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Quinny has a lot to say. Hopper gets to the point. Quinny has one speed: very, very, extra-very fast. Hopper proceeds with caution. Quinny has big ideas. Hopper has smart solutions. Quinny and Hopper couldn't be more different. They are an unstoppable team. But when summer ends, things suddenly aren't the same. Can Quinny and Hopper stick together in the face of stylish bullies, a killer chicken, and the brand-new Third Grade Rules-especially the one that says they aren't allowed to be friends anymore? Praise for Quinny & Hopper: "First-time children's author Schanen skillfully captures Quinny's zest and Hopper's timidity through their interactions and alternating narratives, and Swearingen's smudgy spot illustrations amplify the lively tone. The story's best moments showcase the spirited friendship between Quinny and Hopper, but there's much to appreciate throughout this exuberant debut." -- Publishers Weekly "The book is engrossing, and the likable duo change and grow in believable ways. Quinny and Hopper, who take turns narrating, have distinct, well-differentiated voices, and Schanen makes good use of her individuated secondary characters as well. Swearingen's black-and-white drawings both capture the spirit of the characters and enhance the narrative. This endearing story about true friendship should appeal equally to boys and girls." -- Kirkus Reviews
Situated Stories calls attention to the diverse students in today's classrooms and to the pedagogical consequences of acknowledging this diversity.
"...I like the way you circle back again and again to several events to re-dig them up, new embellishments and revelations each time. This also made the book seem rather dream-like (a fevered dream, to be sure). Overall it left me wanting to hear and know more. Sometimes it read like a philosophical treatise, sometimes like an alternate socio-political history, and sometimes like a war/ human drama. The "hows" and whys" you presented are definitely not ideas I've ever heard, and I think are probably not at all mainstream, yet startingly plausible! That's what makes the book so eerily present..the actual possibility, through your experience..that this could have been the way things happened. Which send some shockwaves through everything American if we even consider the possibilities you reveal! Certainly the unique angles (The Sister's point of view and story, Nhu's presence, etc.) show the whole "war novel" experience from uniquely different angles. One thing the book left me wanting to know more about was about your Bronze Star. That's an almost hidden mystery and teaser, that you "didn't" say a whole lot about that..."
Conflict is ubiquitous and inevitable, but people generally dislike it and try to prevent or avoid it as much as possible. So why do clashes of right and wrong occur? And why are some more serious than others? In Moral Time, sociologist Donald Black presents a new theory of conflict that provides answers to these and many other questions. The heart of the theory is a completely new concept of social time. Black claims that the root cause of conflict is the movement of social time, including relational, vertical, and cultural time--changes in intimacy, inequality, and diversity. The theory of moral time reveals the causes of conflict in all human relationships, from marital and other close relationships to those between strangers, ethnic groups, and entire societies. Moreover, the theory explains the origins and clash of right and wrong not only in modern societies but across the world and across history, from conflict concerning sexual behavior such as rape, adultery, and homosexuality, to bad manners and dislike in everyday life, theft and other crime, racism, anti-Semitism, anti-Americanism, witchcraft accusations, warfare, heresy, obscenity, creativity, and insanity. Black concludes by explaining the evolution of conflict and morality across human history, from the tribal to the modern age. He also provides surprising insights into the postmodern emergence of the right to happiness and the expanding rights of humans and non-humans across the world. Moral Time offers an incisive, powerful, and radically new understanding of human conflict--a fundamental and inescapable feature of social life.
theSkimm Reading Pick! Blurring the lines of blame and moral ambiguity, Indecent by Corinne Sullivan is a smart, sexy debut. Shy, introverted Imogene Abney has always been fascinated by the elite world of prep schools, having secretly longed to attend one since she was a girl in Buffalo, New York. So, shortly after her college graduation, when she’s offered a teaching position at the Vandenberg School for Boys, an all-boys prep school in Westchester, New York, she immediately accepts, despite having little teaching experience—and very little experience with boys. When Imogene meets handsome, popular Adam Kipling a few weeks into her tenure there, a student who exudes charm and status and ease, she’s immediately drawn to him. Who is this boy who flirts with her without fear of being caught? Who is this boy who seems immune to consequences and worry; a boy for whom the world will always provide? As an obsessive, illicit affair begins between them, Imogene is so lost in the haze of first love that she’s unable to recognize the danger she’s in. The danger of losing her job. The danger of losing herself in the wrong person. The danger of being caught doing something possibly illegal and so indecent. Exploring issues of class, sex, and gender, this smart, sexy debut by Corrine Sullivan shatters the black-and-white nature of victimhood, taking a close look at blame and moral ambiguity.
The fifth book in the New York Times new adult series that began with Real. When an angry, heartbroken girl is forced to be near her rocker ex-boyfriend, only time will tell if the fire between them will consume them both. Pandora, the gothic friend of Brooke (Real, Mine, Remy) and Melanie (Rogue), thought that getting her heart broken by her bad boy rocker ex could only happen once. But now, he’s back in town with the biggest concert of the year. Pandora hates him so much that she gets Melanie to come with her and play a prank on him at his gig. But when they’re caught by security, and her ex himself is summoned, Pandora is not prepared for the feelings that seeing him again—beautiful and in the flesh—awaken in her. She’s also wholly unprepared for the conditions his manager sets in order for her and Melanie to be released; especially since these conditions only allow Melanie to return home, while at the same time, they put Pandora in perilously close contact with her ex again. The torturous physical closeness between them reignites the passion they once shared, and soon no matter how much she wants to hate him, it’s clear she’s still hung up on him. And worse: he knows it too.
Warning: Beautiful Collision is set against the backdrop of the sex trafficking trade. It's not easy reading. though I have tried to remain realistic, without pulling punches. Please note that some scenes could be considered rape trauma triggers, and are by no means meant used for dramatic effect. *** Gray McAllister is taken back to Roshkov's house, having found that leaving her past behind is nearly impossible. Thane Blackwell is determined to save her, and will go to any length to succeed. Gray's heart is broken, her freedom taken away, but she is still protected by Alexei. But reality has a way of laying the cards on the table and with the harsh truth of sex trafficking staring Gray in the face, she soon faces a decision that will change her life. And maybe put her life in danger. Can Gray go up against her captors? Can she do some good while she is held within the mansion? And when the time comes will she be able to lay her life on the line for all the women held in the basement? The stakes are impossibly high in this final instalment of the Desperation series, but courage, family and love may be the only way to come out alive.