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Roll! Shells fly overhead as night-scopes capture deadly fire fights with an eerie green hue, a category 5 hurricane devastates the Big Easy, hidden cameras enter a Cambodian village of brothels and a veteran journalist interviews himself throughout his own brain surgery. Part non-fiction drama, part trade publication, part text book, all woven together giving the reader a look through the viewfinders of the very best television photojournalists. As 19 experts weigh in with their candid, personal stories and photographic tips, it's as if you're over their shoulders, following their intuitions and hearing their thoughts as they shoot. The trade term for what they do is called ENG (Electronic News Gathering) and whether they're called Cameramen, Backpack Journalists, Television Photographers or any other moniker de jour, they're all paid to bring the world's events into living rooms around the world. These are the men and women who capture the bleeding edge of history - as it happens. Written in a smooth, unique interview style, this book is a necessary read for photojournalists, videographers and tv photojournalists.
Roll! Shells fly overhead as night-scopes capture deadly fire fights with an eerie green hue, a category 5 hurricane devastates the Big Easy, hidden cameras enter a Cambodian village of brothels and a veteran journalist interviews himself throughout his own brain surgery. Part non-fiction drama, part trade publication, part text book, all woven together giving the reader a look through the viewfinders of the very best television photojournalists. As 19 experts weigh in with their candid, personal stories and photographic tips, it's as if you're over their should.
Describes the storytelling elements of a broadcast news story. It shows students and professionals of radio and TV journalism how to apply structure to stories. Use cases of news reports and evaluation checklists are presented.
For a time, print has caught up with technology. Here are all the elements of ENG (Electronic News Gathering) tech­nology and its uses, strengths, and weak­nesses in the researching, writing, edit­ing, photojournalism, and production of television news, including a chapter de­voted to the implications of ENG for communications law. The text is sup­plemented by essays written by well-established professionals, including Tom Wolzein, NBC News, Larry Hatteberg, two-time NPPA News Cameraman of the Year, Lynn Cullen, WTAE-TV, Pitts­burgh, and John Premack, WCVB-TV, Boston, who consider the ethical, es­thetic, editorial, operational, and organi­zational problems the current tech­nology has brought to television news. The authors make extensive use of the results of a nationwide survey of News Directors, News Producers, and Broad­cast Station Managers in describing the impact of ENG on the jobs broadcast journalists do, the new jobs ithas cre­ated, and the kinds of skills and knowl­edge that future broadcast journalists will need. (This book is endorsed by the Radio-Television News Directors Association).
Every video camera owner has at one time or another envisioned making his own movie. But how does one start? How much money will it take? Just how do they do those special effects? Step-by-step! This is the guide for making your movie on a shoestring. The nitty gritty of production are detailed: traveling mattes, image inserts, schuftan shots, hanging miniatures, lighting repair, dolly construction, universal wounds and others. There are also tips on scripting, cast and crew communication and budgeting. A production checklist and sample forms are included. An earlier version was self-published by the author as Making a Video Feature on a Bare Bones Budget; our edition has expanded text and many new illustrations.