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Romancing the Novel examines the ways in which romance forms characteristic of boys' books - as exemplified in the novels of Scott, Dumas, Verne, and Stevenson - influence narratives not generally put in the same category - both psychoanalytical accounts of the psyche and novels by authors as diverse as George Eliot, Ursual Le Guin, Joseph Conrad, and W. G. Sebald. Adventure has been most recently studied largely as a symptom of imperialism's ideological apparatus. But as an intensely familiar story available from the earliest reading, adventure conditions the narratable - its influence is felt from the nursery bed to the analyst's couch. By reading Maurice Sendak with Melanie Klein and Peter Rabbit with Daniel Deronda, Romancing the Novel argues that the power and depth of the generic constraints of the adventure form have not been recognized simply because they are so ubiquitous. Adventure fiction is not merely summer reading whose ephemeral effects dissipate, but rather a pervasive code that exerts powerful effects on the imaginable.
Get your romance (writing) on! Writing a Romance Novel For Dummies is the only reference aspiring writers need to get their careers off to the right start. Fully updated to reflect the industry's latest trends and secrets, this book helps you understand what makes a great novel, so you can hone your craft and write books people want to read. We break down the romance subgenres, give you expert tips on plotting and pacing, and walk you through the process of finding an agent and getting published in today’s competitive market—or self-publishing like many six-figure authors are doing. For aspiring writers longing to find success in the industry, Writing a Romance Novel For Dummies is easy to read, highly informative, and a must-have! Refine your writing to craft engaging stories readers can’t put down Find a route to publication that works for you—mainstream, or self-published Understand the ins and outs of the romance genre and its subgenres Learn how to get your work noticed in the popular world of romantic fiction This Dummies guide is perfect for beginning writers who want advice on writing and publishing a successful romance novel. It’s also a great reference for accomplished writers looking to level up their romance game.
In love with romance novels? You’re not alone! Romance is today’s most popular fiction genre, accounting for more than half of all mass market fiction sold. If you’re looking to make a serious effort at writing a romance and getting it published in today’s multifaceted markets, you need to learn as much as you can about this highly successful field—especially how to create the perfect heroes and heroines. Now, in this easy, step-by-step guide, a top romance editor gives you the know-how you need to succeed as a romance novelist! Writing A Romance Novel For Dummies is perfect for both beginning and more accomplished writers who are looking to get the leading edge on writing a romance novel and get it published. Leslie Wainger, Executive Editor at Harlequin Books, explains what it takes to become the next Nora Roberts, providing the techniques you need to: Select a pseudonym Write a compelling, heartfelt story Find the right agent and publisher Submit a manuscript Market your novel Join clubs and associations Packed with insider advice, this plain-English guide helps you grasp the building blocks of a great romance, providing practical tips on the craft of writing as well as savvy pointers on how to hook your reader from page one, write with passion, and shape a proposal that will wow agents and editors. You get lots of expert tips on analyzing the marketplace, creating compelling characters, and finding your own voice. Wainger also: Demystifies the sub-genres of the romance world, from historical, contemporary, and multicultural to paranormal, romantic suspense, and Christian/inspirational Explains plotting, pacing, and writing those crucial love scenes Discusses how to conduct research, assign credits, and get permissions Helps you decide whether it’s best to write alone or with a partner Complete with a manuscript preparation checklist, tips for revising your work smoothly and successfully, guidance in understanding and negotiating a contract, and a list of romance writing resources, Writing A Romance Novel For Dummies is your one-stop guide to becoming a published novelist!
In the world of the evangelical romance novel, sex and desire are mitigated by an omnipresent third party--the divine. Thus romance is not just an encounter between lovers, but a triangle of affection: man, woman, and God. Although this literature is often disparaged by scholars and pastors alike, inspirational fiction plays a unique and important role in the religious lives of many evangelical women. In an engaging study of why women read evangelical romance novels, Lynn S. Neal interviews writers and readers of the genre and finds a complex religious piety among ordinary people. In evangelical love stories, the success of the hero and heroine's romance rests upon their religious choices. These fictional religious choices, readers report, often inspire real spiritual change in their own lives. Amidst the demands of daily life or during a challenge to one's faith, these books offer a respite from problems and a time for fun, but they also provide a means to cultivate piety and to appreciate the unconditional power of God's love. The reading of inspirational fiction emerges from and reinforces an evangelical lifestyle, Neal argues, but women's interpretations of the stories demonstrate the constant negotiations that characterize evangelical living. Neal's study of religion in practice highlights evangelicalism's aesthetic sensibility and helps to alter conventional understandings--both secular and religious--of this prominent subculture.
Get the Summary of Gwen Hayes's Romancing the Beat in 20 minutes. Please note: This is a summary & not the original book. "Romancing the Beat: Story Structure for Romance Novels" is a specialized guide for authors writing romance narratives, focusing on the romance arc—a journey characters undertake to overcome personal barriers and find love. The book emphasizes the genre's expectation of a happily ever after (HEA) or happy for now (HFN) ending, which is essential for reader satisfaction. It outlines the importance of characters' internal growth and the necessity for them to confront and heal their emotional wounds to achieve a fulfilling relationship...
Popular romance fiction constitutes the largest segment of the global book market. Bringing together an international group of scholars, The Routledge Research Companion to Popular Romance Fiction offers a ground-breaking exploration of this global genre and its remarkable readership. In recognition of the diversity of the form, the Companion provides a history of the genre, an overview of disciplinary approaches to studying romance fiction, and critical analyses of important subgenres, themes, and topics. It also highlights new and understudied avenues of inquiry for future research in this vibrant and still-emerging field. The first systematic, comprehensive resource on romance fiction, this Companion will be invaluable to students and scholars, and accessible to romance readers.
In Romancing the Internet: Producing and Consuming Chinese Web Romance, Jin Feng examines the evolution of Chinese popular romance on the Internet. She first provides a brief genealogy of Chinese Web literature and Chinese popular romance, and then investigates how large socio-cultural forces have shaped new writing and reading practices and created new subgenres of popular romance in contemporary China. Integrating ethnographic methods into literary and discursive analyses, Feng offers a gendered, audience-oriented study of Chinese popular culture in the age of the Internet.
Postmodern, Marxist, and Christian Historical Novels: Hope and the Burdens of History argues historical novels can help readers receive the burdens of history—meaning both the burdens of the past, present, and future and the burden of living in time—and develop a more robust conception of and concrete practice of hope. Since the 1960s, historical novels have been a dominant literary genre, but they have been influenced primarily not by Christian but by postmodern and marxist thinkers and writers. This book provides a theological and literary analysis of all three types of historical novels—postmodern, marxist, and Christian—and outlines what each school of thought can learn from each other regarding historical understanding and hope. Using Jürgen Moltmann’s theology of hope and Frank Kermode’s literary criticism as a theoretical basis, the book offers readings of novels by Julian Barnes, A.S. Byatt, Kazuo Ishiguro, Margaret Atwood, Michael Ondaatje, Ian McEwan, and Ursula LeGuin, among others, and ends with an extended analysis of Marilynne Robinson’s Gilead series.
As the first encyclopedia solely devoted to the popular romance fiction genre, this resource provides a wealth of information on all aspects of the subject. Romance fiction accounts for a large share of book sales each year, and contrary to popular belief, not all of its readers are women: roughly 16 percent are men. This enormously popular genre continues to captivate people reading for pleasure, and it also commands a growing amount of academic interest. Included are alphabetically arranged reference entries on significant authors along with works, themes, and other topics. The articles are written by scholars, librarians, and industry professionals with a deep knowledge of the genre and so provide a thorough understanding of the subject. An index provides easy access to information within the entries, and bibliographies at the end of each entry, a general bibliography, and a suggested romance reading list allow for further study of the genre.