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"A happy and unexpected coordination of images, linguistic and photographic." -- Jay Parini Inspired by the writings of Robert Frost and his view of man and the natural world, professional photographers Betsy and Tom Melvin present beautiful, and sometimes poignant, scenes of the New England landscape in some of its many moods and seasons. Each full-page color photograph is accompanied by a poem, verse, or phrase from Frost which, though often familiar, may provoke us to savor the New England environment anew. The imaginative pairing of photographs and text also conjures up some of the same ambiguity, profundity, and freshness continually offered in Frost's poems.
"A poem is best read in the light of all the other poems ever written." So said Robert Frost in instructing readers on how to achieve poetic literacy. George Monteiro's newest book follows that dictum to enhance our understanding of Frost's most valuable poems by demonstrating the ways in which they circulate among the constellations of great poems and essays of the New England Renaissance. Monteiro reads Frost's own poetry not against "all the other poems ever written" but in the light of poems and essays by his precursors, particularly Emerson, Thoreau, and Dickinson. Familiar poems such as "Mending Wall," "After Apple-Picking," "Birches," "Stopping by Woods on a Snowy Evening," "The Road Not Taken," and "Mowing," as well as lesser known poems such as "The Draft Horse," "The Ax-Helve," "The Bonfire," "Dust of Snow," "A Cabin in the Clearing," "The Cocoon," and "Pod of the Milkweed," are renewed by fresh and original readings that show why and how these poems pay tribute to their distinguished sources. Frost's insistence that Emerson and Thoreau were the giants of nineteenth-century American letters is confirmed by the many poems, variously influenced, that derive from them. His attitude toward Emily Dickinson, however, was more complex and sometimes less generous. In his twenties he molded his poetry after hers. But later, after he joined the faculty of Amherst College, he found her to be less a benefactor than a competitor. Monteiro tells a two-stranded tale of attraction, imitation, and homage countered by competition, denigration, and grudging acceptance of Dickinson's greatness as a woman poet. In a daring move, he composes—out of Frost's own words and phrases—the talk on Emily Dickinson that Frost was never invited to give. In showing how Frost's work converses with that of his predecessors, Monteiro gives us a new Frost whose poetry is seen as the culmination of an intensely felt New England literary experience.
A collection of specially-commissioned essays, enabling readers to explore Frost's art and thought.
Robert Frost is one of the foremost writers of American poetry. This is a thorough compilation of his seminal works.
Though critics traditionally have paid homage to Robert Frost's New England identity by labeling him a regionalist, John Kemp is the first to investigate what was in fact a highly complex relationship between poet and region. Through a frankly revisionist interpretation, he not only demonstrates how Frost's relationship to New England and his attempt to portray himself as the "Yankee farmer poet" affected his poetry; he also shows that the regional identity became a problem both for Frost and for his readers. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - SOMETHING there is that doesn't love a wall, That sends the frozen-ground-swell under it, And spills the upper boulders in the sun; And makes gaps even two can pass abreast. The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone, But they would have the rabbit out of hiding, To please the yelping dogs. The gaps I mean, No one has seen them made or heard them made, But at spring mending-time we find them there. I let my neighbour know beyond the hill; And on a day we meet to walk the line And set the wall between us once again. We keep the wall between us as we go. To each the boulders that have fallen to each. And some are loaves and some so nearly balls We have to use a spell to make them balance: "Stay where you are until our backs are turned!" We wear our fingers rough with handling them. Oh, just another kind of out-door game, One on a side. It comes to little more: There where it is we do not need the wall: He is all pine and I am apple orchard. My apple trees will never get across And eat the cones under his pines, I tell him.
The early works of beloved poet Robert Frost, collected in one volume. The poetry of Robert Frost is praised for its realistic depiction of rural life in New England during the early twentieth century, as well as for its examination of social and philosophical issues. Through the use of American idiom and free verse, Frost produced many enduring poems that remain popular with modern readers. A Collection of Poems by Robert Frost contains all the poems from his first four published collections: A Boy’s Will (1913), North of Boston (1914), Mountain Interval (1916), and New Hampshire (1923), including classics such as “The Road Not Taken,” “Fire and Ice,” and “Stopping by Woods on a Snowy Evening.”
Two early volumes of poetry (1913–1914) contain many of the poet's finest, best-known works: "Mending Wall," "After Apple-Picking," "The Death of the Hired Man," many more.
Presents a collection of both published and unpublished prose pieces, including correspondence, articles, talks, readings, and stories.