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From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this handsome volume—which features an open spine binding so that it lays flat to show off the photographs to their best advantage—showcases Doisneau’s best photographs for Vogue Paris. Celebrated photographer Robert Doisneau worked for Vogue from 1949 until 1965, illustrating a postwar France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the café society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterfully captured scenes from everyday life—from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau’s photographs captured the spirit of the era and featured celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, as well as jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux’s personal homage to the photographer—who was her friend and colleague—offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.
Doisneau’s work immortalized the magic of Paris for posterity; this stunning compact edition, edited by the artist’s daughters, includes over six hundred photographs. Doisneau is celebrated for his ability to infuse images of daily life with poetic nuances that have brought enduring popular appeal to his photojournalism. This collection pairs aesthetically-composed photographs alongside snapshots that offer a more personal account of Doisneau’s Paris. Organized thematically, this book—unprecedented in scope—gives an entrancing tour through the gardens of Paris, along the Seine, and amid the crowds of Parisians who live in and define their bewitching city. "An enchanting cross-section of Parisian life by one of the photographers who best captured its many charms." —The New York Times, 2005
The original French-language edition of this book was published on the occasion of the exhibition: Robert Doisneau, From craft to art at the Fondation Henri Cartier-Bresson from January 13th to April 18th 2010.
With camera in hand, master photographer Robert Doisneau crisscrossed Paris to capture intimate moments with star musicians such as Eartha Kitt in a jazz club, Django Reinhardt at home, and Yehudi Menuhin backstage, or with locals at a neighborhood dance or jamming together in a brass band. He was commissioned for portraits of Georges Brassens, Juliette Greco, Charles Aznavour, or Claude Francois, and he immortalized a new generation of musicians in the 1980s including Rita Mitsouko, Les Negresses Vertes, Pierre Schaeffer, and Pierre Boulez. Doisneau's lifelong friend Maurice Baquet with his cello formed a photogenic duo on impromptu outings that gave rise to iconic images. Doisneau's passion for the energy and joy inherent in the music world comes alive on the page in images that cover the musical spectrum, from classical and jazz to be-bop to the roots of modern rap and alternative rock. This book-curated by the photographer's granddaughter to accompany an exhibition at the Philharmonie de Paris that will include music by Moriarty and scenography by Stephan Zimmerli- features more than one hundred photographs, many previously unpublished, that showcase the artist's mastery in editing, special effects, photomontage, collage, photo distortions, and splits.
This collection of highly creative and incredibly moving visual stories from 25 contemporary photographers has been thoughtfully curated by Alice Yoo and Eugene Kim, founders of the leading art and culture blog My Modern Met. These photo essays capture magnificent displays of ordinary people—parents and children, husbands and wives, grandparents, friends, siblings, and pet owners—doing extraordinary things for love. From Batkid's mission to save San Francisco, to the husband who wore a pink tutu all over the country to bring his sick wife joy, to a collection of portraits of people "happy at 100," these heartwarming photographs will inspire boundless faith in humanity.
During the golden age when Montparnasse was teeming with artists, Robert Doisneau gained remarkable access to the artists working in Paris from 1937 onwards, and he visited their studios and caught them in various private moments: working, reflecting, and even playing with their children. This book, which includes some previously unpublished photographs, shares Doisneau's intimate view on the work and lives of these artists. Many remain famous--Picasso, David Hockney, Jasper Johns, Giacometti, Saul Steinberg, Marcel Duchamp, Le Corbusier, Foujita--while others have fallen into obscurity, perhaps one day to be rediscovered. Regardless of the artist's social status--whether major figure of the day or struggling newcomer--Doisneau approached each subject with the same humble eye. His signature black-and-white photographs capture the nostalgia of the period and bear witness to these artists in the act of creating some of the world's finest art. This book, published in cooperation with Doisneau's daughters, is a fascinating document of the daily lives of artists by one of the world's most famous and popular photographers.
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Since the mid-1970s, the colloquial term zone has often been associated with the troubled post-war housing estates on the outskirts of large French cities. However, it once referred to a more circumscribed space: the zone non aedificandi (non-building zone) which encircled Paris from the 1840s to the 1940s. This unusual territory, although marginal in a social and geographical sense, came to occupy a central place in Parisian culture. Previous studies have focused on its urban and social history, or on particular ways in which it was represented during particular periods. By bringing together and analysing a wider range of sources from the duration of the zone’s existence, this study offers a rich and nuanced account of how the area was perceived and used by successive generations of Parisian novelists (including Zola and Flaubert), poets, songwriters, artists, photographers, film-makers, politicians and town-planners. More generally, it aims to raise awareness of a neglected aspect of Parisian cultural history while pointing to links between current and past perceptions of the city’s periphery.
The fourth volume in a history of photography, this is a bibliography of books on the subject.