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Rose Warren and Simon Trumbull may have been betrothed since birth, but that doesn't mean they have to like each other. Rose is certain the notoriously rakish Simon will never willingly settle down. And Simon certainly agrees. After all, some gentlemen prefer to choose their own destinies—like drinking and gambling with their mates...and not settling down with their bookish, bespectacled betrothed. But rumors of intrigue are circulating among the ton—including whispers of a murder through poisoning. Suddenly Rose and Simon find themselves working together to uncover a mystery. And Simon is discovering that Rose is not only a brilliant sleuth, but her flowing skirts disguise a body that’s unexpectedly sinful and delectable. For the first time, Simon sees Rose for who she truly is. Now he just has to convince his English Rose that this romance might be forever... Each book in the Lady Lancaster Garden Society series is STANDALONE: * Taming Her Forbidden Earl * Romancing His English Rose * Tempting Her Reluctant Viscount * Enticing Her Unexpected Bridegroom * A Rogue For Emily
A delicate flower Lady Caroline Burroughs is desperate. Her unscrupulous guardian is squandering away her inheritance, and now wants to gain complete control over her dwindling wealth by forcing her to wed his aged crony. But Caroline has found a solution to her woes. Though it means surrendering her long-cherished dream of marring for love, she agrees to a preemptive temporary union with a devilishly handsome stranger—a brave and noble Scotsman who believes that love is an illusion. A thorny romance Major Hugh MacColme has every reason to hate the British—since the Crown stole his ancestral castle and sent his father and brother into exile. And he never imagined he would end up marrying one of the enemy. But a year spent in the intimate company of an exquisite English rose seems a small price to pay for recovering his birthright. For tender-hearted Caroline, however, the difficult part will be coping with her unexpected desire for this proud and distant man—no use for is the warm and healing love he truly needs.
When a new boy comes to their school, jealousy and envy cause problems for the five best friends known as the English Roses.
This title provides a new account of the literary history of fourteenth-century England, arguing that many of this period's most distinctive literary experiments emerge through a productive dialogue with the 'Romance of the Rose', a jointly-authored medieval French poem.
The Romance of the Rose had a transformative effect on the multilingual literary culture of fourteenth-century England, leaving more material evidence for late medieval English-speaking readers than any other vernacular literary work from mainland Europe. This book examines its decisive effect on English literature of the fourteenth century, and new literary experiments it provoked from writers such as Geoffrey Chaucer, John Gower, William Langland, and the author of Sir Gawain and the Green Knight. Linking the English afterlife of the Rose to a host of ongoing cultural developments in mainland Europe, The Romance of the Rose and the Making of Fourteenth-Century English Literature reveals the deep interconnectedness of English and European literary culture. Examining courtly, clerical, and classicising orientations towards the text, it presents new arguments for the place of the Rose at the centre of fourteenth-century English literature, and explores its rich manuscript history to reveal new evidence about the cultural significance of this love allegory from thirteenth-century France. The chapters avoid an author-centred approach, arranging readings of the Rose and its relation with English literature in constellations that reveal complex unfolding inter-relation of the diverse readings of the Rose that took place in fourteenth-century England.
From the author of Magnolia Nights comes this steamy and tantalizing tale of a young British beauty and the lusty, Lone Star scoundrel who would win her heart, but never tame her spirit. The Wild West just got wilder . . . and a lot more passionate!
“This book has been more helpful to the students—both the better ones and the lesser ones—than any other book I have ever used in any of my classes in my more than a quarter century of university teaching.” —RICHARD L. KIRKWOOD, University of Wisconsin–Eau Claire This Norton Critical Edition includes: • The medieval masterpiece’s most popular tales, including—new to the Third Edition—The Man of Law’s Prologue and Tale and The Second Nun’s Prologue and Tale. • Extensive marginal glosses, explanatory footnotes, a preface, and a guide to Chaucer’s language by V. A. Kolve and Glending Olson. • Sources and analogues arranged by tale. • Twelve critical essays, seven of them new to the Third Edition. • A Chronology, a Short Glossary, and a Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.
Edward Marsh, Earl of Raymore, is a connoisseur of beauty, whether it be music or art or women. When he inherits two wards, however, and decides to marry them off as soon as possible during a London Season, he finds one of them virtually unmarriageable. Rosalind Dacey has none of the delicate, blond beauty of her cousin, and a pronounced limp resulting from a childhood riding accident has robbed her of grace and self-assurance. She resents what she sees as Edward's ruthless, high-handed tyranny, and he is infuriated by her outspoken stubbornness. Their volatile quarrels soon lead to passion of a different sort, however. And Rosalind possesses talent as a pianist that draws Edward secretly and against his will to listen, enthralled, to her daily practices in his music room.
One of the most influential texts of its time, the Romance of the Rose offers readers a window into the world view of the late Middle Ages in Europe, including notions of moral philosophy and courtly love. Yet the Rose also explores topics that remain relevant to readers today, such as gender, desire, and the power of speech. Students, however, can find the work challenging because of its dual authorship by Guillaume de Lorris and Jean de Meun, its structure as an allegorical dream vision, and its encyclopedic length and scope. The essays in this volume offer strategies for teaching the poem with confidence and enjoyment. Part 1, "Materials," suggests helpful background resources. Part 2, "Approaches," presents contexts, critical approaches, and strategies for teaching the work and its classical and medieval sources, illustrations, and adaptations as well as the intellectual debates that surrounded it.
Lady Arabella Sutton is stunned to learn her brother has betrothed her to a stranger despite his promises for a season in London. Although she is the first to admit no man would suit, since she's more interested in horses than marriage, the last thing she wants is to become a brood mare to a stuffy old earl. Facing a future she cannot abide, she takes an impetuous ride to clear her head and ends up tending her injured mare instead.? Oliver Westwyck, the Earl of Marsdale, can't believe his luck when he stops at an inn the night before he's to meet his fiancée. In the stable, while tending the colt he intends to give to his future wife, he happens upon her—rain-drenched but beautiful. She assumes he's a stable hand, a fine joke he means to end...until Lady Arabella declares all noblemen are egotistical, conceited, and arrogant. How can he reveal his true identity before he's managed to change her mind and win her heart?