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Egypt played a crucial role in the Roman Empire for seven centuries. It was wealthy and occupied a strategic position between the Mediterranean and Indian Ocean worlds, while its uniquely fertile lands helped to feed the imperial capitals at Rome and then Constantinople. The cultural and religious landscape of Egypt today owes much to developments during the Roman period, including in particular the forms taken by Egyptian Christianity. Moreover, we have an abundance of sources for its history during this time, especially because of the recovery of vast numbers of written texts giving an almost uniquely detailed picture of its society, economy, government, and culture. This book, the work of six historians and archaeologists from Egypt, the US, and the UK, provides students and a general audience with a readable new history of the period and includes many illustrations of art, archaeological sites, and documents, and quotations from primary sources.
From gleaming hardstone statues to bright frescoes, the unexpected and often spectacular Egyptian objects discovered in Roman Italy have long presented an interpretive challenge. How they shaped and were shaped by religion, politics, and identity formation has now been well researched. But one crucial function of these objects remains to be explored: their role as precious goods in a collector’s economy. The Romans imported and recreated Egyptian goods in the most opulent materials available – gold, gems, expensive wood, ivory, luxurious textiles – and displayed them like true treasures. This is due in part to the way Romans encountered these items, as argued in this book: first as dazzling spolia from the war against Cleopatra, then as costly wares exchanged over the expanding Roman trade routes. In this respect, Romans treated Egyptian art surprisingly similarly to Greek art. By examining the concrete mechanisms through which Egyptian objects were acquired and displayed in Rome, this book offers a new understanding of this impressive material at the crossroads of Hellenistic, Roman, and Egyptian culture.
A detailed archaeological study of life in Egypt's Eastern desert during the Roman period by a leading scholar Rome in Egypt’s Eastern Desert is a two-volume set collecting Hélène Cuvigny’s most important articles on Egypt’s Eastern Desert during the Roman period. The excavations she directed uncovered a wealth of material, including tens of thousands of texts written on pottery fragments (ostraca). Some are administrative texts, but many more are correspondence, both official and private, written by and to the people (mostly but not all men) who lived and worked in these remote and harsh environments, supported by an elaborate network of defense, administration, and supply that tied the entire region together. The contents of Rome in Egypt’s Eastern Desert have all been published earlier in peer-reviewed venues, but most appear here for the first time in English. All of the contributions have been checked or translated by the editor and brought up to date with respect to bibliography, and some have been significantly rewritten by the author, in order to take account of the enormous amount of new material discovered since the original publications. A full index makes this body of work far more accessible than it was before. This book assembles into one collection thirty years of detailed study of this material, conjuring in vivid detail the lived experience of those who inhabited these forts—often through their own expressive language—and the realia of desert geography, military life, sex, religion, quarry operations, and imperial administration in the Roman world.
This handbook, arranged in seven thematic sections, is unique in drawing together many different strands of research on Roman Egypt, in order to suggest both the state of knowledge in the field and the possibilities for collaborative, synthetic, and interpretive research.
This exploration of cultural resilience examines the complex fate of classical Egyptian religion during the centuries from the period when Christianity first made its appearance in Egypt to when it became the region's dominant religion (roughly 100 to 600 C.E. Taking into account the full range of witnesses to continuing native piety--from papyri and saints' lives to archaeology and terracotta figurines--and drawing on anthropological studies of folk religion, David Frankfurter argues that the religion of Pharonic Egypt did not die out as early as has been supposed but was instead relegated from political centers to village and home, where it continued a vigorous existence for centuries. In analyzing the fate of the Egyptian oracle and of the priesthoods, the function of magical texts, and the dynamics of domestic cults, Frankfurter describes how an ancient culture maintained itself while also being transformed through influences such as Hellenism, Roman government, and Christian dominance. Recognizing the special characteristics of Egypt, which differentiated it from the other Mediterranean cultures that were undergoing simultaneous social and political changes, he departs from the traditional "decline of paganism/triumph of Christianity" model most often used to describe the Roman period. By revealing late Egyptian religion in its Egyptian historical context, he moves us away from scenarios of Christian triumph and shows us how long and how energetically pagan worship survived.
"Egypt in the Roman world" --- Studies on the meaning of Aegyptiaca Romana and the understanding of the cults of Isis in their local context.
When Egypt became a province of the Roman Empire in 30 BC after the deaths of Antony and Cleopatra, its vast and mysterious frontier lands had an important impact on the commerce, politics and culture of the empire. This account - part history and part gazetteer -focuses on Rome's Egyptian frontier, describing the ancient fortresses, temples, settlements, quarries and aqueducts scattered throughout the region and conveying a sense of what life was like for its inhabitants. Robert Jackson has journeyed, by jeep and on foot, to virtually every known Roman site in the area, from Siwa Oasis, 45 kilometers from the modern Libyan border, to the Sudan. Drawing on both archaeological and historical information, he discusses these sites, explaining how Rome extracted exotic stone and precious metals from the mountains of the Eastern Desert, channelled the wealth of India and East Africa through the desert via ports on the Red Sea, constructed and manned fortresses in the distant oases of the Western Desert, and facilitated the expansion of agricultural communities in the desert that eventually experienced the earliest large-scale conversions to Christianity in Egypt. Illustrated with many photographs, the volume should be useful to archaeologists, classicists, and travellers to the region.
This book examines the appetite for Egyptian and Egyptian-looking artwork in Italy during the century following Rome's annexation of Aegyptus as a province. In the early imperial period, Roman interest in Egyptian culture was widespread, as evidenced by works ranging from the monumental obelisks, brought to the capital over the Mediterranean Sea by the emperors, to locally made emulations of Egyptian artifacts found in private homes and in temples to Egyptian gods. Although the foreign appearance of these artworks was central to their appeal, this book situates them within their social, political, and artistic contexts in Roman Italy. Swetnam-Burland focuses on what these works meant to their owners and their viewers in their new settings, by exploring evidence for the artists who produced them and by examining their relationship to the contemporary literature that informed Roman perceptions of Egyptian history, customs, and myths.
A chronicle of the life of one of history's most famous women shows how Cleopatra, distantly related to Alexander the Great and worshipped as a goddess in Egypt, became a major figure in the ancient struggle for power in the Mediterranean