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Picture reversing a rodeo: the rider flies back onto the horse, the horse bucks into stillness. A whirling cast of characters engage in self-interrogation and self-discovery and wrestle in similar fashion in the pages of Rodeo in Reverse, a debut collection from Lindsey Alexander, which Sean Hill calls "the genuine article." Both time machine and microscope, Rodeo in Reverse is woven from bits of Americana: married life, art history, pioneers, and witches. These poems effortlessly traverse personal and historical pasts with tenderness and unrivaled humor. They offer a tour of American landscape--the trees with bitter crop of the South; the plains of the Midwest; the duels of a cartoonish Wild West. At once a wily romp and a lyric sweep, Rodeo in Reverse considers the possibilities and failures of domestic life on the never-ending quest of rounding up, and defining, the self. Rodeo in Reverse is the winner of the 2017 New Southern Voices Poetry Prize.
A fascinating account of the world of competitive steer wrestling and the talented, live-fast, bruise-hard rodeo cowboys who do it. Ty Phillips's Blacktop Cowboys chronicles the 2004 rodeo season through the eyes of several steer wrestlers trying to make it back to rodeo's version of the Super Bowl, the National Finals Rodeo (NFR) in Las Vegas. Steer wrestling is an adventure that entails riding into an arena at 25 mph, sliding off a horse while taking hold of a 500-pound steer, and then throwing the animal to the ground. The best cowboys often accomplish all this in less than four seconds. The two main characters of Blacktop Cowboys are Luke Branquinho, a young carefree cowboy on a quest for his first title, and his best friend, Travis Cadwell, a veteran trying to make the NFR one last time. Much of Blacktop Cowboys unfolds in trucks, trailers, arenas, behind the chutes, casinos, beds and everywhere else cowboys spend their time. By taking the reader deep into the cowboys' lives, Blacktop Cowboys offers a true and intimate portrait of men having the time of their lives while living on the road in pursuit of the dream to be the best.
McKenzie Wark invents a new genre for another gender: not a memoir but an auto-ethnography of the opacity of the self. Another genre for another gender. What if you were trans and didn't know it? What if there were some hole in your life and you didn't even know it was there? What if you went through life not knowing why you only felt at home in your body at peak moments of drugs and sex? What if you expended your days avoiding an absence, a hole in being? Reverse Cowgirl is not exactly a memoir. The author doesn't, in the end, have any answers as to who she really is or was, although maybe she figures out what she could become. Traveling from Sydney in the 1980s to New York today, Reverse Cowgirl is a comedy of errors, chronicling the author's failed attempts at being gay and at being straight across the shifting political and media landscapes of the late twentieth century. Finding that the established narratives of being transgender don't seem to apply to her, Wark borrows from the genres of autofiction, fictocriticism, and new narrative to create a writing practice that can discover the form of a life outside existing accounts of trans experience: an auto-ethnography of the opacity of the self.
The triumphant true story of the native Hawaiian cowboys who crossed the Pacific to shock America at the 1908 world rodeo championships Oregon Book Award winner * An NPR Best Book of the Year * Pacific Northwest Book Award finalist * A Reading the West Book Awards finalist "Groundbreaking. … A must-read. ... An essential addition." —True West In August 1908, three unknown riders arrived in Cheyenne, Wyoming, their hats adorned with wildflowers, to compete in the world’s greatest rodeo. Steer-roping virtuoso Ikua Purdy and his cousins Jack Low and Archie Ka’au’a had travelled 4,200 miles from Hawaii, of all places, to test themselves against the toughest riders in the West. Dismissed by whites, who considered themselves the only true cowboys, the native Hawaiians would astonish the country, returning home champions—and American legends. An unforgettable human drama set against the rough-knuckled frontier, David Wolman and Julian Smith’s Aloha Rodeo unspools the fascinating and little-known true story of the Hawaiian cowboys, or paniolo, whose 1908 adventure upended the conventional history of the American West. What few understood when the three paniolo rode into Cheyenne is that the Hawaiians were no underdogs. They were the product of a deeply engrained cattle culture that was twice as old as that of the Great Plains, for Hawaiians had been chasing cattle over the islands’ rugged volcanic slopes and through thick tropical forests since the late 1700s. Tracing the life story of Purdy and his cousins, Wolman and Smith delve into the dual histories of ranching and cowboys in the islands, and the meteoric rise and sudden fall of Cheyenne, “Holy City of the Cow.” At the turn of the twentieth century, larger-than-life personalities like “Buffalo Bill” Cody and Theodore Roosevelt capitalized on a national obsession with the Wild West and helped transform Cheyenne’s annual Frontier Days celebration into an unparalleled rodeo spectacle, the “Daddy of ‘em All.” The hopes of all Hawaii rode on the three riders’ shoulders during those dusty days in August 1908. The U.S. had forcibly annexed the islands just a decade earlier. The young Hawaiians brought the pride of a people struggling to preserve their cultural identity and anxious about their future under the rule of overlords an ocean away. In Cheyenne, they didn’t just astound the locals; they also overturned simplistic thinking about cattle country, the binary narrative of “cowboys versus Indians,” and the very concept of the Wild West. Blending sport and history, while exploring questions of identity, imperialism, and race, Aloha Rodeo spotlights an overlooked and riveting chapter in the saga of the American West.
Scientific analyses of the geology, metallogeny, and mineralization of gold, silver and other high-value elements in the western USATechnical details on working mines, exploration results, new depositsPresentations produced with the United States Geological Survey, Society of Economic GeologistsTwo-volume book set printed in full color with full-text searchable CD-ROM Produced under the auspices of the Geological Society of Nevada and published every five years, this two-volume book of peer-reviewed papers focuses on the geological analysis of ore-rich deposits in the western United States, especially ones containing gold and other high-value elements. Hundreds of stratigraphic, lithographic, remote-sensing and core sample examples are presented, particularly of areas likely to host Carlin-type gold deposits. The two volumes contain a wealth of data on specifically named mines, as well as technical information on high-potential areas for exploration. The book is profusely illustrated with full-color maps, photographs and charts for geology and mining engineering. A searchable CD accompanies the book and includes the full text of papers from the printed book, as well as abstracts and information from poster sessions not found in the printed book. Chapters in the text are fully refereed versions of presentations originally delivered at a symposium supported by the Geological Society of Nevada, along with the United States Geological Survey, Society of Economic Geologists and the Nevada Bureau of Mines. Sample key words: metallogeny, gold, epithermal ore, magmatism, Carlin trend, square array void mapping (SAVM), porphyry copper, tungsten, orogeny, lithogeochemistry, 3-D resistivity and modeling, fault-surface mapping, airborne electromagnetics and more. *The CD-ROM displays figures and illustrations in articles in full color along with a title screen and main menu screen. Each user can link to all papers from the Table of Contents and Author Index and also link to papers and front matter by using the global bookmarks which allow navigation of the entire CD-ROM from every article. Search features on the CD-ROM can be by full text including all key words, article title, author name, and session title. The CD-ROM has Autorun feature for Windows 2000 or higher products and can also be used with Macintosh computers. The CD includes the program for Adobe Acrobat Reader with Search 11.0. One year of technical support is included with your purchase of this product.
Rachel Lewis is a bona fide city slicker. Still, when her estranged father asks for her help, she ends up in dusty Stagecoach, Arizona, to manage his rodeo company for the summer. Being clueless about rough stock is nothing, though, compared to the confused feelings Rachel has for sexy ranch foreman Clint McGraw...because he's also her main competitor for her father's affections. Clint can hardly believe it when his boss hands over the reins to his long-gone daughter. What the heck does a spoiled city girl like Rachel know about rodeo? Why, she's crazy enough to offer a competition event to women bull riders! And for sure she's going to nudge her way back into her father's heart--leaving Clint high and dry. Even so, he can't help falling hard for Rachel. But only one of them can be the head honcho of this round-up!
“Filled with deep emotion and intense spark, Marcella Bell brings grit, spark and brilliance to western romance! Marcella Bell is one to watch!”—Maisey Yates, New York Times bestselling author The world watches on as reality TV meets rodeo in this competition like no other. In front of the cameras, Lil and AJ are each other’s biggest rivals. Off-screen, it’s about to get a whole lot more complicated… At thirty-six, undefeated rodeo champion AJ Garza is supposed to be retiring, not chasing after an all-new closed-circuit rodeo tour with a million-dollar prize. But with the Houston rodeo program that saved him as a wayward teen on the brink of bankruptcy, he’ll compete. And he’ll win. Enter Lilian Sorrow Island. Raised by her grandparents on the family ranch in Muskogee, Oklahoma, Lil is more a cowboy than city boy AJ will ever be. It shows. She’s not about to let him steal the prize that’ll save her ranch, even if he is breathtakingly magnificent, in pretty much every way going… This summer, in this bold, uplifting novel, Marcella Bell reminds us that even when it comes to rodeo, romance is the wildest ride of all! A Closed Circuit Novel
"Jean Valentine has a gift for tough strangeness, but also a dreamlike syntax and manner of arranging the lines of . . . short poems so as to draw us into the doubleness and fluency of feelings."—The New York Times Book Review Quietly marked by elegy and memory, National Book Award winner Jean Valentine's thirteenth book is empowered by her signature clear music and compassion. Valentine leads us chronologically from childhood drawings and wartime memories to the present, where she addresses aging and the loss of loved ones. These poems of tender grace reflect on the small histories few ever fully see. Shirt in Heaven Come upon a snapshot of secret you, smiling like FDR, leaning on your crutches— come upon letters I thought I'd burned— I suppose you've got a place with lots of stairs. I'm at the end of something, you're at the beginning . . . —dearest, they told me a surgeon sat down in the hospital morgue, next to your body, & cried. He yelled at the aide to get out. His two sons had been your students. —me too, little-knowing— Jean Valentine is the current State Poet of New York and author of twelve books of poetry, including Door in the Mountain, which won the National Book Award. She has taught at Sarah Lawrence College, New York University, and Columbia University, and lives in the Morningside Heights neighborhood of New York City.