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Where and what was Robin Hood? Why is an outlaw from fourteenth century England still a hero today, with films, festivals and songs dedicated to his living memory? This book explores the mysteries, the historical evidence, and the trajectory that led to centuries of village festivals around Mayday and the green space of nature unconquered by the forces in power. Great revolutionaries including William Morris adopted Robin as hero, children’s books offered many versions, and Robin entered modern popular culture with cheap novels, silent films and comics. There, in the world of popular culture, Robin Hood continues to holds unique and secure place. The “bad-good” hero of pulp urban fiction of the 1840s–50s, and more important, the Western outlaw who thwarts the bankers in pulps, films, and comics, is essentially Robin Hood. So are Zorro, the Cisco Kid, and countless Robin Hood knockoff characters in various media. Robin Hood has a special resonance for leftwing influences on American popular culture in Hollywood, film and television. During the 1930s–50s, future blacklist victims devised radical plots of “people’s outlaws,” including anti-fascist guerilla fighters, climaxing in The Adventures of Robin Hood, network television 1955–58, written under cover by victims of the Blacklist, seen by more viewers than any other version of Robin Hood. Robin Hood: People’s Outlaw and Forest Hero also features 30 pages of collages and comic art, recuperating the artistic interpretations of Robin from seven centuries, and offering new comic art as a comic-within-a book. With text by Paul Buhle, comics and assorted drawings by Christopher Hutchinson, Gary Dumm, and Sharon Rudahl; Robin Hood: People’s Outlaw and Forest Hero adds another dimension to the history and meaning of rebellion.
In this engaging and deeply informed book, Knight looks at the different manifestations of Robin Hood at different times and places in a mythic biography with a thematic structure. Illustrations.
Twelve selected adventures of Robin Hood and his outlaw band who stole from the rich to give to the poor.
This title recounts the life and adventures of Robin Hood who, with his band of followers, lived in Sherwood Forest as an outlaw dedicated to fighting tyranny.
Recounts the life and adventures of Robin Hood, who, with his band of followers, lived in Sherwood Forest as an outlaw dedicated to fighting tyranny. Presented in comic book format.
The Newbery Medal–winning author of The Hero and the Crown brings the Robin Hood legend to vivid life. Young Robin Longbow, subapprentice forester in the King’s Forest of Nottingham, must contend with the dislike of the Chief Forester, who bullies Robin in memory of his popular father. But Robin does not want to leave Nottingham or lose the title to his father’s small tenancy, because he is in love with a young lady named Marian—and keeps remembering that his mother too was gentry and married a common forester. Robin has been granted a rare holiday to go to the Nottingham Fair, where he will spend the day with his friends Much and Marian. But he is ambushed by a group of the Chief Forester’s cronies, who challenge him to an archery contest . . . and he accidentally kills one of them in self-defense. He knows his own life is forfeit. But Much and Marian convince him that perhaps his personal catastrophe is also an opportunity: an opportunity for a few stubborn Saxons to gather together in the secret heart of Sherwood Forest and strike back against the arrogance and injustice of the Norman overlords.
This classic edition presents the adventures of the legendary Robin Hood and his band of loyal followers, who were friends to the poor left to starve by unfair laws under the reign of England's Prince John. Illustrations.
If you thought you knew about Robin Hood... then think again! Written by Robert White, chairman of the World Wide Robin Hood Society. Many tales have been told about Robin Hood. The traditional stories of good versus evil and his quest to regain his rightful inheritance are universally appealing. The legend has intrigued generation after generation and everyone has their own personal vision of Robin Hood - a swashbuckling hero; a romantic outlaw; a bandit thief; a fighter of injustice or a benevolent champion of the people. Numerous books have been written by historians trying to untangle the myth, establish his actual existence and speculate on just who he might have actually been. Consequently, the subject of the globally renowned hero of English folklore has become extensively complex but the observations included in this publication should provide a brief overview of some of the key facts, issues and perceptions surrounding Robin Hood. Robin Hood: The Legacy of a Folk Hero gives a fascinating insight into the numerous aspects of one of the world's most enduring and iconic legends. Robert White discusses interesting facts and titbits surrounding the outlaw, and then reflects on how the Sherwood Forest hero has become a global phenomenon who, over 800 years, evolved into 'the people's champion'. Embark on an journey from the legend's mythical roots to how, across the ages, the tales of Robin and his merry men has developed in many diverse ways that still impact us to this day. Whatever your opinions and beliefs, this title will reveal just why Robin Hood has become so much more than simply a mythical outlaw of English folklore.
Robin Hood is one of the most enduring and well-known figures of English folklore. Yet who was he really? In this intriguing book, Lesley Coote reexamines the early tales about Robin in light of the stories, both English and French, that have grown up around them—stories with which they shared many elements of form and meaning. In the process, she returns to questions such as where did Robin come from, and what did these stories mean? The Robin who reveals himself is as spiritual as he is secular, and as much an insider as he is an outlaw. And in the context of current debates about national identity and Britain’s relationship with the wider world, Robin emerges to be as European as he is English—or perhaps, as Coote suggests, that is precisely the quality which made him fundamentally English all along.
In the shadow of the Vietnam War, a significant part of an entire generation refused their assigned roles in the American century. Some took their revolutionary politics to the streets, others decided simply to turn away, seeking to build another world together, outside the state and the market. West of Eden charts the remarkable flowering of communalism in the 1960s and ’70s, fueled by a radical rejection of the Cold War corporate deal, utopian visions of a peaceful green planet, the new technologies of sound and light, and the ancient arts of ecstatic release. The book focuses on the San Francisco Bay Area and its hinterlands, which have long been creative spaces for social experiment. Haight-Ashbury’s gift economy—its free clinic, concerts, and street theatre—and Berkeley’s liberated zones—Sproul Plaza, Telegraph Avenue, and People’s Park—were embedded in a wider network of producer and consumer co-ops, food conspiracies, and collective schemes. Using memoir and flashbacks, oral history and archival sources, West of Eden explores the deep historical roots and the enduring, though often disavowed, legacies of the extraordinary pulse of radical energies that generated forms of collective life beyond the nuclear family and the world of private consumption, including the contradictions evident in such figures as the guru/predator or the hippie/entrepreneur. There are vivid portraits of life on the rural communes of Mendocino and Sonoma, and essays on the Black Panther communal households in Oakland, the latter-day Diggers of San Francisco, the Native American occupation of Alcatraz, the pioneers of live/work space for artists, and the Bucky dome as the iconic architectural form of the sixties. Due to the prevailing amnesia—partly imposed by official narratives, partly self-imposed in the aftermath of defeat—West of Eden is not only a necessary act of reclamation, helping to record the unwritten stories of the motley generation of communards and antinomians now passing, but is also intended as an offering to the coming generation who will find here, in the rubble of the twentieth century, a past they can use—indeed one they will need—in the passage from the privations of commodity capitalism to an ample life in common.