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"This richly illustrated book of the history, culture, and art of Easter Island is the first to examine in detail the island's vernacular architecture, often overshadowed by its giant stone statues"--Provided by publisher.
A portrait of the first woman archaeologist to work in Polynesia documents Routledge's experiences on Easter Island, beginning with the launch of the 1913 Mana Expedition and continuing with her emersion into local customs and beliefs and battle with schizophrenia.
"The Oxford Handbook of Prehistoric Oceania presents the archaeology, linguistics, environment and human biology of Melanesia, Micronesia, and Polynesia. First colonized 50,000 years ago, Oceania witnessed the independent invention of agriculture, the construction of Easter Island's statues, and the development of the word's last archaic states."--Provided by publisher.
The monumental statues of Easter Island, both so magisterial and so forlorn, gazing out in their imposing rows over the island’s barren landscape, have been the source of great mystery ever since the island was first discovered by Europeans on Easter Sunday 1722. How could the ancient people who inhabited this tiny speck of land, the most remote in the vast expanse of the Pacific islands, have built such monumental works? No such astonishing numbers of massive statues are found anywhere else in the Pacific. How could the islanders possibly have moved so many multi-ton monoliths from the quarry inland, where they were carved, to their posts along the coastline? And most intriguing and vexing of all, if the island once boasted a culture developed and sophisticated enough to have produced such marvelous edifices, what happened to that culture? Why was the island the Europeans encountered a sparsely populated wasteland? The prevailing accounts of the island’s history tell a story of self-inflicted devastation: a glaring case of eco-suicide. The island was dominated by a powerful chiefdom that promulgated a cult of statue making, exercising a ruthless hold on the island’s people and rapaciously destroying the environment, cutting down a lush palm forest that once blanketed the island in order to construct contraptions for moving more and more statues, which grew larger and larger. As the population swelled in order to sustain the statue cult, growing well beyond the island’s agricultural capacity, a vicious cycle of warfare broke out between opposing groups, and the culture ultimately suffered a dramatic collapse. When Terry Hunt and Carl Lipo began carrying out archaeological studies on the island in 2001, they fully expected to find evidence supporting these accounts. Instead, revelation after revelation uncovered a very different truth. In this lively and fascinating account of Hunt and Lipo’s definitive solution to the mystery of what really happened on the island, they introduce the striking series of archaeological discoveries they made, and the path-breaking findings of others, which led them to compelling new answers to the most perplexing questions about the history of the island. Far from irresponsible environmental destroyers, they show, the Easter Islanders were remarkably inventive environmental stewards, devising ingenious methods to enhance the island’s agricultural capacity. They did not devastate the palm forest, and the culture did not descend into brutal violence. Perhaps most surprising of all, the making and moving of their enormous statutes did not require a bloated population or tax their precious resources; their statue building was actually integral to their ability to achieve a delicate balance of sustainability. The Easter Islanders, it turns out, offer us an impressive record of masterful environmental management rich with lessons for confronting the daunting environmental challenges of our own time. Shattering the conventional wisdom, Hunt and Lipo’s ironclad case for a radically different understanding of the story of this most mysterious place is scientific discovery at its very best.
"The mystery of Easter island" by Katherine Routledge. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Pictures, painted and carved in caves and on open rock surfaces, are amongst our loveliest relics from prehistory. This pioneering set of sparkling essays goes beyond guesses as to what the pictures mean, instead exploring how we can reliably learn from rock-art as a material record of distant times: in short, rock-art as archaeology. Sometimes contact-period records offer some direct insight about indigenous meaning, so we can learn in that informed way. More often, we have no direct record, and instead have to use formal methods to learn from the evidence of the pictures themselves. The book's eighteen papers range wide in space and time, from the Palaeolithic of Europe to nineteenth-century Australia. Using varied approaches within the consistent framework of informed and proven methods, they make key advances in using the striking and reticent evidence of rock-art to archaeological benefit.
Easter Island, an isolated speck in the Pacific Ocean, produced one of the most fascinating and yet least understood of ancient cultures. Who were the inhabitants of this unimaginably remote volcanic island? Where did they come from? What, and equally intriguing, how did they erect the giant stone statues found all over the island? And what became of their civilization? - ;Easter Island, an unimaginably remote volcanic island in the Pacific Ocean, produced one of the most fascinating and yet least understood prehistoric cultures. Who were its inhabitants, and where did they come from? Why, and equally intriguingly, how did they erect the giant stone statues found all over the island? Paul Bahn and John Flenley tackle these and a host of other questions, introducing us, along the way, to the bizarre birdman cult found in the island's art, and the only recently deciphered Rongorongo script engraved on wooden panels. The Enigmas of Easter Island combines a wealth of new archaeological evidence, intriguing folk memories and the records of Captain Cook and other early explorers, to reveal how the island's decline may stem from ecological catastrophe. The result is a fascinating portrait of a civilization which still retains many of its mysteries. This book, originally published in 1992, was hailed as the best account of Easter Island ever written. Now it has been brought substantially up to date with a wealth of new material. -
This paper is a considerably revised version of the 1992 British Museum Occasional Paper No. 73 by the same author. The book describes how, when and by whom Hoa Hakanai'a was collected. It also reconstructs the underlying Rapanui aesthetic and social structure that produced Hoa Hakanai'a , and which has been obscured by time and historic accident.