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Governor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history. Award-winning Métis poet and novelist Katherena Vermette’s second book of poetry, river woman, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless. Like the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ― particularly through language as it lives inside the body ― that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves. Vermette honours the river as a woman ― her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words / transcend ceremony / into everyday” and “nothing / is inanimate.”
Set in Jamaica and New York, this acclaimed first novel explores the ties that bind mother to child and weaves a mesmerizing tale of promises broken and dreams deferred.
Jude Deveraux portrays the power of a woman set on a bold course for true love—and the glory of fulfilling a magnificent promise. Handsome plantation owner Wesley Stanford would barely recall the poverty-stricken young girl named Leah Simmons who adored him from afar years ago. Now, in an unexpected twist of fate—a chance encounter on the Virginia riverfront—he will become Leah's reluctant husband. Determined to forge a new life in untamed Kentucky, Wesley discovers that the bride he hopes to abandon is passionate, proud, and brave—and may be the woman he cannot live without.
Lela Rhoades has a voice so sharp, so funny, warm, and honest, that the stories of her life and the traditions of her parents will barely sit still on the page. As told to Molly Curtis in the 1970's, this memoir takes us back into a world where men chased mother grizzlies out of their dens for their meat, where manzanita berries were ground up into sugar and houses built with the door right in the middle of the roof. It was an intricate, complex life that was unknown to the strangers that would take over the land. For all of her recollections, old recipes, and legends, this is also a story of transition for Lela Rhoades, her Achumawi people, and for Native California in general. Here, Rhoades walks the line between tradition and change, watching the land and hunting rights of her people vanish, telling creation stories that blend both Coyote and Jesus, and recounting her marriage to a white rancher. Come, sit down at the feet of Lela Rhoades, and listen to the strength and beauty of her world. "There was an aristocratic presence, an aristocratic aura about the heavy, elder lady, Lela Grant Rhoades, slowly rocking in her chair as she quietly embroidered a delicate pattern, silver needles flashing in the fading evening light, black-rimmed glasses resting on her nose a mysterious aristocratic something, like she knew many secrets or something more necessary than life. I thought of Grandmother Spider creating her web with great confidence." From the Foreword by Darryl Babe Wilson
The year was 1951, and Nell Peters, just out of high school in the north woods of Wisconsin, was about to join the army. Feeling woefully unworldly, she asked the undertaker's grandson to initiate her into sex before she ventured off. She wasn't in the WACs long before she found herself pregnant and heading home to face the kind of adventure she hadn't looked for. An outrageous fortune, but of a piece with Nell's whole story, from her harrowing birth in a snowstorm to her current occupation running a perpetual garage sale to benefit disabled veterans. Sometimes funny, sometimes gritty, always wildly candid and sexual, this is a remarkable account of a woman's life lived in extremity.
An extraordinary and inspiring chronicle of one woman’s harrowing journey to become the first female to kayak the entire Amazon River. Part memoir, part feminist manifesto, Amazon Woman shows what incredible feats we are capable of and will encourage people, especially women, across all backgrounds and ages to find the courage and strength to live the life they’ve imagined. This 148-day journey began on Darcy Gaetcher’s 35th birthday. The emotional waters that would fester and erupt on the ensuing journey was often more challenging to navigate than the mighty river itself. With blistering lips and irradiated fingernails, Darcy would tackle raging Class Five whitewater for twenty-five days straight, barely survived a dynamite-filled canyon being prepared for a new hydroelectric plan. She and her two companions would encounter illegal loggers, narco-traffickers, murderous Shining Path rebels, and ruthless poachers in the black market trade in endangered species. In a desperate attempt meant to give her some pretense of control, Darcy even cut off all her hair before entering Peru’s notoriously dangerous “Red Zone” in hopes of passing for a boy and being seen as less of a target. At once a heart-pounding adventure and a celebration of pushing personal limits, Amazon Woman speaks to all of us feeling trapped by our desk-bound, online society. This a story of finding the courage and strength to challenge nature, cultures, social norms, and oneself.
River Woman By: Martha Stinson Southern West Virginia in the early 1940’s is seen through the eyes of thirteen-year-old Rebecca Lynn Carver in River Woman. She tells the stories, and sometimes secrets, of the families who live on the mountain and in the small town of Glade Springs along the New River in Fayette County. Triumph for some, tragedy for others, everyone has a tale.
'A fascinating story told by a very promising writer.' Sir Michael Parkinson Into the troubled world of John Morgan and his unstable son David, steps Nicola, a young woman who David finds on the farm during a blizzard. Desperate, and half-frozen to death, Nicola is taken in and nursed slowly back to health by Morgan. As she recovers, Nicola slowly ingratiates herself into the lives of both men, and seems set to be the conduit through which their differences can finally be reconciled. But nothing in The River Woman is as it seems. Who is Nicola and why does she keep her past such a secret? Why is she so curious about John and David Morgan, and is there a connection between her presence on the farm and May Morgan's untimely death?
NATIONAL BESTSELLER A gripping account of the unsolved death of an Indigenous teenager, and the detective determined to find her killer, set against the backdrop of a troubled city. On August 17, 2014, the body of fifteen-year old runaway Tina Fontaine was found in Winnipeg's Red River. It was wrapped in material and weighted down with rocks. Red River Girl is a gripping account of that murder investigation and the unusual police detective who pursued the killer with every legal means at his disposal. The book, like the movie Spotlight, will chronicle the behind-the-scenes stages of a lengthy and meticulously planned investigation. It reveals characters and social tensions that bring vivid life to a story that made national headlines. Award-winning BBC reporter and documentary maker Joanna Jolly delves into the troubled life of Tina Fontaine, the half-Ojibway, half-Cree murder victim, starting with her childhood on the Sagkeeng First Nation Reserve. Tina's journey to the capital city is a harrowing one, culminating in drug abuse, sexual exploitation, and death. Aware of the reality of missing and murdered Indigenous women and girls, Jolly has chronicled Tina Fontaine's life as a reminder that she was more than a statistic. Raised by her father, and then by her great-aunt, Tina was a good student. But the violent death of her father hit Tina hard. She ran away, was found and put into the care of Child and Family Services, which she also sought to escape from. That choice left her in danger. Red River Girl focuses not on the grisly event itself, but on the efforts to seek justice. In December 2015, the police charged Raymond Cormier, a drifter, with second-degree murder. Jolly's book will cover the trial, which resulted in an acquittal. The verdict caused dismay across the country. The book is not only a true crime story, but a portrait of a community where Indigenous women are disproportionately more likely to be hurt or killed. Jolly asks questions about how Indigenous women, sex workers, community leaders, and activists are fighting back to protect themselves and change perceptions. Most importantly, the book will chronicle whether Tina's family will find justice.
Award-winning Mexican-American and Indigenous author Jennifer Givhan brings us an exquisitely written, spell-binding psychological thriller—weaving together folk magick with personal and cultural empowerment—that is perfect for fans of Mexican Gothic. When Eva’s husband is arrested for the murder of a friend, she must confront her murky past and embrace her magick to find out what really happened that night on the river. Eva Santos Moon is a burgeoning Chicana artist who practices the ancient, spiritual ways of brujería and curanderisma, but she’s at one of her lowest points—suffering from disorienting blackouts, creative stagnation, and a feeling of disconnect from her magickal roots. When her husband, a beloved university professor and the glue that holds their family together, is taken into custody for the shocking murder of their friend, Eva doesn’t know whom to trust—least of all, herself. She soon falls under suspicion as a potential suspect, and her past rises to the surface, dredging up the truth about an eerily similar death from her childhood. Struggling with fragmented memories and self-doubt, an increasingly terrified Eva fears that she might have been involved in both murders. But why doesn’t she remember? Only the dead women know for sure, and they’re coming for her with a haunting vengeance. As she fights to keep her family out of danger, Eva realizes she must use her magick as a bruja to protect herself and her loved ones, while confronting her own dark history. River Woman, River Demon is a mysterious incantation of reckoning with the past and claiming one’s unique power and voice.