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James Rahn has led the Rittenhouse Writers' Group since he founded it in 1988, making it one of America's longest-running independent fiction workshops. Hundreds of writers and would-be writers have sought out the group for its remarkable level of instruction and collaboration. Rittenhouse Writers is Rahn's memoir of the workshop and how his own evolution as both a teacher and a writer—and as a son, husband, and (somewhat reluctant) father—has been intertwined with the establishment and growth of the RWG. In addition, Rahn includes ten short stories written by current and former members of the workshop. Rahn graduated from the University of Pennsylvania and earned an MFA at Columbia. He then began to imagine a future that included more than just writing, one that would also tap his aspiration to offer other writers support and motivation, tough but gentle—his self-described "Iron Fist in the Velvet Glove" approach. After all, as he says more than once, "Writing is hard." Over the years, James Rahn has witnessed every imaginable writing-group scenario, from awkward flirtations to suicide scares, catty critiques, near fistfights, and of course the satisfaction of watching someone's writing soar. With insight gained through years of observation and participation, and a discerning eye for amusing detail, he takes us along for the journey. Rahn's struggle to perfect his role as instructor runs throughout the narrative, as does his effort to balance that role with the friendships he forms in the group, and to keep up with his own writing while still giving the group the attention it needs to flourish. Through his eyes, we catch the spark of the workshop's spirit and get to meet various spirits who have invigorated Rittenhouse Writers' Group. Rahn cuts back and forth, reflecting, not only on the workshop, but also on his days as a high school dropout in Atlantic City, dead-end jobs and hopeless moves, the difficulty of his mother's decline and death, and his own unexpected plunge into parenthood—when, at age 51, he and his wife took on the responsibility of raising her two young nieces. His memoir serves, in a way, as an introduction to the short stories that follow; and the stories—as surprising and varied as the writers Rahn describes working with—stand as a fitting coda to Rahn's tale and offer another window onto his life's work. "James Rahn, Jersey boy and Philadelphia treasure, has written a moving and insightful book about what happens when you create something vibrant and necessary and stick around for the long haul, whether it's teaching, writing, friendships, or love. The answers aren't always simple, and Rahn explores them with the same gusto, honesty, wry humor, and generosity of spirit he brings to his fiction and his famous workshops. This book is a powerful reminder of the importance of community and mentorship in the making of literature."—Sam Lipsyte The 10 short stories included in Rittenhouse Writers: "On Fire" by Gwen Florio "Mother—6/7 Months" by Romnesh Lamba "Moon Penitent" by Diane McKinney-Whetstone "The Last Confession" by Tom Teti "Ivory Is Wrong About Me" by Caren Litvin "The Conference Rat" by Samantha Gillison "Dropping a Line into the Murky Chop" by Saral Waldorf "What She Missed" by Lisa Paparone "Kingdom of the Sun" by Alice Schell "The Letters of Hon. Crawford G. Bolton III" by Daniel R. Biddle
Vicky, a woman old enough to know better, finds herself in the midst of a heart wrenching affair. Her children are grown and her marriage is comfortable, Vicky should be content. But she's not and she can't figure out why. Her New Year's Resolution is to put her thoughts and torments down in a diary. Her goal is to understand how her life drifted so far off course. Eventually she hopes to return to the life she loved, the life she's sure is right for her.Confessions spans one year in Vicky's life. Her family - husband, son, daughter, sister and brother-in-law, play large in her story. As the year progresses, Vicky learns that she's not the only one living a double life, not the only one projecting a face to the world that is different than the person behind the mask. As the scales fall from Vicky's eyes, all that's left is the unanswerable question: what life is right for her?
Finalist, 2021 Wall Award (Formerly the Theatre Library Association Award) The untold story behind one of America’s greatest dramas In early 1957, a low-budget black-and-white movie opened across the United States. Consisting of little more than a dozen men arguing in a dingy room, it was a failure at the box office and soon faded from view. Today, 12 Angry Men is acclaimed as a movie classic, revered by the critics, beloved by the public, and widely performed as a stage play, touching audiences around the world. It is also a favorite of the legal profession for its portrayal of ordinary citizens reaching a just verdict and widely taught for its depiction of group dynamics and human relations. Few twentieth-century American dramatic works have had the acclaim and impact of 12 Angry Men. Reginald Rose and the Journey of “12 Angry Men” tells two stories: the life of a great writer and the journey of his most famous work, one that ultimately outshined its author. More than any writer in the Golden Age of Television, Reginald Rose took up vital social issues of the day—from racial prejudice to juvenile delinquency to civil liberties—and made them accessible to a wide audience. His 1960s series, The Defenders, was the finest drama of its age and set the standard for legal dramas. This book brings Reginald Rose’s long and successful career, its origins and accomplishments, into view at long last. By placing 12 Angry Men in its historical and social context—the rise of television, the blacklist, and the struggle for civil rights—author Phil Rosenzweig traces the story of this brilliant courtroom drama, beginning with the chance experience that inspired Rose, to its performance on CBS’s Westinghouse Studio One in 1954, to the feature film with Henry Fonda. The book describes Sidney Lumet’s casting, the sudden death of one actor, and the contribution of cinematographer Boris Kaufman. It explores the various drafts of the drama, with characters modified and scenes added and deleted, with Rose settling on the shattering climax only days before filming began. Drawing on extensive research and brimming with insight, this book casts new light on one of America’s great dramas—and about its author, a man of immense talent and courage. Author royalties will be donated equally to the Feerick Center for Social Justice at Fordham Law School and the Justice John Paul Stevens Jury Center at Chicago-Kent College of Law.
During the Gilded Age, Rittenhouse Square was home to Philadelphia's high society, with more millionaires per square foot than any other American neighborhood except New York's Fifth Avenue. Established by William Penn in 1682 as the South-West Square and renamed after astronomer David Rittenhouse in 1825, Rittenhouse Square and its environs changed from an isolated district of brickyards and workers' shanties into the city's most elegant and elite neighborhood between 1845 and 1865. The brownstone and marble mansions on the square itself were inhabited by the city's wealthiest and most prestigious families, with names like Biddle, Cassatt, Drexel, Stotesbury, and Van Rensselaer. As Philadelphia's upper classes fled to the suburbs in the early 20th century, their mansions were replaced by skyscrapers or taken over by cultural institutions like the Philadelphia Art Alliance and the Curtis Institute of Music. While only a few original residences remain on Rittenhouse Square, it is still the center of a lively upscale neighborhood.
Though she does not understand exactly why, Maria is not content with her lot. The prospect of exchanging dependence on her family for dependence on a husband does not sit well with this young woman growing up in late 19th Century Germany. Three generations later, on the other side of the Atlantic, Eva struggles with a similar restlessness; she is generally happy but never quite satisfied. This book follows Maria and her great-granddaughter Eva as they face surprisingly similar choices in dramatically different decades: how to keep a roof over your head, when to abandon independence and commit to a lover, where to draw a line in the sand. The choices they make take them to new countries, open them up to heartache and leave them wondering what is enough.
A new and thoroughly revised edition of marketing and positioning genius Mark Levy, which helps readers unleash their inner creativity, problem solving skills, while also generating content. This is The Artist's Way for business people and social media people. Accidental Genius uses a similar methodology of freewriting to create business plan, find solutions, and generate new content. Over 10,000 of the original edition sold.
The hijinx and tomfoolery continue and sarcasm reigns supreme in the final book from this 'Pulitzer-prize winning' (lie #1) writer. Sensitive subjects like erectile dysfunction, facebook affairs, and why boys are stupid but necessary are written with a 'riveting' (lie #2) attention to detail. Find out why ugly men make the best husbands, and why you're perfect just the way you are (lie #3).
Lauren and her friend Kayla, with whom she's secretly in love, land after-school jobs at a vintage clothing boutique, but when Lauren begins learning mysterious things about the shop's owner, she fears that both her and Kayla's lives are in danger.
Returning to his native Chicago after World War II, Nelson Algren found a city transformed. The flourishing industry, culture, and literature that had placed prewar Chicago at center stage in American life were entering a time of crisis. The middle class and economic opportunity were leaving the inner city, and Black Southerners arriving in Chicago found themselves increasingly estranged from the nation's economic and cultural resources. For Algren, Chicago was becoming "an October sort of city even in the spring," and as Carlo Rotella demonstrates, this metaphorical landscape of fall led Algren and others to forge a literary form that traced the American city's transformation. Narratives of decline, like the complementary narratives of black migration and inner-city life written by Claude Brown and Gwendolyn Brooks, became building blocks of the postindustrial urban literature. October Cities examines these narratives as they played out in Chicago, Philadelphia, and Manhattan. Through the work of Algren, Brown, Brooks, and other urban writers, Rotella explores the relationship of this new literature to the cities it draws upon for inspiration. The stories told are of neighborhoods and families molded by dramatic urban transformation on a grand scale with vast movements of capital and people, racial succession, and an intensely changing urban landscape.