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Hazard Lepage, the last of the studhorse men, sets out to breed his rare blue stallion, Poseidon. A lusty trickster and a wayward knight, Hazard's outrageous adventures are narrated by Demeter Proudfoot, his secret rival, who writes this story while sitting naked in an empty bathtub. In his quest to save his stallion’s bloodline from extinction, Hazard leaves a trail of anarchy and confusion. Everything he touches erupts into chaos, necessitating frequent convalescences in the arms of a few good women, except for those of Martha, his long-suffering intended. Told with the ribald zeal of a Prairie beer parlor tall tale and the mythic magnitude of a Greek odyssey, The Studhorse Man is Robert Kroetsch’s celebration of unbridled character set against the backdrop of rough-and-ready Alberta emerging after the Second World War. Introduction by Aritha van Herk.
Set against the Klondike Gold Rush of the 1890s, The Man from the Creeks is a gripping tale of three entrepreneurs desperate to strike it rich. Fourteen-year-old Peek and his mother, Lou, join up with cooper Benjamin Redd and embark on a treacherous journey to fabled Dawson City. First published in 1998, this is a witty and ribald retelling of Robert Service’s incomparable “The Shooting of Dan McGrew.” From the Trade Paperback edition.
This book brings together twenty of Kroetsch's long poems, spanning some of 15 years of creative activity. Remarkably versatile in both form and content, these extended meditations bear witness to Kroetsch's modernist inheritance and his well-known commitment to post-modern jouissance.
"Overcome by his curious academic and sexual inadequacies, professional graduate student Jeremy Sadness lights out from his cramped office at a New York state university for the wilds of the Canadian northwest. He inadvertently exchanges suitcases - and identities - with Roger Dorck, the comatose victim of a snowmobiling accident, and becomes hopelessly embroiled in the comic Bacchanalia of the Notikeewin winter festival, during which he is arrested and compelled to judge a beauty contest in which all the contestants look exactly alike. This satire of the "quest novel" is one of the most hilarious works in Canadian literature."--Back cover
Poetic exploration of historical records of the Frog Lake Massacre (1885) links past to present.
"I was electioneering. By God, people were listening. People were looking my way. And some joker with his arse begining to ache from sitting too long on a nail had to clear his throat and chip in, "Backstrom, what have you got to offer?" I looked at the speaker and saw he was a farmer and I said, "Mister, how would you like some rain?" A new edition of another classic from one of Canada's most enduring novelists. Introduction by Thomas Wharton.
The Hornbooks of Rita K, Robert Kroetsch's first volume of new poetry in more than a decade, is a brilliant collection of mysterious fragments. Where has Rita gone and who is reconstructing her oeuvre? Written with wit and playfulness, Hornbooks is a welcome new work from one of Canada's best writers.
Snowbird travels south to Florida, seeking warmth, but he is not sure if he escaped or if he needs to be rescued.
This book undertakes a detailed reading of Robert Kroetsch's The Studhorse Man, examining this Canadian novel in its transnational historical and socio-cultural context. Key subject headings are biology and culture, sex and gender, eugenics and contraception, writing and reading. The overarching theme is «disenchanted modernity» in the twentieth-century, the systematic displacement of the divine and natural order by a humanly ordained social regime, and by forms of social engineering that brought to bear the full force of modern science, invasively to alter the most fundamental conditions of human life. The more immediate literary frames of reference are Greek mythology, early Christian debates on the body and marriage, and the lore of the North American Aboriginal trickster, as these are deployed and alluded to in Kroetsch's novel. In establishing the sources and contexts of The Studhorse Man, this study examines Robert Kroetsch's early drafts of the novel, and his many notes taken and clippings assembled during its composition. An effort has been made to appeal to a wide range of general and academic readers alike by avoiding specialized jargon and adopting a cross-disciplinary approach. This book will be of interest to scholars of literature and literary theory, and of use in courses on literature and the novel, on masculinity and gender studies, and on cultural history in the twentieth century.