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Once upon a summers day, A boy called Jack is on his way To market on the river bank With a sheep called Dolly and a fox called Frank.
One of the best-selling young adult books of all time, written by Pulitzer Prize-winning author Paul Zindel. John Conlan is nicknamed “The Bathroom Bomber” after setting off firecrackers in the boys’ bathroom 23 times without ever getting caught. John and his best friend, Lorraine, can never please their parents, and school is a chore. To pass the time, they play pranks on unsuspecting people and it's during one of these pranks that they meet the “Pigman.” In spite of themselves, John and Lorraine soon get caught up in Mr. Pignati’s zest for life. In fact, they become so involved that they begin to destroy the only corner of the world that has ever mattered to them. Can they stop before it’s too late?'
This book is for the smart and curious mind at any age like yours. It should also go a long way to improve performance of young minds—in higher Schools, Colleges and Work environments. It contains hand-picked 50 brain teasers and the solutions. None of the puzzles are too easy or for that matter too difficult that you won't be able to solve. The puzzles are of mixed variety - intriguing riddles, logic puzzles, river crossing puzzles, and ball weighing puzzles. Most of the puzzles are uncommon but all are interesting. No math puzzles, you don't need any prior knowledge to solve the puzzles. Puzzle solutions are hand-crafted using innovative problem solving techniques. The new methods used for solving the puzzles will surprise and enrich you. To add value to the work, a few of the Innovative problem solving techniques used in solutions, namely, Working backwards, End state analysis, Property change analysis, Question Analysis Answer are collected in brief as Appendix. These are general problem solving techniques you may use for solving not just puzzles, but other types of problems also. It is a book of 50 puzzles that you will enjoy solving. It also is the book that will show you new ways to solve problems.
Contemporary arts, both practice and methods, offer medieval scholars innovative ways to examine, explore, and reframe the past. Medievalists offer contemporary studies insights into cultural works of the past that have been made or reworked in the present. Creative-critical writing invites the adaptation of scholarly style using forms such as the dialogue, short essay, and the poem; these are, the authors argue, appropriate ways to explore innovative pathways from the contemporary to the medieval, and vice versa. Speculative and non-traditional, The Contemporary Medieval in Practice adapts the conventional scholarly essay to reflect its cross-disciplinary, creative subject. This book ‘does’ Medieval Studies differently by bringing it into relation with the field of contemporary arts and by making ‘practice’, in the sense used by contemporary arts and by creative-critical writing, central to it. Intersecting with a number of urgent critical discourses and cultural practices, such as the study of the environment and the ethics of understanding bodies, identities, and histories, this short, accessible book offers medievalists a distinctive voice in multi-disciplinary, trans-chronological, collaborative conversations about the Humanities. Its subject is early medieval British culture, often termed Anglo-Saxon Studies (c. 500–1100), and its relation with, use of, and re-working in contemporary visual, poetic, and material culture (after 1950). ‘The Contemporary Medieval in Practice is both wise and unafraid to take risks. Fully embedded in scholarship yet reaching into unmapped territory, the authors move across disciplines and forge surprising links. Thought-provoking and evocative, this is a book that will have an impact that far belies its modest length.’ – Linda Anderson, Newcastle University
When Gary Snyder’s long poem Mountains and Rivers Without End was published in 1996, it was hailed as a masterpiece of American poetry. Anthony Hunt offers a detailed historical and explicative analysis of this complex work using, among his many sources, Snyder’s personal papers, letters, and interviews. Hunt traces the work’s origins, as well as some of the sources of its themes and structure, including Nō drama; East Asian landscape painting; the rhythms of storytelling, chant, and song; Jungian archetypal psychology; world mythology; Buddhist philosophy and ritual; Native American traditions; and planetary geology, hydrology, and ecology. His analysis addresses the poem not merely by its content, but through the structure of individual lines and the arrangement of the parts, examining the personal and cultural influences on Snyder’s work. Hunt’s benchmark study will be rewarding reading for anyone who enjoys the contemplation of Snyder’s artistry and ideas and, more generally, for those who are intrigued by the cultural and intellectual workings of artistic composition.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)