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At 12 Joselito had just gone through all the schooling available in his tiny hometown of Dapitan and wondered what awaited him in life without further education. Then one night he saw a stranger disembark on the shore accompanied by soldiers headed for the Casa Real. Later it was rumored that the stranger was a dangerous man, best for all to stay away from. But curious and observant from a distance, Joselito came to believe otherwise, and pleaded with his parents to approach the man. Jose Rizal went on to open a secondary-level school for boys in Dapitan and did all the teaching himself until his exile in that town came to an end. This is the story of a young person's discovery of the wondrous world of knowledge and the unjust world of men. Joselito left Dapitan with his maestro and kept daily service to him in prison at Fort Santiago. He witnessed the execution on the field of Bagumbayan. This, too, is the story of Rizal's last years in life, from 1892 to 1896, quietly prodigious and magnanimous to the townsfolk, stimulating and inspiring to his students, ultimately self-sacrificing to his nation, as intimately witnessed and shared by the Dapitan schoolboy.
Classic story of the last days of Spanish rule in the Philippines.
The author surveyed several kilometers of Dapitan's coastline and creeks as Jose Rizal once did. Dapitan has extremely high diversity of molluscs, which the author estimates at 5.5 on the Shannon index. Despite the occasional abuse of its environment the mollusc diversity is the core of the Dapitan's ecological resilience. This book gives descriptions, full-color photographs, and anecdotes on the mollusc shells that Dr. Jose Rizal collected while he lived the life of an exile in Dapitan (1892-1896). That Rizal tried to write a formal treatise on shells may be construed from an unfinished 5-page manuscript, the original of which was in the custody of one of his nephews, Dr. Leoncio Lopez.
Drawing the Line: Technical Hand Drafting for Film and Television is the essential resource for students and aspiring professionals studying and working in film and television design. The book covers all aspects of scenic drafting by hand – a technique still used in film and television because of its unparalleled emotive and aesthetic qualities. Discover how to draw the iconic scroll of a classical column or learn the difference between Flemish bond and English bond brickwork – it is all here! Other key features include the following: Beautifully illustrated, approachable, step-by-step instructions for every aspect of scenic drafting – specific to film and television; Illustrated explanations of camera lenses, including calculating aspect ratios and projections; Coverage of the four types of drafting projection: isometric, oblique, orthographic and axonometric; A comprehensive glossary of terms, including an illustration of each entry. This beautiful book is clear, accessible, and a must-have for any student aspiring to work in film and television design.