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A land of mountains, hills, and fertile plains, Romania is a tourist destination waiting to be discovered. It is a rich and complex country: a place whose cities are home to beautiful parks and vibrant cultural scenes; whose people welcome guests warmly into their homes, sharing the best of whatever they have, and party into the night, suffused by Latin joie de vivre. Buffeted over time between three great powers—the West, Russia, and Turkey—Romania betrays the cultural influences of each, and it can be a difficult place to get a handle on. Culture Smart! Romania provides an indispensable tool for the foreign visitor, digging deep behind the clichés, explaining many of the behavioral quirks of the people, smoothing your path toward better understanding, and outlining the many attractions—cultural, social, and geographical—that await you in this underexplored part of Europe.
This edited volume examines manele (sing. manea), an urban Romanian song-dance ethnopop genre that combines local traditional and popular music with Balkan and Middle Eastern elements. The genre is performed primarily by male Romani musicians at weddings and clubs and appeals especially to Romanian and Romani youth. It became immensely popular after the collapse of communism, representing for many the newly liberated social conditions of the post-1989 world. But manele have also engendered much controversy among the educated and professional elite, who view the genre as vulgar and even “alien” to the Romanian national character. The essays collected here examine the “manea phenomenon” as a vibrant form of cultural expression that engages in several levels of social meaning, all informed by historical conditions, politics, aesthetics, tradition, ethnicity, gender, class, and geography.
This volume explores a selection of significant and topical elements from the vast amount of Romanian folkloric and mythological material. It sheds light on the mythical-ritualistic aspects of three complex calendar holydays (specifically The Lads of Brașov, Călușarii, and Sânzienele), whose ritualistic sequences, laden with mythical-symbolical reminiscences, were lost during the Communist period and are known today thanks to their spectacular features. Such aspects include demonic mythical beings (such as Iele, Rusalii, Știma Apei, The Woodwoman, and Strigoi) that define the collective imaginary; significant myths that have found their artistic expression in fairytales and legends; and the role of women in traditional Romanian society.
This book, by words and photographs, illustrates and explains the central role that the ballad the Miorita plays in Romanian culture. By combining the insights of an American and a Romanian scholar with a vision of Romanian pastoral life developed by a leading American photographer, the reader is introduced to one of the most complicated and elusive cultural icons in European civilization. It is, however, one that continues to permeate Romanian culture and offers, to those who take the time to study it, an approach to life which will resonate closely with much modern experience and understanding. The Miorita may fairly be described as the great, defining ballad of the Romanian personality and culture. Thus, it ranks in Romanian self-consciousness with the Iliad and the Odyssey for the Greeks, Beowulf for the Anglo-Saxons, the Lay of the Host of Igor for the Russians, the Ballad of Kosovo for the Serbs, El Cid for the Spanish, or the Nibelungenlied for the Germans. All of these works provide their respective nationalities with items of national identity, common symbols that echo through the national culture, common ideals which inspire and shape the national personality, a common world view which in time infects the national approach to philosophy, religion and, not infrequently, history and politics. Only as a document of national identity, however, may the Miorita be said to be similar to these other defining documents. In practically every other aspect it is a unique national document, at least among the nationalities within European civilization.
This compelling book assesses the development of the mass media since the Romanian Revolution in December 1989 and the media's impact on cultural development, the public sphere, civil society and democracy. It controversially claims that Romania's failure to experience a thoroughgoing enlightenment project in its entire history remains a major obstacle for producing democratic ownership of the media and democratic development of society. Analyzing both the print and broadcast media and their respective effects on development, the book also discusses the effects of Romanian law on media and societal development, ethics, and media responsibilities. It concludes, however, that far from having an absolutely negative impact on Romanian post-communism, the media has helped produce a contradictory empirical form that equally contains positive moments in terms of subjective cultural development.
Combining sharp observation, a native's ease in the city, and talent as a storyteller, Denise Roman spiritedly presents the myriad details and the diverging cultural strands of life in postcommunist Bucharest. Roman focuses on identity-formation and identity politics among youth, Jews, women, and queers.
Based on the idea that there is a considerable difference between reality and discourse, the author points out that history is constantly reconstructed, adapted and sometimes mythicized from the perspectives of the present day, present states of mind and ideologies. He closely examines historical culture and conscience in nineteenth and twentieth century Romania, particularly concentrating on the impact of the national ideology on history. Boia's innovative analysis identifies several key mythical configurations and shows how Romanians have reconstituted their own highly ideologized history over the last two centuries. The strength of History and Myth in Romanian Consciousness lies in the author's ability to fully deconstruct the entire Romanian historiographic system and demonstrate the increasing acuteness of national problems in general, and in particular the exploitation of history to support national ideology.