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Her Lord Protector by Eileen Wilks Lord Drew Harrington didn’t believe in psychic nonsense – and he never seduced virgins. So why couldn’t he stay away from the woman who claimed to be both? Shopkeeper Rose Giaberti seemed the least likely suspect when a bomb went off near Montebello’s palace. Yet Rose had reported the bomb minutes before it exploded. Drew swore to learn the dark beauty’s secrets! Secrets of a Pregnant Princess by Carla Cassidy When Princess Samira Kamal found herself pregnant and abandoned, she faced shaming her family. Then her mysterious bodyguard made a shocking proposal: “Marry me.” She’d thought Farid Nasir more machine than man – now Samira needed to uncover the hidden depths of the man she would call husband...
Her Lord Protector by Eileen Wilks Lord Drew Harrington didn't believe in psychic nonsense and he never seduced virgins. So why couldn't he stay away from the woman who claimed to be both? Shopkeeper Rose Giaberti seemed the least likely suspect when a bomb went off near Montebello's palace. Yet Rose had reported the bomb minutes before it exploded. Drew swore to learn the dark beauty's secrets! Secrets of a Pregnant Princess by Carla Cassidy When Princess Samira Kamal found herself pregnant and abandoned, she faced shaming her family. Then her mysterious bodyguard made a shocking proposal: Marry me. She d thought Farid Nasir more machine than man now Samira needed to uncover the hidden depths of the man she would call husband
Her Lord Protector by Eileen Wilks
"Global anthology of twentieth-century poetry"--Back cover.
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.
A Harvey Award Nominee! Ghost Roast delivers a paranormal adventure full of first crushes, lost histories, and the impossible task of fitting in when your dad is a professional ghosthunter. A stand-alone YA graphic novel from authors Shawneé and Shawnelle Gibbs and artist Emily Cannon! For as long as she can remember, Chelsea Grant has tried everything she can think of to distance herself from the disastrous damage her father does to her social life. It's not easy to shake her reputation as Ghost Girl when Dad keeps advertising his business as a "paranormal removal expert" in big, bold, loud letters all over New Orleans! This year, Chelsea's all grown up, attending one of the most prestigious high schools in the city, and she's finally made friends with the popular crowd. Things are looking up—until a night on the town backfires spectacularly, landing her in hot water at home. Her punishment? Working for her dad at Paranormal Removal Services. All. Summer. Worst of all, her new job reveals an unexpected secret she has to keep: While Dad hunts ghosts with his own DIY tech, Chelsea can actually see them. And when she meets Oliver, a friendly spirit, at the fancy mansion her dad is getting a handsome fee to exorcize, she realizes she has to save his afterlife, even if it risks everything her father's worked for.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Persian is one of the great lingua francas of world history. Yet despite its recognition as a shared language across the Islamic world and beyond, its scope, impact, and mechanisms remain underexplored. A world historical inquiry into pre-modern cosmopolitanism, The Persianate World traces the reach and limits of Persian as a Eurasian language in a comprehensive survey of its geographical, literary, and social frontiers. From Siberia to Southeast Asia, and between London and Beijing, this book shows how Persian gained, maintained, and finally surrendered its status to imperial and vernacular competitors. Fourteen essays trace Persian’s interactions with Bengali, Chinese, Turkic, Punjabi, and other languages to identify the forces that extended “Persographia,” the domain of written Persian. Spanning the ages expansion and contraction, The Persianate World offers a critical survey of both the supports and constraints of one of history’s key languages of global exchange.
This original and multidimensional book brings a refreshing new approach to the study of the arts of the Middle East. By dealing in one volume with dance, music, painting, and cinema, as experienced and practiced not only within the Middle East but also abroad, Images of Enchantment breaks down the artificial distinctions--of form, geography, 'high' and 'low' art, performer and artist--that are so often used to delineate the subjects and processes of Middle Eastern artistic culture. The eighteen essays in this book cover themes as diverse as Bedouin dance, the music of Arab Americans, cinema in Egypt and Iran, Hollywood representations of the Middle East, and contemporary Sudanese painting. The contributions come from scholars and critics and from the artists themselves. Together, they present a wide-ranging and holistic view of the arts in their social, political, anthropological, and gender contexts. Contributors: Walter Armbrust, Farida Ben Lyazid, Kay Hardy Campbell, Virginia Danielson, Marjorie Franken, Sondra Hale, Carolee Kent, Hamid Naficy, Salwa Mikdadi Nashashibi, Anne K. Rasmussen, Selim Sednaoui, Simon Shaheen, Rebecca Stone, Chaïbia Talal, Karin Van Nieuwkerk, William Young, Sherifa Zuhur.
Archaeologists in Print is a history of popular publishing in archaeology in the nineteenth and twentieth centuries, a pivotal period of expansion and development in both archaeology and publishing. It examines how British archaeologists produced books and popular periodical articles for a non-scholarly audience, and explores the rise in archaeologists’ public visibility. Notably, it analyses women’s experiences in archaeology alongside better known male contemporaries as shown in their books and archives. In the background of this narrative is the history of Britain’s imperial expansion and contraction, and the evolution of modern tourism in the Eastern Mediterranean and Middle East. Archaeologists exploited these factors to gain public and financial support and interest, and build and maintain a reading public for their work, supported by the seasonal nature of excavation and tourism. Reinforcing these publishing activities through personal appearances in the lecture hall, exhibition space and site tour, and in new media – film, radio and television – archaeologists shaped public understanding of archaeology. It was spadework, scripted. The image of the archaeologist as adventurous explorer of foreign lands, part spy, part foreigner, eternally alluring, solidified during this period. That legacy continues, undimmed, today. Praise for Archaeologists in Print This beautifully written book will be valued by all kinds of readers: you don't need to be an archaeologist to enjoy the contents, which take you through different publishing histories of archaeological texts and the authors who wrote them. From the productive partnership of travel guide with archaeological interest, to the women who feature so often in the history of archaeological publishing, via closer analysis of the impact of John Murray, Macmillan and Co, and Penguin, this volume excavates layers of fascinating facts that reveal much of the wider culture of the late nineteenth and twentieth centuries. The prose is clear and the stories compulsive: Thornton brings to life a cast of people whose passion for their profession lives again in these pages. Warning: the final chapter, on Archaeological Fictions, will fill your to-be-read list with stacks of new titles to investigate! This is a highly readable, accessible exploration into the dynamic relationships between academic authors, publishers, and readers. It is, in addition, an exemplar of how academic research can attract a wide general readership, as well as a more specialised one: a stellar combination of rigorous scholarship with lucid, pacy prose. Highly recommended!' Samantha Rayner, Director of UCL Centre for Publishing; Deputy Head of Department and Director of Studies, Department of Information Studies, UCL