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While preparing a book which highlights the people and traditions of the diverse culture found in Albuquerque, a group of seventh-graders discover interesting things about their city and families.
“Filled with ghosts, devils, and tricksters . . . This appealing volume will add diversity to folklore collections.” —Library Journal Rich in the folklore of his ancestors, Rudolfo Anaya’s tales will delight young readers from across the globe. In stories both original and passed down, this bestselling and American Book Award–winning author incorporates powerful themes of family, faith, and choosing the right path in life. In “Lupe and la Llorona,” a seventh grader searches for the legendary Llorona; in “The Shepherd Who Knew the Language of Animals,” a shepherd named Abel saves a snake and gains the ability to understand the language of animals; In “Dulcinea,” a fifteen-year-old dances with the Devil. Other tales feature coyotes, ravens, a woodcutter who tries to cheat death, the Virgin Mary, a golden carp, and a young Latino who seeks immortality. Deeply rooted in ancient mythological beliefs and based on the folklore and traditions of Mexican and Native American cuentistas, these accounts of enchantment are as beautiful and mysterious as the Rio Grande itself—and serve as a testament to the lost art of oral storytelling. This ebook features illustrations by Amy Córdova.
A New Mexico PI tries to stop a cult leader’s murderous rampage in “a fascinating hybrid of detective story, adventure yarn, and shamanistic magic.” —Kirkus Reviews The world-famous International Balloon Fiesta of Albuquerque is one of the city’s most eagerly anticipated annual events and its biggest moneymaker. But when a woman plunges to her death from one of the balloons—foreshadowed by Sonny Baca’s vision of a body plummeting from the sky—Sonny’s sure it’s murder. The dead woman was the chief witness to testify against the cult implicated in the murder-for-hire of Sonny’s cousin Gloria, whose death still haunts him. In addition to motive, Sonny finds means and opportunity: a homeless family who saw someone push Veronica Worthy out of the hot-air balloon. Worthy was one of the four wives of Raven, leader of the sun cult, and a dangerous, shamanlike criminal who’s supposed to be dead. But the four black feathers found on the corpse are his calling card—clues to let Sonny know he’s alive and kicking. And his murder spree isn’t over. Now, led by his spirit guides, Sonny must race to stop a vengeful madman and save the woman he loves. From the American Book Award–winning author, this is “a completely entertaining mystery novel [that] offers two parallel lands of enchantment” (Booklist).
_______________________ A DRAMATIC FICTIONAL PORTRAIT OF THE US-MEXICO BORDER, MIGRATION, AND ITS IMPACT ON PEOPLE'S LIVES _______________________ Through this network of nine personal stories, Carlos Fuentes sets out to explain Mexico and America to each other – and to the rest of the world. He presents a dramatic fictional portrait of the relationship between the United States and Mexico, as played out in a Mexican dynasty led by a powerful Mexican oligarch with complex ties north of the border. It is the story of Mexican families who send their sons north to provide for whole villages with dollars and of Mexican tycoons who exploit their own people. Young Jose Francisco grows up in Texas, determined to write about the border world – the immigrants and illegals, Mexican poverty and Yankee prosperity – stories to break the stand-off silence with a victory shout, to shatter at last the crystal frontier.
The Rio Grande was ancient long before the first humans reached its banks. These days, the highly regulated river looks nothing like it did to those early settlers. Alternately viewed as a valuable ecosystem and life-sustaining foundation of community welfare or a commodity to be engineered to yield maximum economic benefit, the Rio Grande has brought many advantages to those who live in its valley, but the benefits have come at a price. This study examines human interactions with the Rio Grande from prehistoric time to the present day and explores what possibilities remain for the desert river. From the perspectives of law, development, tradition, and geology, the authors weigh what has been gained and lost by reining in the Rio Grande.
Is her compassion doing more harm than good? Recently widowed Susanna Jenkins has decided to follow her family to the booming town of San Marcial, New Mexico, for a fresh start and to aid in her family's sudden change in fortune. They are tasked with managing her uncle's new Grand Hotel, and it takes all her patience to try to help her parents see the good of their circumstances and relinquish their sense of entitlement. She's hopeful when her brother becomes determined to get a job and make his own way, and she feels drawn to his kind boss, Owen Turner, who works as a boilermaker for the Santa Fe's train shops in town. But the hard work only seems to fuel her brother's anger, and his rough new friends give her pause. When misguided choices put Susanna's family in an even more precarious situation, she worries her help has only made things worse. Leaving her family to fend for themselves seems like the best option, but how can she walk away from the true friendships--and love--that she's found?
Tradition meets tragedy in the chilling local lore of the Rio Grande Valley. Hidden in the dense brush and around oxbow lakes wait sinister secrets, unnerving vestiges of the past and wraiths of those claimed by the winding river. The spirit of a murdered student in Brownsville paces the locker room where she met her end. Tortured souls of patients lost in the Harlingen Insane Asylum refuse to be forgotten. Guests at the LaBorde Hotel in Rio Grande City report visions of the Red Lady, who was spurned by the soldier she loved and driven to suicide. Author David Bowles explores these and more of the most harrowing ghost stories from Fort Brown to Fort Ringgold and all the haunted hotels, chapels and ruins in between.
Voices from the borderlands push against boundaries in more ways than one, as Donna M. Kabalen de Bichara ably demonstrates in this investigation into the twentieth-century autobiographical writing of four women of Mexican origin who lived in the American Southwest. Until recently, little attention has been paid to the writing of the women included in this study. As Kabalen de Bichara notes, it is precisely such historical exclusion of texts written by Mexican American women that gives particular significance to the reexamination of the five autobiographical works that provide the focus for this in-depth study. “Early Life and Education” and Dew on the Thorn by Jovita González (1904–83), deal with life experiences in Texas and were likely written between 1926 and the 1940s; both texts were published in 1997. Romance of a Little Village Girl, first published in 1955, focuses on life in New Mexico, and was written by Cleofas Jaramillo (1878–1956) when the author was in her seventies. A Beautiful, Cruel Country, by Eva Antonio Wilbur-Cruce (1904–98), introduces the reader to history and a way of life that developed in the cultural space of Arizona. Created over a ten-year period, this text was published in 1987, just eleven years before the author’s death. Hoyt Street, by Mary Helen Ponce (b. 1938), began as a research paper during the period of the autobiographer’s undergraduate studies (1974–80), and was published in its present form in 1993. These border autobiographies can be understood as attempts on the part of the Mexican American female autobiographers to put themselves into the text and thus write their experiences into existence.
In the course of the hundreds of Rio Chama rafting trips that we've logged during the last 30 years, none of us has ever had a bad trip. Such is the magic of the Rio Chama. No matter the weather, the water level, the season, the crowded Big Eddy boat ramp on a blistering Sunday afternoon, or even the coffee forgotten at home, the Rio Chama remains "The People's River." Its stunning beauty, plus its exceptional camping, user-friendly whitewater, and mostly predictable flows, combine to create one of the Southwest's premiere, multi-day, river running experiences.The spectacular, towering canyon walls of the Wild & Scenic section through the remote Chama River Canyon Wilderness is New Mexico's own "Grand Canyon." The geology of the Rio Chama is so exceptional that this river is ideally suited for a river guide with a geological theme. And so, following the release of the Rio Grande geologic river guide in 2011, we turned our (part-time) attention to the Rio Chama. Although most Rio Chama recreation is focused on the El Vado to Big Eddy stretch, thedecision was easily made to include the entire boatable section, from the highlands in Colorado to the confluence with the Rio Grande, as each section of the river displays its own visual spectacles and assortment of adventures. Plus, the geology is magnificent and diverse along the entire length of the river.