Download Free Robyn Beeche Book in PDF and EPUB Free Download. You can read online Robyn Beeche and write the review.

Through Beeche's superb photography, this book conveys the vibrancy of London and its contrast with the richness of India
The small town of Vṛndāvana is today one of the most vibrant places of pilgrimage in northern India. Throngs of pilgrims travel there each year to honour the sacred land of Kṛṣṇa’s youth and to visit many of its temples. The Building of Vṛndāvana explores the complex history of this town’s early modern origins. Bringing together scholars from various disciplines to examine history, architecture, art, ritual, theology, and literature in this pivotal period, the book examines how these various disciplines were used to create, develop, and map Vṛndāvana as the most prominent place of pilgrimage for devotees of Kṛṣṇa. Contributors are: Guy L. Beck, Måns Broo, David Buchta, John Stratton Hawley, Barbara A. Holdrege, Rembert Lutjeharms, Cynthia D. Packert, and Heidi Pauwels.
India celebrates itself as a nation of unity in diversity, but where does that sense of unity come from? One important source is a widely-accepted narrative called the “bhakti movement.” Bhakti is the religion of the heart, of song, of common participation, of inner peace, of anguished protest. The idea known as the bhakti movement asserts that between 600 and 1600 CE, poet-saints sang bhakti from India’s southernmost tip to its northern Himalayan heights, laying the religious bedrock upon which the modern state of India would be built. Challenging this canonical narrative, John Stratton Hawley clarifies the historical and political contingencies that gave birth to the concept of the bhakti movement. Starting with the Mughals and their Kachvaha allies, North Indian groups looked to the Hindu South as a resource that would give religious and linguistic depth to their own collective history. Only in the early twentieth century did the idea of a bhakti “movement” crystallize—in the intellectual circle surrounding Rabindranath Tagore in Bengal. Interactions between Hindus and Muslims, between the sexes, between proud regional cultures, and between upper castes and Dalits are crucially embedded in the narrative, making it a powerful political resource. A Storm of Songs ponders the destiny of the idea of the bhakti movement in a globalizing India. If bhakti is the beating heart of India, this is the story of how it was implanted there—and whether it can survive.
Celebrated as an aquatic form of divinity for thousands of years, the Yamuna is one of India’s most sacred rivers. A prominent feature of north Indian culture, the Yamuna is conceptualized as a goddess flowing with liquid love—yet today it is severely polluted, the victim of fast-paced industrial development. This fascinating and beautifully written book investigates the stories, theology, and religious practices connected with this river goddess collected from texts written over several millennia, as well as from talks with pilgrims, priests, and worshippers who frequent the pilgrimage sites and temples located on her banks. David L. Haberman offers a detailed analysis of the environmental condition of the river and examines how religious practices are affected by its current pollution. He introduces Indian river environmentalism, a form of activism that is different in many ways from its western counterpart. River of Love in an Age of Pollution concludes with a consideration of the broader implications of the Yamuna’s plight and its effect on worldwide efforts to preserve our environment. Celebrated as an aquatic form of divinity for thousands of years, the Yamuna is one of India’s most sacred rivers. A prominent feature of north Indian culture, the Yamuna is conceptualized as a goddess flowing with liquid love—yet today it is severely pol
After punk, pop culture wanted to dazzle again. Fashion and style were the means and the New Romantics took them to the limit. But the New Romantic movement was more than just a reaction against the anti-glamour of punk…and the music was only part of the story. The first in-depth book about British Pop’s most flamboyant movement. The clubs and cabarets, the clothes, the glitter, the make-up, the hair, the fashion, the attitude and the style all made up The Look – and the Look was everything. The New Romantics explores the varied roots of the movement, using interviews with the stars and tracing a range of influences from David Bowie to the movie Cabaret and the Berlin of the 1930s. Includes interviews with Martin Kemp, Boy George and Steve Strange.
'The Life of Hinduism' collects a series of essays that present Hinduism as a vibrant, truly 'lived' religion. The text offers a glimpse into the multifaceted world of Hindu worship, life-cycle rites, festivals, performances, gurus, and castes.
Theatre and Religion on Krishna s Stage examines the history and form of India's râs lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that râs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensity of audiences to play out roles of their own through which they share a performance's reality.
This is a book about a deeply beloved place—many call it the spiritual capital of India. Located at a dramatic bend in the River Yamuna, a hundred miles from the center of Delhi, Vrindavan is the spot where the god Krishna is believed to have spent his childhood and youth. For Hindus it has always stood for youth writ large—a realm of love and beauty that enables one to retreat from the weight and harshness of the world. Now, though, the world is gobbling up Vrindavan. Delhi’s megalopolitan sprawl inches closer day by day—half the town is a vast real-estate development—and the waters of the Yamuna are too polluted to drink or even bathe in. Temples now style themselves as theme parks, and the world’s tallest religious building is under construction in Krishna’s pastoral paradise. What happens when the Anthropocene Age makes everything virtual? What happens when heaven gets plowed under? Like our age as a whole, Vrindavan throbs with feisty energy, but is it the religious canary in our collective coal mine?
The thousand-year-old Sanskrit classic the Bhagavatapurana, or "Stories of the Lord," is the foundational source of narratives concerning the beloved Hindu deity Krishna. For centuries pious individuals, families, and community groups have engaged specialist scholar-orators to give week-long oral performances based on this text. Seated on a dais in front of the audience, the orator intones selected Sanskrit verses from the text and narrates the story of Krishna in the local language. These sacred performances are thought to bring blessings and good fortune to those who sponsor, perform, or attend them. Devotees believe that the narratives of Krishna are like the nectar of immortality for those who can appreciate them. In recent years, these events have grown in number, scale, and popularity. Once confined to private homes or temple spaces, contemporary performances now fill vast public arenas such as sports stadiums, and attract live audiences in the tens of thousands while being simulcast around the world. In Seven Days of Nectar, McComas Taylor applies the tools of performance theory to uncover the factors that contribute to the explosive growth of this tradition. His innovative approach, which draws on close textual reading, philology, and ethnography, casts new light on the ways in which narratives are experienced as authentic and transformative and, more broadly, how texts shape societies.
No Hindu god is closer to the soul of poetry than Krishna, and in North India no poet ever sang of Krishna more famously than SūrdD=as-or Sūr, for short. He lived in the sixteenth century and became so influential that for centuries afterward aspiring Krishna poets signed their compositions orally with his name. This book takes us back to the source, offering a selection of Sūrd=as's poems that were known and sung in the sixteenth century itself. Here we have poems of war, poems to the great rivers, poems of wit and rage, poems where the poet spills out his disappointments. Most of all, though, we have the memory of love-poems that adopt the voices of the women of Krishna's natal Braj country and evoke the power of being pulled into his irresistible orbit. Following the lead of several old manuscripts, Jack Hawley arranges these poems in such a way that they tell us Krishna's life story from birth to full maturity. These lyrics from Sūr's Ocean (the Sūrs=agar) were composed in the very tongue Hindus believe Krishna himself must have spoken: Brajbh=as=a, the language of Braj, a variety of Hindi. Hawley prepares the way for his verse translations with an introduction that explains what we know of Sūrd=as and describes the basic structure of his poems. For readers new to Krishna's world or to the subtleties of a poet like Sūrd=as, Hawley also provides a substantial set of analytical notes. "Sūr is the sun," as a familiar saying has it, and we feel the warmth of his light in these pages.