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This powerful study revises both Wordsworth's poetry and the relation of literature to its social and political context.
Wordsworth's Vagrants explores the poet's treatment of the 'idle and disorderly' in the context of the penal laws of the 1790s, when the terror of the French Revolution caused a crackdown on the beggars and vagrants who roamed the English countryside. From his work on the Salisbury Plain poems through to the poetry about vagrants, beggars, and lunatics in Lyrical Ballads, Quentin Bailey argues, Wordsworth attempted to imagine a way of relating to the vagrant and criminal poor that could challenge the systematizing impulses of William Pitt and Jeremy Bentham. Whereas writers had previously relied on sensibility and fellow-feeling to reveal the correct ordering of society, Wordsworth was writing in a period in which legislators, magistrates, and commentators agreed that a more aggressively interventionist approach and new institutional solutions were needed to tackle criminality and establish a disciplined and obedient workforce. Wordsworth's interest in individual psychology and solitude, Bailey suggests, grew out of his specific awareness of the Bloody Code and the discussions surrounding it. His study offers a way of reading Wordsworth's poetry that is sensitive to his early radicalism but which does not equate socio-political engagement solely with support for the French Revolution.
How vagrancy, as legal and imaginative category, shaped the role of policing in colonialism, racial formation, and resource distribution In this innovative book demonstrating the important role of eighteenth-century literary treatments of policing and vagrancy, Nicolazzo offers a prehistory of police legitimacy in a period that predates the establishment of the modern police force. She argues that narrative, textual, and rhetorical practices shaped not only police and legal activity of the period, but also public conceptions of police power. Her extensive research delves into law and literature on both sides of the Atlantic, tracking the centrality of vagrancy in establishing police power as a form of sovereignty crucial to settler colonialism, slavery, and racial capitalism. The first book in several generations to address policing and vagrancy in the eighteenth century, and the first in the field to center race and empire in its account of literary vagrancy, Nicolazzo's work is a significant contribution to the field of eighteenth-century literary and cultural studies.
Presents an ecocritical study of poetic atmosphere, a concept first developed through Romanticism, particularly in the poetry of William Wordsworth.
This book visits the Romantic legacy that was central to the development of literature and culture from the 1830s onward. Although critical accounts have examined aspects of this long history of indebtedness, this is the first study to survey both Nineteenth and Twentieth century culture. The authors consider the changing notion of Romanticism, looking at the diversity of its writers, the applicability of the term, and the ways in which Romanticism has been reconstituted. The chapters cover relevant historical periods and literary trends, including the Romantic Gothic, the Victorian era, and Modernism as part of a dialectical response to the Romantic legacy. Contributors also examine how Romanticism has been reconstituted within postmodern and postcolonial literature as both a reassessment of the Modernist critique and of the imperial contexts that have throughout this time-frame underpinned the Romantic legacy, bringing into focus the contemporaneity of Romanticism and its political legacy. This collection reveals the diversity and continuing relevance of the genre in new and exciting ways, offering insights into writers such as Browning, Ruskin, Pater, Wilde, Lewis, MacNeice, and Auster.
A history of the writing of mobility in the Romantic period, through the work of major women writers.
Shortlisted for the Literary Encyclopedia Book Prize 2022, The Tramp in British Literature, 1850-1950 offers a unique account of the emergence of a new conception of homelessness in the mid-nineteenth century. After arguing that the emergence of the figure of the tramp reflects the evolution of capitalism and disciplinary society in this period, The Tramp in British Literature uncovers a neglected body of "tramp literature" written by memoir and fiction writers, many of whom were themselves homeless. In analysing these works, it presents select texts as a unique and ignored contribution to a wider radical discourse defined by its opposition to a wider societal preoccupation with the need to be productive.
Romantic Visualities offers a culturally informed understanding of the literary significance of landscape in the Romantic period. Labbe argues that the Romantic period associated the prospect view with the masculine ideal, simultaneously fashioning the detailed point of view as feminised. An interdisciplinary study, it discusses the cultural construction of gender as defined through landscape viewing, and investigates property law, aesthetic tracts, conduct books, travel narratives, artistic theory, and the work of Wordsworth, Keats, Coleridge, Charlotte Smith, Ann Francis, Dorothy Wordsworth and others.
Analyzing real, speculative, and imaginary schemes of migration to and from Britain, this book addresses three interrelated movements: between France and Britain after the French Revolution, between Britain and North America also after the Revolution, and between West Africa and Britain in the years leading to the Revolution.
Most of the articles in A Natural Delineation of Human Passions” originated in the Twelfth October Conference held in Leiden to celebrate the bicentenary of the publication of Lyrical Ballads. The first article, by the editor, “An Historic Moment: ‘A Natural Delineation of Human Passions’ as a ‘New Morality’?”, attempts to establish an historic and an historical context, both personal and political, for the six articles that follow, by Åke Bergvall, Myra Cottingham, C.P. Seabrook Wilkinson, James McGonigal, Jacqueline Schoemaker, and Suzanne E. Webster, which consider the themes of vagrancy and wandering in Lyrical Ballads, the expression of loss and compensation, and the consequences, both beneficial and perilous, for the language and rhetoric of poetry. Then three articles, by Annemarie Estor, Daniel Sanjiv Roberts, and Paul E.A. van Gestel, consider the ambience of science and philosophy in which Wordsworth and Coleridge strove to affirm the creative participation of poetry. After this, Jacqueline M. Labbe, Titus P. Bicknell, Robert Druce, and M. Van Wyk Smith discuss the parallel contributions of some of the more neglected contemporaries of the authors of Lyrical Ballads, not necessarily in English nor necessarily in England – Mary Robinson, Walter Savage Landor, Robert Bloomfield and Thomas Pringle. The volume concludes with an extended examination by Timothy Webb of the responses, both admiring and scornful, of the younger generation of Romantics to the legacy of Lyrical Ballads.