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This is a parallel text collection of the best Latin poems on food, translated into poetic English.
The Italian film-maker Pier Paolo Pasolini was first and always a poet-the most important civil poet, according to Alberto Moravia, in Italy in the second half of this century. His poems were at once deeply personal and passionately engaged in the political turmoil of his country. In 1949, after his homosexuality led the Italian Communist Party to expel him on charges of "moral and political unworthiness," Pasolini fled to Rome. This selection of poems from his early impoverished days on the outskirts of Rome to his last (with a backward longing glance at his native Frill) is at the center of his poetic and filmic vision of modern Italian life as an Inferno. Pier Paolo Pasolini was born in 1922 in Bologna. In addition to the films for which he is world famous, he wrote novels, poetry, and social and cultural criticism. He was murdered in 1975.
A beautiful hardcover Pocket Poets anthology of poems inspired by the art and architecture of the Eternal City. Poems of Rome ranges across the centuries and contains the work of poets from many cultures and times, from ancient Rome to contemporary America. Designed to accompany readers visiting the city--whether in person or in imagination--the book is divided into sections by place. Its pages lead the reader from the Roman Forum to the Colosseum, from the Vatican to the Villa Sciarra, from the Pantheon to the Palatine Hill, all seen through the eyes of poets who have been dazzled by these glorious sites for centuries. The poets range from Horace and Ovid to Pasolini and Pavese, and from Byron and Keats and Rilke to James Merrill, Adrienne Rich, Derek Walcott, and Jorie Graham, in a collection of international talent as scintillating as the great city itself.
"This is no small achievement. For the language-lover the translation provides elegant, flowing English verse, for the classicist it conveys close approximation to the Latin meaning coupled with a sense of the movement and rhythmic variety of Ovid's language"—Geraldine Herbert-Brown, editor of Ovid's Fasti: Historical Readings at its Bimillennium "This book fills a gap. There is no similar annotated English translation of Ovid's exile poetry. Thoroughly grounded in Ovidian scholarship, Green's introduction and notes are helpful and informative. The translation is accurate, idiomatic, and lively, closely imitating the Latin elegiac couplet and capturing Ovid's changing moods."—Karl Galinsky, author of Ovid's Metamorphoses: An Introduction to the Basic Aspects
An edition and translation of a collection of fragments of Roman poetry composed between 60 BC and AD 20, when Latin literature was at its height. Study of these fragmentary texts enables us better to appreciate surviving great poets such as Catullus and Virgil.
Translation of two of Goethe's erotic works, which are rarely included in German editions. The introduction examines Goethe's erotic poetry in his overall development and in relation to other European poetry of the genre.
Intertextuality is a matter of reading.--Ralph Hexter, University of California, Berkeley "Classical World"
“Fearlessly frank” and “unabashedly vulnerable” (Tracy K. Smith), Dorothea Lasky’s ROME confronts love and heartbreak in the modern world. Dorothea Lasky is one of the most talented American poets of her generation. With haunting lines that “recall Frank O’Hara and Allen Ginsberg” (Chicago Tribune) and influences ranging from Drake to Catullus, Lasky fuses the ancient world with the fierceness and heartbreak of everyday life. With each new book, from the grand religiosity of AWE to the flat sadness and nihilism of Black Life to the witchery of Thunderbird, her poems keep gaining an increasingly robust readership and have influenced an entire generation of younger poets. In ROME, Lasky finds herself in the arena of eternal longing and heartsick desire, confronting her ghosts and demons and proving she’s “one of the very best poets we’ve got” (Maggie Nelson).