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This book is the fruit of the third Cotsen Advanced Seminar conducted at UCLA. A wide spectrum of scholars, historians, art historians, anthropologists, students of performance, students of religion, archaeologists, cognitive scientists, and linguists were all asked to think and comment on how ritual can be traced in archaeology and which ways ritual research can go in that discipline. The product is a fairly accurate representation of research on ritual and the archaeology of ritual: scholars from various disciplines, backgrounds and agendas, arguing mostly in the most logical fashion, yet with little agreement between them. So this book should not be seen as presenting one unified attitude towards ritual and its study in archaeology. It should rather be seen as a reflection of what the discourse in the archaeology of ritual is today. The outcome has been extremely thought provoking, often controversial, but always of extremely high quality.
"The myth of Sisyphus symbolizes the archetypal process of becoming without the consolation of absolute achievement. It is both a poignant reflection of the human condition and a prominent framing text for classical, medieval, and renaissance theories of human perfectibility. In this unique reading of the myth through classical philosophies, pagan and Christian religious doctrines, and medieval and renaissance literature, we see Sisyphus, "the most cunning of human beings," attempting to transcend his imperfections empowered by his imagination to renew his faith in the infinite potentialities of human excellence."--BOOK JACKET
In this new edition of a classic, David Rockwell describes the captivating and awe-inspiring presence of the bear in Native American rituals. The bear played a central role in shamanic rights, initiation, healing and hunting ceremonies, and new year celebrations. Considered together, these traditions are another way of looking at the world, one in which the mysteries of the universe are revealed through animals.
This book looks at the way theatre works in order to make 'space for living'. It provides the means to help one feel more deeply, think more clearly, relate more personally, by giving audiences and actors the opportunity to rehearse their roles within a setting which is imagined, but to make use of feelings and thoughts which are real. This book extends the territory explored by Peter Brook in The Empty Space. It adds a new psychological dimension: recognising that not only do we ourselves make space for theatre, but it is also true that theatre makes space for us -- a 'space for living'. Roger Grainger looks in turn at the different kinds of space theatre creates, using written sources and the spoken testimony of actors and members of the audience. The author's own discoveries as a professional actor give passion and immediacy to the acting/audience participation opportunities these insights provide. Based on genuine experience of, and love for, the theatre, this book does not present plays solely as literature but as particular kinds of theatrical experience. In so doing the author breaks new ground in theatre studies and provides actors and audience with tools that promote 'hands-on' knowledge and experience of the human value of drama and theatre.
Literary Representations of Christianity in Late Qing and Republican China contributes to the “literary turn” in the study of Chinese Christianity by foregrounding the importance of literary texts, including the major genres of Chinese Christian literature (novels, drama and poetry) of the late Qing and Republican periods. These multifarious types of texts demonstrated the multiple representations and dynamic scenes of Christianity, where Christian imageries and symbolism were transformed by linguistic manipulation into new contextualized forms which nurtured distinctive new fruits of literature and modernized the literary landscape of Chinese literature. The study of the composition and poetics of Chinese Christian literary works helps us rediscover the concerns, priorities, textual strategies of the Christian writers, the cross-cultural challenges involved, and the reception of the Bible.
Includes entries for maps and atlases.