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Tutu (Tithoes) was a popular god in the Ptolemaic and Roman periods of Egyptian history, with his origins in the earlier Egyptian religious tradition. The god provided protection against demons, and his appearance as a striding sphinx was often combined with symbols of his power and visual references to demons and other divinities. The god Tutu demonstrates the continuing vitality of the pharaonic religion under the pressure of foreign cultures and ideas. This monograph provides the first comprehensive study of the god Tutu. It is based upon a collection of attestations, largely unpublished, which derive from monuments in various parts of Egypt and from museum collections all over the world. Moreover, the results of recent archaeological field work in Shenhur and in the temple of Tutu in the Dakhla Oasis have been included in full. The catalogue of monuments is accompanied by an analysis of the god Tutu, his iconography and his place in the Egyptian religion.
In 30 BCE, Egypt became a province of the Roman empire. Alongside unbroken traditions—especially of the indigenous Egyptian population, but also among the Greek elite—major changes and slow processes of transformation can be observed. The multi-ethnical population was situated between new patterns of rule and traditional lifeways. This tension between change and permanence was investigated during the conference. The last decades have seen an increase in the interest in Roman Egypt with new research from different disciplines—Egyptology, Ancient History, Classical Archaeology, Epigraphy, and Papyrology—providing new insights into the written and archaeological sources, especially into settlement archaeology. Well-known scholars analysed the Egyptian temples, the structure and development of the administration beside archaeological, papyrological, art-historical and cult related questions.
This compelling narrative provides the only comprehensive guide in English to the rise and decline of Ptolemaic rule in Egypt over three centuries - from the death of Alexander in 323 BC to the tragic deaths of Antony and Cleopatra in 30 BC. The skilful integration of material from a vast array of sources allows the reader to trace the political and religious development of one of the most powerful empires of the ancient eastern Mediterranean. It shows how the success of the Ptolemies was due in part to their adoption of many features of the Egyptian Pharaohs who preceded them - their deification and funding of cults and temples throughout Egypt.
Presenting dynamic research, this publication explores two millennia of cultural interactions between Egypt, Greece, and Rome. From Mycenaean weaponry found among the cargo of a Bronze Age shipwreck off the Turkish coast to the Egyptian-inspired domestic interiors of a luxury villa built in Greece during the Roman Empire, Egypt and the Classical World documents two millennia of cultural and artistic interconnectedness in the ancient Mediterranean. This volume gathers pioneering research from the Getty scholars' symposium that helped shape the major international loan exhibition Beyond the Nile: Egypt and the Classical World (J. Paul Getty Museum, 2018). Generously illustrated essays consider a range of artistic and other material evidence, including archaeological finds, artworks, papyri, and inscriptions, to shed light on cultural interactions between Egypt, Greece, and Rome from the Bronze Age to the Late Period and Ptolemaic dynasty to the Roman Empire. The military's role as a conduit of knowledge and ideas in the Bronze Age Aegean, and an in-depth study of hieroglyphic Egyptian inscriptions found on Roman obelisks offer but two examples of scholarly lacunae addressed by this publication. Specialists across the fields of art history, archaeology, Classics, Egyptology, and philology will benefit from the volume's investigations into syncretic processes that enlivened and informed nearly twenty-five hundred years of dynamic cultural exchange. The free online edition of this open-access publication is available at www.getty.edu/publications/egypt-classical-world/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
This archaeological study investigates the meaning of the Egyptian and egyptianising artefacts that have been preserved from the Roman world in different ways. Its point of departure is a detailed study on the so-called Nilotic scenes or Nilotic landscapes. The book presents a comprehensive and illustrated catalogue of the genre that was popular all around the Mediterranean from the Hellenistic period to the Christian era as well as a contextualisation and interpretation. Drawing on the conclusions thus reached the whole group of Aegyptiaca Romana is subsequently studied. Based on a general overview of this material in the Roman world and, moreover, a case-study of the Aegyptiaca from the city of Rome the different meanings of this cultural phenomenon are mapped. Together with other Egyptian deities popular in the Roman world, the goddess Isis plays an important role in this discussion. Aegyptiaca Romana, among them the Nilotic scenes, are part of the reflection of the Roman attitude towards and thoughts on Egypt, Egyptian culture and the East. The concluding part of the book illustrates and tries to explain this Roman discourse on Egypt.
From Latin love poetry's dominating and enslaving beloveds, to modern popular culture's infamous Cleopatras and Messalinas, representations of the Roman mistress (or the mistress of Romans) have brought into question both ancient and modern genders and political systems. The Roman Mistress explores representations of transgressive women in Latin love poetry and British television drama, in Roman historiography and nineteenth-century Italian anthropology, on classical coinage and college websites, as poetic metaphor and in the Hollywood star system. In a highly accessible style, the book makes an important and original contribution simultaneously to feminist scholarship on antiquity, the classical tradition, and cultural studies.
This landmark, interdisciplinary publication of the Red Monastery church, the most important Christian monument in Egypt's Nile Valley, highlights its remarkable and newly conserved paintings and architectural sculpture.
This is the first comprehensive survey of Christian architecture in Egypt from the fourth century up to early modern times, covering not only church architecture, but also and extensively the building art of pilgrimage centers, monasteries, cemeteries, defence structures and private houses. Special attention is given to building technique, arrangement of the interior, and liturgical (local) conditions. With a descriptive catalogue of urban and monastic churches.