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In this imaginative retelling of the Easter story, Abbi, an Easter bunny, hears the tale of the death and resurrection of Jesus from the perspective of a rock named Nate. Drawing inspiration from Jesus' words in Luke 19:40, Rocks Will Cry, describes the gospel account of Easter as if the rocks really were the ones telling the story. This is a perfect, short story, to read either alone or as a family and think about the events of the Christian holiday in a new way. Framed in the backdrop of an excited bunny delivering Easter joy, Rocks Will Cry also provides the perfect Easter craft/decoration to do with your kids to continue thinking about, enjoying and remembering the story far after you finish the book.
Jesus: His Story in Stone is a reflection on still-existing stone objects that Jesus would have known, seen, or even touched. Each of the seventy short chapters is accompanied by a photograph taken on location in Israel. Arranged chronologically, the one-page meditations compose a portrait of Christ as seen through the significant stones in His life, from the cave where He was born to the rock of Calvary. While packed with historical and archaeological detail, the book’s main thrust is devotional, leading the reader both spiritually and physically closer to Jesus.
The NIV Application Commentary helps you communicate and apply biblical text effectively in today's context. To bring the ancient messages of the Bible into today's world, each passage is treated in three sections: Original Meaning. Concise exegesis to help readers understand the original meaning of the biblical text in its historical, literary, and cultural context. Bridging Contexts. A bridge between the world of the Bible and the world of today, built by discerning what is timeless in the timely pages of the Bible. Contemporary Significance. This section identifies comparable situations to those faced in the Bible and explores relevant application of the biblical messages. The author alerts the readers of problems they may encounter when seeking to apply the passage and helps them think through the issues involved. This unique, award-winning commentary is the ideal resource for today's preachers, teachers, and serious students of the Bible, giving them the tools, ideas, and insights they need to communicate God's Word with the same powerful impact it had when it was first written.
This survey of archaeological discoveries in Bible lands includes testimonies and interviews from leading archaeologists and exciting pictures featuring the latest finds made in the lands of the Bible
The following common Bible stories are described from the point of view of rocks: creation, Noah and the ark, Abraham and Isaac, Jacob's dream, Moses at Mt. Horeb, Ten Commandments, David and Goliath, Satan tempts Jesus, the resurrection, and Stephen the first martyr.
This unique and unforgettable picture book uses rock art and simple text to tell children the story of the miracle of Easter—the resurrection of Jesus. Through the arrangement of a few rocks and powerful words directly from Scripture, the entire Easter story is told in He Is Risen: Rocks Tell the Story of Easter. Young readers will be intrigued by the nature-filled artwork that shows the death and resurrection of Jesus and the celebration of the very first Easter in a powerful and unique way. He Is Risen is perfect for: Children ages 4-8 Sharing the true story of Easter in a new and memorable way Easter gifts Inspiring creative art projects using natural items such as rocks, sticks, and leaves This unique holiday picture book: features beautiful photographs of the rock art uses the Gospel of Luke from the NKJV translation to tell the Easter story If you enjoy He Is Risen, check out A Savior Is Born: Rocks Tell the Story of Christmas.
This classic is organized as follows: Introduction Containing Explanations of Terms and General Positions Chapter I. Wherein Is Considered, What Reason Teaches Concerning This Affair. Section I. Some things observed in general, which reason dictates Section II. Some further observations concerning those things which reason leads us to suppose God aimed at in the creation of the world Section III. Wherein it is considered how, on the supposition of God’s making the aforementioned things his last end, he manifests a supreme and ultimate regard to himself in all his works Section IV. Some objections considered, which may be made against the reasonableness of what has been said of God making himself his last end. Chapter II. Wherein If It Is Inquired, What Is To Be Learned From Holy Scriptures, Concerning God’s Last End In The Creation Of The World Section I. The Scriptures represent God as making himself his own last end in the creation of the world Section II. Wherein some positions are advanced concerning a just method of arguing in this affair, from what we find in the Holy Scriptures Section III. Particular texts of Scripture, that show that God’s glory is an ultimate end of the creation Section IV. Places of Scripture that lead us to suppose, that God created the world for his name, to make his perfections known; and that he made it for his praise. Section V. Places of Scripture from whence it may be argued, that communication of good to the creature, was one thing which God had in view, as an ultimate end of the creation of the world. Section VI. Wherein is considered what is meant by the glory of God and the name of God in Scripture, when spoken of as God’s end in his works Section VII. Showing that the ultimate End of the Creation of the World is but one, and what that one end is.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
A Japanese novel on a bookseller whose life is one tragedy after another. One son is murdered, another turns revolutionary and the wife becomes an alcoholic. As if that is not enough, Tsuyoshi Manase is haunted by a World War II massacre of wounded Japanese soldiers by his own, who considered the wounded deadweight.