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Rock art studies in south India are few and far between. The huge corpus of rock art has not been systematically documented, studied and analyzed. This book fills up thelacuna to a certain extent. This book constitutes the first comprehensive micro level study of rock art of Andhra Pradesh both at an intra site ind inter site levels. In addition, the other rock art traditions of south India particularly of Karnataka and Tamilnadu are also studied from a comparativeanalogical perspective. This is necessary not only to highlight the characteristic and exclusive traits of the rock arts of Andhra Pradesh, but also to understand the cultural cintacts between various regions reflected in the rock art forms and themes. An attempt has also been made to understand the motives behind the rock depictions in the light of various theories of interpretation.
The comprehensive book on Indian petroglyphs in the Southwest.
This unique guide provides an artistic and archaeological journey deep into human history, exploring the petroglyphic and pictographic forms of rock art produced by the earliest humans to contemporary peoples around the world. Summarizes the diversity of views on ancient rock art from leading international scholars Includes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the world Examines key work of noted authorities (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and outlines new directions for rock art research Is broadly international in scope, identifying rock art from North and South America, Australia, the Pacific, Africa, India, Siberia and Europe Represents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses
Focusing on stunning paintings and engravings from around the world, 16 papers interrogate the driving forces behind global rock art research. Many of the motifs featured were created by indigenous hunter-gatherer groups; this book sheds new light on non-Western rituals and worldviews, many of which are threatened or on the point of extinction.
Covering a vast terrain-from Ladakh and other Himalayan locations, to central India including the Vindhyas, the Satpuras, and the Chhota Nagpur Plateau, to southern Deccan and Sri Lanka-the book presents for the first time a well-rounded overview of rock art in India down the ages.
This is a unique volume in the history of rock art studies, meant at once for the advanced scholar, serious student and the curious but conscientious layman, co-authored by K.K. Chakravarty and R.G. Bednarik, who co-chaired the Rock Art session of the World Archaeological Congress 3 at Delhi in 1994. It is a synoptic but comprehensive survey, illustrated by 221 photographs and sketches, including 172 photographs in colour. The two scholars have not only described the latest state of research on rock art, but also transported rock art studies into the realm of interdisciplinary, inter-cultural analysis. Buttressed by an indicative map of the rock art regions, a list of major up to date direct dating results on rock art, a glossary of keywords related to spatial, temporal, technological, managerial categories, and an index, this volume blends precise, dispassionate descriptions with eloquent evocations. It blends conclusions distilled from rigorous, hard headed field research with penetrating criticism and assessment of the evidence. It combines a ruthless brevity and density with extraordinary felicity and clarity of language. Above all, it is an wonderful attempt at dealing with the problems of understanding, which dog human attempts to comprehend the meaning and shape of human creativity.
This book is the pioneering attempt on several Indian rock art sites of diverse regions exhaustively studied by the writer for decades and finally a database is equipped with attributes on early rock art imagery.
Rock paintings by the San Bushmen are scattered over all of southern Africa; it is estimated that some 15,000 rock art sites are known and possibly as many await discovery. While providing information about the history of these fascinating paintings—considered one of the greatest cultural treasures of humankind—this account also offers insight into their possible interpretations by taking the magnificent Linton panel in the Iziko South African Museum in Cape Town as a starting point. Filled with beautiful illustrations, this record sheds light on San rock art in general and makes sense of the baffling complexity and strangeness of the art form.
Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.