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A nontechnical exploration of the principles and aesthetics of Swiss structural engineer Maillart (1872-1940). Includes many new color photographs of his spectacular bridges, buildings, and interiors, taken specifically to illustrate points made in the text, which is in parallel columns of English.
The description for this book, Robert Maillart's Bridges: The Art of Engineering, will be forthcoming.
An essential exploration of the engineering aesthetics of celebrated structures from long-span bridges to high-rise buildings What do structures such as the Eiffel Tower, the Brooklyn Bridge, and the concrete roofs of Pier Luigi Nervi have in common? According to The Tower and the Bridge, all are striking examples of structural art, an exciting area distinct from either architecture or machine design. Aided by stunning photographs, David Billington discusses the technical concerns and artistic principles underpinning the well-known projects of leading structural engineer-artists, including Othmar Ammann, Félix Candela, Gustave Eiffel, Fazlur Khan, Robert Maillart, John Roebling, and many others. A classic work, The Tower and the Bridge introduces readers to the fundamental aesthetics of engineering.
Enth. u.a.: S. 30-73: Robert Maillart: Master of concrete forms. - S. 128-162: Heinz Isler: structural art in thin-steel concrete.
Cable-nets, membrane roofs, and unique bridges are among the structures designed by Schlaich and his partners.
Power, Speed, and Form is the first accessible account of the engineering behind eight breakthrough innovations that transformed American life from 1876 to 1939—the telephone, electric power, oil refining, the automobile, the airplane, radio, the long-span steel bridge, and building with reinforced concrete. Beginning with Thomas Edison's system to generate and distribute electric power, the authors explain the Bell telephone, the oil refining processes of William Burton and Eugene Houdry, Henry Ford's Model T car and the response by General Motors, the Wright brothers' airplane, radio innovations from Marconi to Armstrong, Othmar Ammann's George Washington Bridge, the reinforced concrete structures of John Eastwood and Anton Tedesko, and in the 1930s, the Chrysler Airflow car and the Douglas DC-3 airplane. These innovations used simple numerical ideas, which the Billingtons integrate with short narrative accounts of each breakthrough—a unique and effective way to introduce engineering and how engineers think. The book shows how the best engineering exemplifies efficiency, economy and, where possible, elegance. With Power, Speed, and Form, educators, first-year engineering students, liberal arts students, and general readers now have, for the first time in one volume, an accessible and readable history of engineering achievements that were vital to America's development and that are still the foundations of modern life.
The description for this book, Robert Maillart's Bridges: The Art of Engineering, will be forthcoming.
Bridge Engineering: A Global Perspective is a comprehensive review of how we create and maintain bridges - one of the most vital yet vulnerable parts of our infrastructure - and how we got where we are today.Its 800 illustrated pages in full colourprovide a unique and authoritative reference for practitioners, researchers and students alike on the state-of-the-art of bridge engineering world-wide, from local community footbridges to vast multi-modal crossings between nations.
First renowned as a supplier of theatrical textiles to Broadway and beyond, Maharam pioneered the concept of engineered textiles for interior applications in the sixties, and is the world's leading provider of textiles to commercial architects and interior designers. Maharam takes a holistic view of design, embracing a range of disciplines including architecture and interiors, furniture, fashion, accessories, graphic and digital media. The Maharam Design Studio oversees the cultivation of an extensive textile collection, ranging from re-editions of enduring designs by the twentieth century's most noted visionaries to textile-based collaborations with industry outsiders including Konstantin Grcic, Hella Jongerius, Maira Kalman, Bruce Mau, Jasper Morrison, Nike and Paul Smith, among others. The publication provides a comprehensive overview of the company's history, cultural markers and design projects. Abstracted product applications are featured through "Useless Objects," a collaboration with Jasper Morrison. AUTHOR: Michael Maharam is the principal of Maharam, the nation's leading supplier of textiles to commercial architects and interior designers. ILLUSTRATIONS 200 illustrations *
This comprehensive biography traces the life and works of Robert Maillart, one of the most important engineers and designers of the twentieth century. His career developed around a central issue of modern technological society: the debate between two antithetical views of engineering opposing applied science, which relied on general mathematical theories for understanding structures against design, which Maillart championed. Maillart considered structures not merely works of utility but also as works of art. As utilitarian objects, he created a series of innovations of lasting significance. Aesthetically, Maillart shaped his three innovations in concrete to create surprising and often stunning new forms. Providing an analysis of these innovations, this biography also connects Maillart's aesthetic ideas with the private and professional context in which he worked.