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Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
When readers jot down notes in their books, they reveal something of themselves—what they believe, what amuses or annoys them, what they have read before. But a close examination of marginalia also discloses diverse and fascinating details about the time in which they are written. This book explores reading practices in the Romantic Age through an analysis of some 2,000 books annotated by British readers between 1790 and 1830. This period experienced a great increase in readership and a boom in publishing. H. J. Jackson shows how readers used their books for work, for socializing, and for leaving messages to posterity. She draws on the annotations of Blake, Coleridge, Keats, and other celebrities as well as those of little known and unknown writers to discover how people were reading and what this can tell us about literature, social history, and the history of the book.
A proven ten-step program for couples who want to repair and reignite their romance…and keep it rock-solid! Dr. Jan Hoistad, a professional psychologist with 30 years experience, has improved the lives of countless real-life couples. Through her innovative techniques—used in workshops and with her patients—she has helped them overcome conflicts and build a healthy relationship that meets both partners’ needs. Filled with exercises, personal anecdotes, and concrete tools to improve communication and understanding, this therapeutic guide shows couples how to stop fighting and realize their dreams together. Dr. Hoistad pinpoints couples’ individual relationship styles and explains how to focus on the positive aspects of their connection, identify common goals, and find enjoyable ways to stay committed.
Why and how did people read literature on North America by explorers, travellers, emigrants, and tourists? This is the central question Robin Jarvis takes up as he addresses a significant gap in scholarship on travel writing: its contemporary reception. Referencing reviews in the periodical press, personal journals, letters, autobiographies, marginalia, and bibliographical evidence relating to the production, distribution, and reception of travel literature, Jarvis focuses especially on the ideas and perceptions of North America expressed by individuals who never visited the subcontinent. Among the issues Jarvis explores are what the British reception of North American travel narratives says about the ways in which the United States was imagined in the Romantic period; how poets such as Samuel Taylor Coleridge, Felicia Hemans, Robert Southey, and William Wordsworth, all voracious travel readers, incorporated their readings of travel books into their works; and the ways in which the reception of North American travel writing should be contextualized within the broader contours of British society and culture. Significantly, Jarvis differentiates between different communities of readers to show the extent to which class or professional status affected the way travel literature was read. Of equally crucial importance, he discusses the reception of travel literature on Canada and the Arctic as distinct from that on the United States. His book constitutes the most thorough exploration to date of the private reading experiences of travel literature during the Romantic period.
When they face the most baffling missing person's case of their careers, a fiercely ambitious lawyer and a homicide detective have no one to turn to for help except each other, from New York Times bestselling author Laura Griffin. Up-and-coming attorney Leigh Larson fights for victims of sexual extortion, harassment, and online abuse. She is not afraid to go after the sleaziest targets to get payback for her clients. Leigh is laser-focused on her career—to the exclusion of everything else—until a seemingly routine case and a determined cop turn her world upside down. Austin homicide detective Brandon Reynolds is no stranger to midnight callouts. But when he gets summoned to an abandoned car on a desolate road, he quickly realizes he's dealing with an unusual crime scene. A pool of blood in the nearby woods suggests a brutal homicide. But where is the victim? The vehicle is registered to twenty-six-year-old Vanessa Adams. Searching the car, all Brandon finds is a smear of blood and a business card for Leigh Larson, attorney-at-law. Vanessa had hired Leigh just before her disappearance, but Leigh has no leads on who could have wanted her dead. Faced with bewildering evidence and shocking twists, Leigh and Brandon must work against the clock to chase down a ruthless criminal who is out for vengeance.
New York Times bestselling author Nalini Singh welcomes you to a remote town on the edge of the world where even the blinding brightness of the sun can’t mask the darkness that lies deep within a killer.… On the rugged West Coast of New Zealand, Golden Cove is more than just a town where people live. The adults are more than neighbors; the children, more than schoolmates. That is until one fateful summer—and several vanished bodies—shatters the trust holding Golden Cove together. All that’s left are whispers behind closed doors, broken friendships, and a silent agreement to not look back. But they can’t run from the past forever. Eight years later, a beautiful young woman disappears without a trace, and the residents of Golden Cove wonder if their home shelters something far more dangerous than an unforgiving landscape. It’s not long before the dark past collides with the haunting present and deadly secrets come to light.
A pretend relationship gives two friends more than they bargained for in a Renaissance Faire rom com filled with flower crowns, kilts, corsets, and sword fights. Single mother April Parker has lived in Willow Creek for twelve years with a wall around her heart. On the verge of being an empty nester, she’s decided to move on from her quaint little town, and asks her friend Mitch for his help with some home improvement projects to get her house ready to sell. Mitch Malone is known for being the life of every party, but mostly for the attire he wears to the local Renaissance Faire—a kilt (and not much else) that shows off his muscled form to perfection. While he agrees to help April, he needs a favor too: she'll pretend to be his girlfriend at an upcoming family dinner, so that he can avoid the lectures about settling down and having a more “serious” career than high school coach and gym teacher. April reluctantly agrees, but when dinner turns into a weekend trip, it becomes hard to tell what's real and what's been just for show. But when the weekend ends, so must their fake relationship. As summer begins, Faire returns to Willow Creek, and April volunteers for the first time. When Mitch's family shows up unexpectedly, April pretends to be Mitch's girlfriend again...and it doesn't feel so fake anymore. Despite their obvious connection, April insists they’ve just been putting on an act. But when there’s the chance for something real, she has to decide whether to change her plans—and open her heart—for the kilt-wearing hunk who might just be the love of her life.
She’s a secret sensation. Miss Lily Hartley is the anonymous mastermind behind the ton’s latest obsession: The Debutante’s Revenge, a tell-all advice column for young ladies. To keep her identity hidden, Lily delivers her columns disguised as a boy—which is well and good, until she lands in the middle of tavern brawl. As luck would have it, a devastatingly handsome duke sweeps in to rescue her. He has no idea who she is. Eric Nash, Duke of Stonebridge, discovers there’s a beautiful woman hiding beneath a lad’s cap, and, before long, he’s falling for the delightfully clever stranger recuperating in his house. He vows to help her find her home, even though he’s reluctant to part with her. There’s only one problem... Neither does she. Lily has no idea who she is. She could be a duchess or maid. Betrothed or married. There’s only one thing she does know—that her attraction to Nash is more than skin-deep, and it grows stronger every day. While Lily and Nash search to find her true identity, they just might lose their hearts to each other... “Fans of Regency romance authors Eloisa James, Tessa Dare, and Mary Jo Putney will go wild.” —Booklist "Deeply satisfying." - Publishers Weekly
The cozy comforts of an English village bookstore open up a world of new possibilities for Evie Starling in this charming new romantic comedy from New York Times bestselling author Samantha Young. At thirty-three-years old Evangeline Starling’s life in Chicago is missing that special something. And when she’s passed over for promotion at work, Evie realizes she needs to make a change. Some time away to regain perspective might be just the thing. In a burst of impulsivity, she plans a holiday in a quaint English village. The holiday package comes with a temporary position at Much Ado About Books, the bookstore located beneath her rental apartment. There’s no better dream vacation for the bookish Evie, a life-long Shakespeare lover. Not only is Evie swept up in running the delightful store as soon as she arrives, she’s drawn into the lives, loves and drama of the friendly villagers. Including Roane Robson, the charismatic and sexy farmer who tempts Evie every day with his friendly flirtations. Evie is determined to keep him at bay because a holiday romance can only end in heartbreak, right? But Evie can’t deny their connection and longs to trust in her handsome farmer that their whirlwind romance could turn in to the forever kind of love.