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"Reveals the forces at work behind the band's music by deconstructing their most representative tunes from their ... fifty years of record making"--Dust jacket flap.
'Packed with war stories from a golden age of rock, and insights into the stars that made that music' CLASSIC ROCK MAGAZINE 'On reading Getcha Rocks Off you realise just how drastically things have changed in the rock industry but books like this perfectly evoke what they were like. Good times...' RECORD COLLECTOR Hanging out with rock stars, trying to steal their chicks, or throwing up over their guitars after launching into the hospitality a little too enthusiastically, Mick Wall spent much of the 1980s sprawled in limos and five-star hotels with the biggest rock bands in the world, including Led Zeppelin, Guns N' Roses, Metallica, Black Sabbath, Mötley Crüe, Thin Lizzy, Deep Purple, Alice Cooper, Van Halen, Motörhead and more. He was Kerrang! magazine's star writer and the presenter of Monsters of Rock, his own weekly show on Sky TV, and the decade passed in a blur of hard drugs, hot women, and some of the heaviest people your mother definitely would not like. Depicting a world where vague concepts like 'the future' are disdained in favour of nights that last a week and weeks that last forever, Getcha Rocks Off is a rock apocalypse Cider With Roadies, and a more frank and disturbing Apathy for the Devil. It is the kind of book you need to put on your leather jacket to read, open that bottle of Jack and reach for the Charlie. And let the good times roll...
'Packed with war stories from a golden age of rock, and insights into the stars that made that music' CLASSIC ROCK MAGAZINE 'On reading Getcha Rocks Off you realise just how drastically things have changed in the rock industry but books like this perfectly evoke what they were like. Good times...' RECORD COLLECTOR Hanging out with rock stars, trying to steal their chicks, or throwing up over their guitars after launching into the hospitality a little too enthusiastically, Mick Wall spent much of the 1980s sprawled in limos and five-star hotels with the biggest rock bands in the world, including Led Zeppelin, Guns N' Roses, Metallica, Black Sabbath, Mötley Crüe, Thin Lizzy, Deep Purple, Alice Cooper, Van Halen, Motörhead and more. He was Kerrang! magazine's star writer and the presenter of Monsters of Rock, his own weekly show on Sky TV, and the decade passed in a blur of hard drugs, hot women, and some of the heaviest people your mother definitely would not like. Depicting a world where vague concepts like 'the future' are disdained in favour of nights that last a week and weeks that last forever, Getcha Rocks Off is a rock apocalypse Cider With Roadies, and a more frank and disturbing Apathy for the Devil. It is the kind of book you need to put on your leather jacket to read, open that bottle of Jack and reach for the Charlie. And let the good times roll...
In this riveting inside account of his life in rock-and-roll band Aerosmith, Joe Perry opens up for the first time to tell the story of his wild, unbridled life as the band's lead guitarist. He delves deep into his volatile, profound, and enduring relationship with singer Steve Tyler, and reveals the real people behind the larger-than-life rock-gods on stage. It's an intimate account of nearly five decades of mega highs and heartbreaking lows. The story of Aerosmith is not your average rock-and-roll tale. It's an epic saga, at once a study in brotherhood and solitude that plays out on the killing fields of rock and roll. With record-making hits and colossal album sales that compete with legends such as U2 and Frank Sinatra, Aerosmith has earned their place in the Rock and Roll Hall of Fame. But with a sweeping comeback in the late 80s, one can see there is a bigger story here: to come back that high, you have to have plummeted pretty low. Aerosmith's game with fame is one of success, failure, rebirth, re-destruction, even the post-destructive rebirth, but here they are today, in their 60s and still on top. ROCKS is ultimately a story of endurance, and it starts almost half a century ago with young Perry, the misanthrope whose loving parents practically begged him to assimilate, but who quits school because he doesn't want to cut his hair. He meets Tyler in a restaurant in Boston, sways him from pop music to the darker side, rock-and-roll, and it doesn't take long for the "Toxic Twins" to skyrocket into a world of fame, drugs, and utter excess. Perry takes fora personal look into the two stars behind Aerosmith, the people who enabled them, the ones who controlled them, and the ones who changed them.
In the 1960s an epic battle was waged between the two biggest bands in the world—the clean-cut, mop-topped Beatles and the badboy Rolling Stones. Both groups liked to maintain that they weren’t really “rivals”—that was just a media myth, they politely said—and yet they plainly competed for commercial success and aesthetic credibility. On both sides of the Atlantic, fans often aligned themselves with one group or the other. In Beatles vs. Stones, John McMillian gets to the truth behind the ultimate rock and roll debate. Painting an eye-opening portrait of a generation dragged into an ideological battle between Flower Power and New Left militance, McMillian reveals how the Beatles-Stones rivalry was created by music managers intent on engineering a moneymaking empire. He describes how the Beatles were marketed as cute and amiable, when in fact they came from hardscrabble backgrounds in Liverpool. By contrast, the Stones were cast as an edgy, dangerous group, even though they mostly hailed from the chic London suburbs. For many years, writers and historians have associated the Beatles with the gauzy idealism of the “good” sixties, placing the Stones as representatives of the dangerous and nihilistic “bad” sixties. Beatles vs. Stones explodes that split, ultimately revealing unseen realities about America’s most turbulent decade through its most potent personalities and its most unforgettable music.
Some people collect stamps. Other people collect coins. Carol Otis Hurst's father collected rocks. Nobody ever thought his obsession would amount to anything. They said, "You've got rocks in your head" and "There's no money in rocks." But year after year he kept on collecting, trading, displaying, and labeling his rocks. The Depression forced the family to sell their gas station and their house, but his interest in rocks never wavered. And in the end the science museum he had visited so often realized that a person with rocks in his head was just what was needed. Anyone who has ever felt a little out of step with the world will identify with this true story of a man who followed his heart and his passion.
“Wow. This book totally rocks. It arrived on a day when I was in deep confusion and sadness about my age. Everything about it, from my invisibility to my neck. Within four or five wise, passionate pages, I had found insight, illumination, and inspiration. I never use the word empower, but this book has empowered me.” —Anne Lamott, New York Times bestselling author Author, activist, and TED speaker Ashton Applewhite has written a rousing manifesto calling for an end to discrimination and prejudice on the basis of age. In our youth obsessed culture, we’re bombarded by media images and messages about the despairs and declines of our later years. Beauty and pharmaceutical companies work overtime to convince people to purchase products that will retain their youthful appearance and vitality. Wrinkles are embarrassing. Gray hair should be colored and bald heads covered with implants. Older minds and bodies are too frail to keep up with the pace of the modern working world and olders should just step aside for the new generation. Ashton Applewhite once held these beliefs too until she realized where this prejudice comes from and the damage it does. Lively, funny, and deeply researched, This Chair Rocks traces her journey from apprehensive boomer to pro-aging radical, and in the process debunks myth after myth about late life. Explaining the roots of ageism in history and how it divides and debases, Applewhite examines how ageist stereotypes cripple the way our brains and bodies function, looks at ageism in the workplace and the bedroom, exposes the cost of the all-American myth of independence, critiques the portrayal of elders as burdens to society, describes what an all-age-friendly world would look like, and offers a rousing call to action. It’s time to create a world of age equality by making discrimination on the basis of age as unacceptable as any other kind of bias. Whether you’re older or hoping to get there, this book will shake you by the shoulders, cheer you up, make you mad, and change the way you see the rest of your life. Age pride!
This edition of The Little Black Songbook presents the complete lyrics and chords to hits from some of the biggest names of the 1990s. This handy chord songbook is perfect for any aspiring guitarist, ideal for group singalongs, a spot of busking or simply to explore the music of the decade that brought us The Spice Girls, Nirvana, Oasis and the Manic Street Preachers. This little book includes: - (Everything I Do) I Do It For You [Bryan Adams] - 2 Become 1 [The Spice Girls] - A Design For Life [Manic Street Preachers] - A Girl Like You [Edwyn Collins] - Cigarettes & Alcohol [Oasis] - Creep [Radiohead] - Dreams [The Cranberries] - Friday I’m In Love [The Cure] - I Believe I Can Fly [R. Kelly] - Just A Girl [No Doubt] - Learn To Fly [Foo Fighters] - Let Me Entertain You [Robbie Williams] - Livin’ La Vida Loca [Ricky Martin] - Loser [Beck] - Love Is All Around [Wet Wet Wet] - My Favourite Game [The Cardigans] - Nancy Boy [Placebo] - Rocks [Primal Scream] - Smells Like Teen Spirit [Nirvana] - Thank U [Morissette, Alanis] - That Don’t Impress Me Much [Shania Twain] - The Bartender And The Thief [Stereophonics] - Tonight, Tonight [The Smashing Pumpkins] - Weather With You [Crowded House] And many, many more!