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In the remainder of the book, Valerie Langfield discusses and contextualises all his music: songs, chamber, orchestral and theatre music, and his light opera, Julia, performed at Covent Garden in 1936."--BOOK JACKET.
Since their mother and father were shipwrecked, Crispian and Rosamund Carey have been living with their aunt and uncle. Rosamund discovers in a book that all lost loved ones are to be found in the land where the rainbow ends. Together with a Genie of a magic carpet found in the library and two friends, the children set out on their search.
This biography explores the life of Harris Furstenfeld, born in 1900 of Polish Jewish immigrant parents into the dire poverty of London's East End. Fatherless six weeks after his birth, his childhood is one of hardship and deprivation, yet his love of music transcends the squalor of his surroundings. His mind is filled with the immovable ambition to become a concert singer, no matter what the obstacles. He decides to change his name to Mark Raphael, and to forge a career for himself. From soup kitchens and second hand clothes to direct charity, bullying, persistent worry about making ends meet, and living through two world wars, his struggles enable him to achieve his goal, and much more.
Naslagwerk van de liedkunst en de literatuur hierover.
Yearning to escape her life of prostitution in 1870s London, Sugar finds her fate entangled in the complicated family life of patron William, an egotistical perfume magnate.
'I think the knowledge presented in the text is hugely important for teachers of singing. In the shadow of ignorance, superstition and misunderstanding rage. Some singers do quite well even if their thinking about the voice is completely nuts but teachers need to understand each other in order to profit from exchange of experience and ideas'. Johan Sundberg The knowledge in this clearly presented text is important for teachers and students of singing and set out in a most imaginative way. The figures are beautiful and simply delightful to look at. Learners can acquire and revise knowledge in multiple and often playful ways. In the shadow of all the mystery and guesswork regarding the structure and function of the vocal instrument, the approach of this book, written from a singer's perspective, with scientific and anatomical accuracy, is a much-needed educational tool. As a manual it offers a universal approach to an understanding of the larynx that will enable pedagogues to engage in a robust and open exchange of experience and ideas with their students. This is an excellent, comprehensive approach that has been written specifically to help singers understand their instrument as the book builds through from basic, colour-coded anatomy to function.