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With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would remember with affection years later. At a very early age he began to study piano, and during his adolescence, music and poetry competed for primacy among his interests. His first book was dedicated to his music teacher, who instilled in him a love for the world of art and creation. In part I of this study, Edward F. Stanton examines Lorca's theoretical and practical approach to cante jondo, the traditional music of Andalusia, as seen in his lectures on the subject and in the 1922 concurso. In part II, he searches for direct and—far more important—indirect echoes of this music in his work. Part III explores the mythic quality of Lorca's art in relation to cante jondo. Throughout, Stanton illuminates a new dimension of the poet's work.
Bilingual collection of traditional tales from Latin America is divided into four categories: Scary Stories, Tricksters, Strong Women, and Myths.
Federico García Lorca (1889-1936) is widely regarded as the greatest Spanish poet of the twentieth century; Manuel de Falla (1876-1946) is Spain’s most performed composer of the same period. The two were very different – Lorca was gay, liberal, and a member of the avant garde, while Falla was a devout Catholic – yet they had a profound mutual influence. The two developed an intimate friendship, which ended when Lorca was shot by Nationalist forces at the beginning of the Spanish Civil War. Lorca in Tune with Falla is the first book to trace Lorca’s impact on Falla’s music, and Falla’s influence on Lorca’s writings. Nelson R. Orringer explores the music underlying Poem of Deep Song, Gypsy Ballads, and Lament for Ignacio Sánchez Mejías, bringing out the analogous sounds and ideas that emerge in the active, ongoing connection between the artworks of both creators. The book emphasizes how this harmony increases knowledge and appreciation of both artists.
Have you ever wanted to dive deep into the world of modernism and truly understand its roots, development, and impact on literature and art? Look no further than "The Modernist Revolts" by Otto Maria Carpeaux, a comprehensive analysis of modernism in Europe, the United States, and Latin America, now available in English for the first time. This book will provide you with a modernism education like no other, leaving you with an unparalleled understanding of this transformative movement. Otto Maria Carpeaux, a renowned literary critic, writer, and essayist, meticulously examines the most significant works and authors from Europe, the United States, and Latin America, highlighting their contributions to the modernist movement and the unique characteristics of each region. Throughout "The Modernist Revolts," Carpeaux discusses a wide array of authors, movements, and works, including the likes of Freud, Proust, Kafka, Joyce, Eliot, Pound, Woolf, Huxley, Borges, García Lorca, Pessoa, Bandeira, and the Andrade brothers, to name just a few. The book covers both prose and poetry, exploring the stylistic innovations that defined modernism and transformed Western literature. Not only does Carpeaux delve into the literary aspects of modernism, but he also investigates the influence of other artistic fields such as painting, music, and theater on the evolution of the movement. This interdisciplinary approach enriches the reader's understanding of the complex interactions between literature and other forms of artistic expression during the modernist period. "The Modernist Revolts" is an essential reference for students, researchers, and enthusiasts of modernist literature, offering a combination of scholarship and clear exposition. The English translation expands the reach of Carpeaux's work, allowing an even broader audience to appreciate his insightful analysis of modernism and its lasting impact on literature and art. "The Modernist Revolts" will provide you with an unparalleled understanding of this revolutionary movement, opening your eyes to the artistic and cultural transformations that took place in the 20th century.
Feted by his contemporaries, Federico García Lorca's status has only grown since his death in 1936. This book shows just why his fame has endured, through an exploration of his most popular works: Romancero Gitano, Poeta en Nueva York and the trilogy of tragic plays - Blood Wedding, Yerma and The House of Bernarda Alba.Feted by his contemporaries, Federico García Lorca's status has only grown since his death in 1936: poet, playwright, political martyr, gay icon, champion of women, defender of the oppressed. This book guides readers through the key themes and concerns in Lorca's work. It demonstrates how Lorca applied his poetic sensibilities and lyrical craft to what were, in essence, tangible, real-life issues: the plight of Andalusia's Romani people, the idea of modernity and the condition of women in Spain. What becomes evident is that, even though he was writing at a time when many writers and artists were less inclined to deal directly with the things of the world, Lorca maintained a profound interest in the human subject and in the world around him. It is this interest, the book argues, in tandem with his poetic vision and craft, that ensured his most popular works' enduring, universal appeal.in the human subject and in the world around him. It is this interest, the book argues, in tandem with his poetic vision and craft, that ensured his most popular works' enduring, universal appeal.in the human subject and in the world around him. It is this interest, the book argues, in tandem with his poetic vision and craft, that ensured his most popular works' enduring, universal appeal.in the human subject and in the world around him. It is this interest, the book argues, in tandem with his poetic vision and craft, that ensured his most popular works' enduring, universal appeal.
This critical study of the group of remarkably talented poets who flourished in Spain between the First World War and the Spanish Civil War includes copious quotations accompanied by English prose translations. Mr Morris treats his poets as a group, showing how they shared certain themes and attitudes. He begins with a general study of the generation as a whole and then examines the use of tradition; the zest and levity of the Jazz Age; the exaltation of life as a shared attitude; then its converse; the escape from life; and finally the expression in complex imagery of personal tensions and disturbances. These are often 'difficult' poets, but become less so when they are sympathetically examined in this way and in relation to earlier literary traditions. Mr Morris enables the reader to take bearings and establish relationships which are enhanced by reproductions of photographs of the poets.
For the first time in a quarter century, a major new volume of translations of the beloved poetry of Federico García Lorca, presented in a beautiful bilingual edition The fluid and mesmeric lines of these new translations by the award-winning poet Sarah Arvio bring us closer than ever to the talismanic perfection of the great García Lorca. Poet in Spain invokes the "wild, innate, local surrealism" of the Spanish voice, in moonlit poems of love and death set among poplars, rivers, low hills, and high sierras. Arvio's ample and rhythmically rich offering includes, among other essential works, the folkloric yet modernist Gypsy Ballads, the plaintive flamenco Poem of the Cante Jondo, and the turbulent and beautiful Dark Love Sonnets—addressed to Lorca's homosexual lover—which Lorca was revising at the time of his brutal political murder by Fascist forces in the early days of the Spanish Civil War. Here, too, are several lyrics translated into English for the first time and the play Blood Wedding—also a great tragic poem. Arvio has created a fresh voice for Lorca in English, full of urgency, pathos, and lyricism—showing the poet's work has grown only more beautiful with the passage of time.
Spanish Poetry of the Grupo Poético de 1927 is an anthology of poems by members of Grupo Poético de 1927, an association of poets who sought to detach poetry from non-poetic elements such as narrative, anecdote, political or social preoccupations, or didacticism. Seven poets are represented: Pedro Salinas, Jorge Guillén, Gerardo Diego, Federico García Lorca, Vicente Aleixandre, Rafael Alberti, and Luis Cernuda. This text consists of eight chapters and begins with an introduction to changing trends in poetry in Spain between 1918 and the present. Biographical notes are included to show the effect (or lack of effect) of these movements on the individual poets. Movements such as ultraismo and maestria are discussed, along with the tercentenary of the death of Spanish poet Luis de Góngora, the crisis suffered by the Grupo, and late developments in the poets of the Grupo. The chapters that follow focus on the works of the Grupo poets. This book is written specifically for sixth-formers and undergraduates, as well as anyone with an interest in Spanish poetry.