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In this book, Marijane Osborn translates into modern English nine lively medieval verse romances, in a form that both reflects the original and makes the romances inviting to a modern audience. All nine tales contain elements of magic: shapeshifters, powerful fairies, trees that are portals to another world, and enchanted clothing and armor. Many of the tales also feature powerful women characters, while others include representations of “Saracens.” The tales address issues of enduring interest and concern, and also address sexuality, agency, and identity formation in unexpected ways.
The Birth of King Arthur and the Knights of the Round Table“’My good sir, is she your daughter then?’ ‘Yes, but don't pay any attention to what she says,’ said the lord. ‘She's a child - a silly, foolish thing.’ ‘Indeed,’ said my lord Gawain, ‘then I'd be very ill-mannered not to do what she wants.’” - Chrétien de Troyes, Arthurian Romances Arthurian Romances by Chrétien de Troyes is a collection of short stories set in the Early Middle Ages, in England. They follow the path of several knights – including Lancelot’s dad – through adulthood focusing on their romantic affairs. What tests will the knights encounter in order to prove themselves worthy of a woman’s love?
Widely heard and read throughout the middle ages, romance literature has persisted for centuries and has lately re-emerged in the form of speculative fiction, inviting readers to step out of the actual world and experience the intriguing pleasure of possibility. Medieval Romance is the first study to focus on the deep philosophical underpinnings of the genre’s fictional worlds. James F. Knapp and Peggy A. Knapp uniquely utilize Leibniz’s “possible worlds” theory, Kant’s aesthetic reflections, and Gadamer’s writings on the apprehension of language over time, to bring the romance genre into critical dialogue with fundamental questions of philosophical aesthetics, modal logic, and the hermeneutics of literary transmission. The authors’ compelling and illuminating analysis of six instances of medieval secular writing, including that of Marie de France, the Gawain-poet, and Chaucer demonstrates how the extravagantly imagined worlds of romance invite reflection about the nature of the real. These stories, which have delighted readers for hundreds of years, do so because the impossible fictions of one era prefigure desired realities for later generations.