Zari to make a shocking choice...
In Urban and Visual Culture in Contemporary Iran, Pedram Dibazar argues that everyday life in Iran is a rich domain of social existence and cultural production. Regular patterns of day-to-day practice in Iran are imbued with forms of expressivity that are unmarked and inconspicuous, but have remarkable critical value for a cultural study of contemporary society. Blended into the rhythms of everyday life are nonconformist modes of presence, subtle in their visibility and non-confrontational in their resistance to the established societal norms and structures. This volume is about such everyday tactics and creativity as lived in space, visualised in cultural forms and communicated through media. Through its analysis of familiar everyday experiences, Urban and Visual Culture in Contemporary Iran covers a wide range of ordinary practices-such as walking, driving, shopping and doing or watching sports-and spatial conditions-such as streets, cars, rooftops, shopping centres and stadiums. It also explores a variety of cultural formations, including film, photography, architecture, literature, visual arts, television and digital media. This book offers new ways of thinking about visual and urban cultures by highlighting a politics of everyday life that is conditioned on concerns over visibility and presence.
One family's journey through the turmoil of the 1978 revolution, when the Ayatollah Khomeini came to power in Iran, and their escape over the mountains to Turkey, and ultimately to Australia. Banafsheh is eight when the revolution begins in Iran. At first her family are jubilant about the collapse of the Shah's rule and the return of Ayatollah Khomeini, but they quickly realise that Iran has traded one dictator for another, more ruthless, ruler. Banafsheh's parents, Kamal and Nina, struggle with the harsh laws of the new revolutionary Iran. Khomeini's revolutionary guard, the Komiteh, patrol the streets, enforcing Islamic codes of dress and behaviour, and dispatching harsh justice to perceived enemies of the revolution. They drag Nina's father in for questioning, interrogate Nina and put Kamal on a stop-list, so he is unable to leave the country. Fearing for the safety of their two children, Kamal and Nina decide the family must flee their beloved country, leaving behind their extended family and friends. But the only way of escape is to take the dangerous route across the Turkish mountains.
The 1979 Revolution in Iran caused the migration of millions of Iranians, many of whom wrote, and are still writing, of their experiences. Formed at the junctions of Iranian culture, English language and Western cultures, this body of work has not only formed a unique literary space, offering an insightful reflection of Iranian diasporic experiences and its shifting nature, but it has also been making a unique and understudied contribution to World Literatures in English as significant as Indian, African and Asian writing in English. Sanaz Fotouhi here traces the origins of the emerging body of diasporic Iranian literature in English, and uses these origins to examine the socio-political position and historical context from which they have emerged. Fotouhi brings together, introduces and analyses, for the first time, a significant range of diasporic Iranian writers alongside each other and alongside other diasporic literatures in English. While situating this body of work through existing theories such as postcolonialism, Fotouhi sheds new light on the role of Iranian literature and culture in Western literature by showing that these writings distinctively reflect experiences unique to the Iranian diaspora. Analysing the relationship between Iranians and their new surroundings, by drawing on theories of migration, narration and identity, Fotouhi examines how the literature borne out of the Iranian diaspora reconstructs, maintains and negotiates their Individual and communal identities and reflects today's socio-political realities. This book will be vital for researchers of Middle Eastern literature and its relationship with writings from the West, as well as those interested in the cultural history of the Middle East.
News correspondent Leslie Cockburn has dined with the Cali Cartel, marched with the Khmer Rouge, hunted down the Black Turban in Afghanistan, pursued the Russian mafia to the Arctic Circle, shared pomegranate sauce with the Ayatollahs, and stopped a small Kurdish war, but she has never told these stories in a book-until now. Cockburn was one of the first women to break into the tight fraternity of combat and third-world reportage when she began work at the London bureau of NBC News in 1976-where successful news gathering required "unorthodox tactics, stamina, and, for best results, a criminal mind." By the time she moved to CBS's "60 Minutes," Cockburn had interviewed Muammar Qaddaffi and Margaret Thatcher, been arrested as spy in Gambia, and effectively eliminated whatever doubts her colleagues might have had about a woman's ability to tackle the news business's most dangerous assignments. A mother of three who has made a career of breaking down barriers, Leslie Cockburn has exposed the tobacco lobby in Washington and human rights violations in Cambodia, and her impact on foreign and domestic policy has been as powerful as her impact on the rights and prerogatives of working women. In an industry in which, as late as 1973, women had to lobby to wear trousers to work, Leslie Cockburn was determined to combine a strong family life with a strong professional life, sacrificing neither. With a cast of generals, drug lords, rock stars, and kings, LOOKING FOR TROUBLE is the incredible story of a career that has spanned the history-making news events of the last two decades.
A father searches for his missing son in 1953 Tehran in this brilliantly plotted espionage thriller from the bestselling author of Triple Cross. London, 1953. Harry Towers is a recently retired, and even more recently widowed, British intelligence officer. But he springs to action when hears that his estranged son Sean has disappeared in Tehran after writing a damning article about the involvement of government officials in the opium trade. In Tehran, a city on the brink of a historic coup, Harry’s career as a spy soon proves perfect training for this much more personal mission as American, British, Iranian, and French players flit in and out of the scene. But as the first attempt at a coup in the city fails and foreign powers jockey for oil, money, and influence, Sean’s disappearance takes on a more sinister tone. Was he really taken in retribution for his reporting, or is this an attempt to silence a globally significant revelation he was preparing to make? Or, most terrifying of all, does Sean’s disappearance have nothing to do with him at all? Has Harry’s past caught up to them all? Praise for Tom Bradby “[A] cracking, uber-topical spy thriller . . . a plot full of twists and turns.” —Financial Times “Enthralling and fast-moving . . . packed with details of modern tradecraft in the twilight world of spooks, against a background of politics at its most Machiavellian, it is the stuff headlines are made of.” —Daily Mail “Bradby masterfully combines textured psychological drama with a rip-roaring plot that boasts several dizzying switchbacks along the way to a genuinely shocking conclusion.” —Booklist (starred review)
Timely, thoughtful, and comprehensive, this text directly supports pre-service and in-service teachers in developing curriculum and instruction that both addresses and exceeds the requirements of the Common Core State Standards. Adopting a critical inquiry approach, it demonstrates how the Standards’ highest and best intentions for student success can be implemented from a critical, culturally relevant perspective firmly grounded in current literacy learning theory and research. It provides specific examples of teachers using the critical inquiry curriculum framework of identifying problems and issues, adopting alternative perspectives, and entertaining change in their classrooms to illustrate how the Standards can not only be addressed but also surpassed through engaging instruction. The Second Edition provides new material on adopting a critical inquiry approach to enhance student engagement and critical thinking planning instruction to effectively implement the CCSS in the classroom fostering critical response to literary and informational texts using YA literature and literature by authors of color integrating drama activities into literature and speaking/listening instruction teaching informational, explanatory, argumentative, and narrative writing working with ELL students to address the language Standards using digital tools and apps to respond to and create digital texts employing formative assessment to provide supportive feedback preparing students for the PARCC and Smarter Balanced assessments using the book’s wiki site http://englishccss.pbworks.com for further resources
Alternative Iran offers a unique contribution to the field of contemporary art, investigating how Iranian artists engage with space and site amid the pressures of the art market and the state's regulatory regimes. Since the 1980s, political, economic, and intellectual forces have driven Iran's creative class toward increasingly original forms of artmaking not meant for official venues. Instead, these art forms appear in private homes with "trusted" audiences, derelict buildings, leftover urban zones, and remote natural sites. While many of these venues operate independently, others are fully sanctioned by the state. Drawing on interviews with over a hundred artists, gallerists, theater experts, musicians, and designers, Pamela Karimi throws into sharp relief the extraordinary art and performance activities that have received little attention outside Iran. Attending to nonconforming curatorial projects, independent guerrilla installations, escapist practices, and tacitly subversive performances, Karimi discloses the push-and-pull between the art community and the authorities, and discusses myriad instances of tentative coalition as opposed to outright partnership or uncompromising resistance. Illustrated with more than 120 full-color images, this book provides entry into unique artistic experiences without catering to voyeuristic curiosity around Iran's often-perceived "underground" culture.