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Robin Hood is one of the most enduring and well-known figures of English folklore. Yet who was he really? In this intriguing book, Lesley Coote reexamines the early tales about Robin in light of the stories, both English and French, that have grown up around them—stories with which they shared many elements of form and meaning. In the process, she returns to questions such as where did Robin come from, and what did these stories mean? The Robin who reveals himself is as spiritual as he is secular, and as much an insider as he is an outlaw. And in the context of current debates about national identity and Britain’s relationship with the wider world, Robin emerges to be as European as he is English—or perhaps, as Coote suggests, that is precisely the quality which made him fundamentally English all along.
Twelve selected adventures of Robin Hood and his outlaw band who stole from the rich to give to the poor.
Detailed research into documentary sources offers an exciting new identification of the "real" Robin Hood.For over a century and a half scholars have debated whether or not the legend of Robin Hood was based on an actual outlaw and, if so, when and where he lived. One view is that he was not a legend as such but a myth: an idea, rather than a person who could possibly be identified in historical records and placed in a real historical and geographical context. Other writers have gone even further, arguing that he is a literary concoction, with no traceable original, and that seeking to pin him down to a particular time and location is futile and unnecessary. This survey begins by tracing the development of the legend, and contemporary views about it, between the thirteenth and early twenty-first centuries, taking account both of new interpretative literature on the subject and fresh discoveries from the author's own research in the early records of the English royal administration and common law. It then gives a detailed account of the places that came to be associated with the legend, and of evidence illustrating the importance of the outlaw's name in the development of English surnames. The concluding chapters deal with the administration of criminal law in medieval England, and the evidence that points to the possible origins of the legend in the activities of a notorious Yorkshire criminal, tracked down and beheaded in the county in 1225.s a detailed account of the places that came to be associated with the legend, and of evidence illustrating the importance of the outlaw's name in the development of English surnames. The concluding chapters deal with the administration of criminal law in medieval England, and the evidence that points to the possible origins of the legend in the activities of a notorious Yorkshire criminal, tracked down and beheaded in the county in 1225.s a detailed account of the places that came to be associated with the legend, and of evidence illustrating the importance of the outlaw's name in the development of English surnames. The concluding chapters deal with the administration of criminal law in medieval England, and the evidence that points to the possible origins of the legend in the activities of a notorious Yorkshire criminal, tracked down and beheaded in the county in 1225.s a detailed account of the places that came to be associated with the legend, and of evidence illustrating the importance of the outlaw's name in the development of English surnames. The concluding chapters deal with the administration of criminal law in medieval England, and the evidence that points to the possible origins of the legend in the activities of a notorious Yorkshire criminal, tracked down and beheaded in the county in 1225.
This dictionary is part of the Oxford Reference Collection: using sustainable print-on-demand technology to make the acclaimed backlist of the Oxford Reference programme perennially available in hardback format. An engrossing guide to English folklore and traditions, with over 1,250 entries. Folklore is connected to virtually every aspect of life, part of the country, age group, and occupation. From the bizarre to the seemingly mundane, it is as much a feature of the modern technological age as of the ancient world. BL Oral and Performance genres-Cheese rolling, Morris dancing, Well-dressingEL BL Superstitions-Charms, Rainbows, WishbonesEL BL Characters-Cinderella, Father Christmas, Robin Hood, Dick WhittingtonEL BL Supernatural Beliefs-Devil's hoofprints, Fairy rings, Frog showersEL BL Calendar Customs-April Fool's Day, Helston Furry Day, Valentine's DayEL
*Includes pictures *Includes a table of contents King Arthur is one of the most famous names in history, and his name still evokes visions of fantasy, chivalry, bravery, and more even today. Arthur remains a pop culture fixture around the globe, made famous in various Arthurian tales written by writers like Chretien de Troyes. Arthur came to embody the ideals of the Middle Ages: strength, chivalry, bravery, and more. Along the way, his Excalibur sword, the Holy Grail, his queen, and more have all become household words. Arthur has long been identified as a folk hero, and there are countless tales that comprise the Arthurian legend, but was there an actual person that the original stories were based on? People still search for the seeds of truth in the Knights of the Round Table, and the historical figure that inspired the Arthurian tales. Of course, as with all great myths, and even those with a kernel of truth behind them, there is no "real" Arthur. Arthur is now comprised of the works written by diverse storytellers, most of which have built upon the ancient stories and possibly history. It is from there that a primordial seed of myth remains at the heart of all the retellings. At the same time, Arthur's story is one of transformation, as he is brought from the Middle Ages into the Renaissance and more modern times. And that story also includes the famous contemporaries in his stories and other important historical figures, like Geoffrey of Monmouth, the imprisoned Sir Thomas Mallory and Walt Disney. When looking for the historical and mythical Arthur, scholars try to understand how the Arthur of these tales and of others like Disney's Sword in the Stone and Monty Python and the Holy Grail came to be. What are the origins of the Arthur legend and what can they tell people about the past? What is the historical basis for King Arthur, if any? There are few characters in the English language more iconic than Robin Hood. Emerging out of the ballads of the High Middle Ages and surviving through numerous permutations to the present day, the green-clad archer has become an icon. Today he represents a playful, irreverent and cunning resistance to corruption and injustice, associated primarily with stealing from the rich and giving to the poor. Robin Hood's selfless acts of helping the masses at the expense of himself (by not keeping his treasure) have led to contemporary figures like Bill Gates being called "Modern Day Robin Hoods," and when a British man robbed a bank in 2013 and handed out the money to homeless people before he was arrested and imprisoned, the name Robin Hood was naturally in the news once more. Robin Hood is a celebrated folk hero and a kind of good thief, but the earliest stories about Robin Hood depict a far different character. The first Robin Hood was often a brutal and selfish yet also honorable figure, an anti-hero loved (perhaps paradoxically) by many social classes and loathed by authorities. When the notorious Gunpowder Plot was discovered at the beginning of the 17th century, the Earl of Salisbury condemned Guy Fawkes and the conspirators for being "Robin Hoods." The transformation of Robin Hood over the centuries has left many scholars attempting to find the origins behind the original story. Like King Arthur, some have even sought a historical figure that might serve as the basis for Robin Hood, while others have sought out mythological origins to see if Robin Hood's character evolved out of a mythological figure. When looking for the historical and mythical figure, scholars try to understand how the Robin Hood of these tales and came to be. What are the origins of Robin Hood and what can they tell people about the past? What is the historical basis for Robin Hood, if any?
Join Robin Hood and his outlaw band in their thrilling escapades - but can they outfox the wily, ruthless Sheriff of Nottingham? Stunning DK photographs combine with evocative illustrations and engaging, age-appropriate stories in Classic Readers, a multi-level reading programme guaranteed to capture children's interest while developing their reading skills and knowledge of the great stories of the world.
DigiCat Publishing presents to you this special edition of "Robin Hood" by Henry Gilbert. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Although nearly everyone has heard the name of Robin Hood, few have actually read any medieval tales about the legendary outlaw. Stephen Knight and Thomas Ohlgren set out to correct this discrepancy in their comprehensive collection of all pre-seventeenth-century Robin Hood tales. The editors include such other "outlaw" figures as Hereward the Wake, Eustache the Monk, and Fouke le Fitz Waryn to further contextualize the tradition of English outlaw tales. In this text the figure of Robin Hood can be viewed in historical perspective, from the early accounts in the chronicles through the ballads, plays, and romances that grew around his fame and impressed him on our fictional and historical imaginations. This edition is particularly useful for classrooms, with its extensive introductions, notes, and glosses, enabling students of any level to approach the texts in their original Middle English.
From Errol Flynn to Kevin Costner to Daffy Duck, the bandit of Sherwood Forest has gone through a variety of incarnations on the way to becoming a cinematic staple. The historic Robin Hood--actually an amalgam of several outlaws of medieval England--was continually transformed by oral tradition to become the romantic and deadly archer-swordsman who robbed from the rich to give to the poor. This image was reinforced by popular literature, song and, in the 20th century, cinema. This volume provides in-depth information on each film based on the immortal hero. In addition, other historical figures such as Scottish rebel-outlaws Rob Roy MacGregor and William Wallace are examined. Nollen also explores nontraditional representations of the legend, such as Frank Sinatra's Robin and the Seven Hoods and Westerns featuring the Robin Hood motif. A filmography is provided, including production information, and the text is highlighted by rare photographs, advertisements, and illustrations.
The identity of Robin Hood is one of the great historical mysteries of English history - until now. Everyone has heard of Robin Hood, the brilliant archer who 'robbed the rich to give to the poor' and who always triumphed over the forces of evil, but the man behind the legend is as mysterious as King Arthur. There were outlaws who lived in the royal forests preying on unwary travelers, and Robin Hoods whose names are recorded in historical documents: but no one has been able to prove that one of these real Robins was the individual whose exploits were commemorated in ballad and song. David Baldwin sets out to find the real Robin Hood, looking for clues in the earliest ballads and in official and legal documents of the thirteenth and fourteenth centuries. His search takes him to the troubled reign of King Henry III, his conclusions turn history on its head and David Baldwin reveals the name of the man who inspired the tales of Robin Hood.