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An-My Lê On Contested Terrain is the first comprehensive survey of the Vietnamese American artist, published on the occasion of a major exhibition organized by Carnegie Museum of Art, Pittsburgh. Drawing, in part, from her own experiences of the Vietnam War, Lê has created a body of work committed to expanding and complicating our understanding of the activities and motivations behind conflict and war. Throughout her thirty-year career, Lê has photographed noncombatant roles of active-duty service members, often on the sites of former battlefields, including those reserved for training or the reenactment of war, and those created as film sets. This publication includes selections from her well-known series Viêt Nam, Small Wars, 29 Palms, and Events Ashore, in addition to never-before-seen images, including recent photographs from the US-Mexico border, formative early work, and lesser-known projects. Essays by the organizing curator Dan Leers and curator Lisa J. Sutcliffe, as well as a dialogue between Lê and Pulitzer Prize-winning author Viet Thanh Nguyen, address the ways in which Lê's quiet, nuanced work complicates the landscapes of conflict that have long informed American identity. Copublished by Aperture and Carnegie Museum of Art
Hoke's exposé of fascist front groups in the United States in the late thirties and into the war years.
Magnetic North: the Landscapes of Tom Uttech presents a survey of more than thirty years of Tom Uttech’s art. Uttech – one of the most widely admired landscape painters in America – reestablishes the wilderness as a mystical place where the colors of nature flourish and the various forces of nature are played out. He is inspired by the northern woods and prairie of Wisconsin and his numerous camping and canoeing trips to Northern Minnesota and Quetico Provincial Park in Ontario, Canada.
'Art of Engagement' focuses on the key role of California's art and artists in politics and culture since 1945. The book showcases many types of media, including photographs, found objects, drawings and prints, murals, painting, sculpture, ceramics, installations, performance art, and collage.
Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.
Between 1790 and 1840, millions of middle-class Americans throughout the nation encountered "Fancy": they rode in a Fancy sleigh, dressed up in Fancy clothes, blew their noses in Fancy handkerchiefs, bought goods at Fancy shops, ate at Fancy tables on Fancy dishes, and slept under Fancy coverlets. Not just fancy but Fancy: an early nineteenth-century cultural phenomenon born out of new and enlightened ways of seeing, understanding, and responding to the surrounding world. Fancy expressed itself in just about everything that pleased the senses; generally colorful and boldly patterned, it elicited delight, awe, surprise, whim, and caprice. Whether experienced in the form of painted surfaces, kaleidoscopic quilts, or imaginary landscapes, Fancy engaged the emotions and expanded the imagination, expressing the core of human fancy. "American Fancy" offers an appropriately fantastic experience of this uniquely American sensibility. Author Sumpter Priddy has assembled and produced an original oeuvre in the field of decorative arts, going beyond the traditional modes of furniture analysis, which concentrate on style, history, and construction, to consider the perceptual and emotional responses through which the original users and viewers would have interacted with these material things. To this end he employs the interpretive methods used in the fields of literature, fine arts, philosophy and even psychology. Rich, fully illustrated, wondrously researched, and bound in a cover that imitates a typical Fancy pattern, "American Fancy" does its marvelous subject true.
This stunning book examines design exchanges between the United States and Scandinavia over nearly a century and explores the fascinating reasons why Scandinavian design has continued to resonate with Americans. Focusing on the extensive influence of Scandinavian design in the United States, this book shows how Nordic ideas about modern design and the objects themselves had an indelible impact on American culture and material life. It also considers America's influence on Scandinavian design, showing how cultural exchange is mutual by nature. In addition to familiar material like Danish furniture and Swedish glass, readers will learn about America's little-known "Viking Revival" style; the work of Howard Smith, an African-American artist who immigrated to Finland in the 1960s; and the myriad ways Scandinavian toys and household goods helped shape American child-rearing practices. The perfect addition to any Danish modern coffee table, this elegant book traces how Scandinavian design became an integral part of what is considered "American design." Published with the Los Angeles County Museum of Art