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Tennessee Williams's first novel The Roman Spring of Mrs. Stone is vintage Tennessee Williams. Published in 1950, his first novel was acclaimed by Gore Vidal as "splendidly written, precise, short, complete, and fine." It is the story of a wealthy, fiftyish American widow recently a famous stage beauty, but now "drifting." The novel opens soon after her husband's death and her retirement from the theatre, as Mrs. Stone tries to adjust to her aimless new life in Rome. She is adjusting, too, to aging. ("The knowledge that her beauty was lost had come upon her recently and it was still occasionally forgotten.") With poignant wit and his own particular brand of relish, Williams charts her drift into an affair with a cruel young gigolo: "As compelling, as fascinating, and as technically skillful as his play" (Publishers Weekly).
Caroline works as a model while dreaming of becoming a designer, but the harshness of reality is slowly filling her with disenchantment and discouragement. One night, a vulgar buyer makes a play for Caroline and troubles her. Then a savior arrives! The handsome man saves her in a stylish manner. The president of the modeling agency even calls him “Prince” and goes down on his knees. But suddenly, the savior grabs a confused Caroline’s hand. He tells Caroline that he’s not letting her leave. Is he another hypocrite in the guise of a gentleman?
A crucible of so many elements that would later shape and characterize Williams's work.--World Literature Today
A side from her Pulitzer Prize-winning talent as a novel writer, Edith Wharton also distinguished herself as a short story writer, publishing more than seventy-two stories in ten volumes during her lifetime. The best of her short fiction is collected here in Roman Fever and Other Stories. From her picture of erotic love and illegitimacy in the title story to her exploration of the aftermath of divorce detailed in "Souls Belated" and "The Last Asset," Wharton shows her usual skill "in dissecting the elements of emotional subtleties, moral ambiguities, and the implications of social restrictions," as Cynthia Griffin Wolff writes in her introduction. Roman Fever and Other Stories is a surprisingly contemporary volume of stories by one of our most enduring writers.
It is A. D. 311 in West Britain and even in this far-flung province of the Roman Empire Christians are not safe from renewed imperial persecution. At Caer Taff modern-day Cardiff a brief skirmish against a marauding tribe, the Deisi, develops into a more dangerous struggle between the new religion and the dominant pagan culture of the local Roman fort. Two friends, Julius and Con, meet and befriend Brychan, a young Christian priest, who is later captured and imprisoned at the base camp of the legion. Torn between obedience to parental orders and the demands of friendship, the boys resolve to help him escape. Aided by Aaron the Hebrew, a Roman soldier who has secretly converted to Christianity after witnessing the martyrdom of St. Alban seven years earlier, they set out to rescue Brychan but with unexpectedly grave consequences. This thoughtful story highlights the boys' courage, which will impact on all the characters involved. It also plays its part in bringing about the "spring tide
This book is focused on the role of thermal establishments with mineral-medicinal waters in the different territories of the Roman Empire, including their symbiosis with the landscape as well as the ways in which their construction was adapted to give greater comfort to those who came to take advantage of their health-giving properties.
In this book Thomas Henderson provides a new history of the Athenian ephebeia, a system of military, athletic, and moral instruction for new Athenian citizens.
"Scarlett O'Hara was not beautiful, but men seldom realized it when caught by her charm" Margaret Mitchell opened Gone with the Wind with this description of Scarlett O'Hara, but her words can hardly be applied to Vivien Leigh, the British actress who gave an unforgettable performance as the Southern belle. Leigh possessed a beauty that men seldom failed to recognize and a charm that caught many, but her life was far from being all beauty and charm. This biography of the beautiful and tortured actress, from her birth and childhood in exotic India to her premature death in 1967, gives special attention to her development and career as a stage and film actress (which culminated in one Tony award and two Oscars). Her ambitious personality and her manic-depressive illness, including the sexual compulsion that haunted her life, her romantic and tragic marriage to Laurence Olivier, and her performances in, for instance, Gone with the Wind and A Streetcar Named Desire, are all detailed.
Roman Disasters looks at how the Romans coped with, thought about, and used disasters for their own ends. Rome has been famous throughout history for its great triumphs. Yet Rome also suffered colossal disasters. From the battle of Cannae, where fifty thousand men fell in a single day, to the destruction of Pompeii, to the first appearance of the bubonic plague, the Romans experienced large scale calamities.Earthquakes, fires, floods and famines also regularly afflicted them. This insightful book is the first to treat such disasters as a conceptual unity. It shows that vulnerability to disasters was affected by politics, social status, ideology and economics. Above all, it illustrates how the resilience of their political and cultural system allowed the Romans to survive the impact of these life-threatening events. The book also explores the important role disaster narratives played in Christian thought and rhetoric. Engaging and accessible, Roman Disasters will be enjoyed by students and general readers alike.