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The cult classic mystery that John Dickson Carr hailed as “a marvel of ingenuity.” “I came here to make a dead man change his mind.” So begins a creepy and unusual mystery celebrated to this day as one of the greatest “impossible crime” novels of all time. When a family’s promise to protect the beloved pine grove of their dead father creates a financial strain, a seance is suggested to summon the ghost of the late logger and ask its permission. A mixed group of skeptics and believers convene at a snow-bound lodge to call the spirit with a group that includes a gambler, a businessman, a clairvoyant, a professor, and a refugee, among others. With so many diverse interests at the table, the tensions run high — but when one of the participants ends up dead, there is reason to suspect that a nefarious spirit is to blame. The body is discovered in a locked room, impenetrable from the outside — just one of many bizarre and inexplicable circumstances surrounding the scene of the crime. There is also the trail of footprints in the snow, beginning and ending amid a field of untouched powder; another on the roof, with the tracks leading for a short distance before vanishing into nothingness; and, there are fingerprints on a gun suspended at an unreachable height… Supernatural undertones and eerie atmosphere clear away in the third act to present a logical conclusion to the case, teasing out the clues and murder methods that unscrupulous readers may have missed. With its off-beat exposition, puzzling plot and exceptional prose, Rim of the Pit is a cult classic of the Golden Age era deserving of a wide audience today.
The cult classic mystery that John Dickson Carr hailed as "a marvel of ingenuity."
During the annual Fiesta, three desperate men converge in a perilous New Mexico town in this “extraordinary” crime novel (The New Yorker). It takes four days for Sailor to travel to New Mexico by bus. He arrives broke, sweaty, and ready to get what’s his. It’s the annual Fiesta, and the locals burn an effigy of Zozobra so that their troubles follow the mythical character into the fire. But for former senator Willis Douglass, trouble is just beginning. Sailor was Willis’s personal secretary when his wife died in an apparent robbery-gone-wrong. Only Sailor knows it was Willis who ordered her murder, and he’s agreed to keep his mouth shut in exchange for a little bit of cash. On Sailor’s tail is a cop who wants the senator for more than a payoff. As Fiesta rages on, these three men will circle one another in a dance of death, as they chase truth, money, and revenge.
When a wealthy bachelor is murdered in his baroque Boston mansion, a bizarre clue holds the key to whodunnit Martin Greenough’s walled-off mansion is the last remaining holdout in the Boston parkland known as the Fenway—and the fact that it eluded condemnation by the city is a testament to the elderly bachelor’s great wealth. Childless and nearing the end of his life, he surrounds himself with only his cat, his servants, and a friend, Mrs. Warden—to say nothing of the circle of extended family members whose lives he both subsidizes and rules from afar, the nieces and nephews who all seem to be more fond of Uncle Mart’s money than they are of his character. On the eve of his birthday, Greenough requests the presence of his heirs at his home, insisting that he has something important to discuss. Before that discussion can take place, though, the man is murdered in his study. In one way or another nearly everyone there would benefit by his death, and none gathered seem terribly upset by it, so finding the culprit is no easy task for Inspector Kane of the Boston PD. But as he untangles the threads and unburies dark family secrets, the discovery of a bizarre clue might hold the key to solving the crime. A classical “closed circle” mystery featuring a colorful cast of characters, Cat’s Paw exemplifies the puzzling, house-bound tales for which Roger Scarlett is remembered today. It is sure to delight any fan of pure, Golden Age detective stories—especially those with a love of architecturally-focused plots. Includes discussion guide questions for use in book clubs.
A murdered man in a top hat leads Dr. Gideon Fell to a killer with a sick sense of humor At the hand of an outrageous prankster, top hats are going missing all over London, snatched from the heads of some of the city’s most powerful people—but is the hat thief the same as the person responsible for stealing a lost story by Edgar Allan Poe, the manuscript of which has just disappeared from the collection of Sir William Bitton? Unlike the manuscript, the hats don’t stay stolen for long, each one reappearing in unexpected and conspicuous places shortly after being taken: on the top of a Trafalgar Square statue, hanging from a Scotland Yard lamppost, and now, in the foggy depths of the Tower of London, on the head of a corpse with a crossbow bolt through the heart. Amateur detective and lexicographer Dr. Gideon Fell is on the case, and when the dead man is identified as the nephew of the collector, he discovers that the connections underlying the bizarre and puzzling crimes may be more intimate than initially expected. Reprinted for the first time in thirty years, the second novel in the Dr. Gideon Fell series, which need not be read in any order, finds the iconic character investigating one of the most extraordinary murders of his career. A baffling whodunnit with menace at every turn, The Mad Hatter Mystery proves that Carr is the “unexcelled master of creepy erudition, swift-moving excitement and suspense through atmosphere” (New York Times).
A deranged killer sends a doctor on a quest for the truth - deep into the recesses of his own mind. 'Deserves its reputation as one of the greatest mysteries of all time' PUBLISHERS WEEKLY, starred review What really happened to Inis St. Erme? What was his fatal mistake? Was it when he and his bride-to-be first set out to elope in Vermont? Or did his deadly error occur later, when they picked up a terrifying hitch-hiker, or when the three stopped at 'Dead Bridegroom's Pond' for a picnic? Dr Riddle is determined to find out, but he soon uncovers a series of bizarre coincidences that leave him questioning his sanity and his innocence. After all, he too walked those wild, deserted roads the night of the murder, stranded and struggling to get home to New York City. The more he reflects, the more his own memories become increasingly uncertain, as he veers into the irrational territory of pure terror...
From “the supreme master of suspense” comes the chilling chronicle of one man’s descent into madness. (New York Times) When New Orleans coffee merchant Louis Durand first meets his bride-to-be after a months-long courtship by mail, he’s shocked that she doesn’t match the photographs sent with her correspondence. But Durand has told his own fibs, concealing from her the details of his wealth, and so he mostly feels fortunate to find her so much more beautiful than expected. Soon after they marry, however, he becomes increasingly convinced that the woman in his life is not the same woman with whom he exchanged letters, a fact that becomes unavoidable when she suddenly disappears with his fortune. Alone, desperate, and inexplicably love-sick, Louis quickly descends into madness, obsessed with finding Julia and bringing her to justice — and simply with seeing her again. He engages the services of a private detective to do so, embarking on a search that spans the southeast of the country. When he finally tracks her down, the nightmare truly begins… A dark tale of the destructive power of love, Waltz into Darkness is a classic “femme fatale” narrative that shows “the father of the modern suspense story” (LA Times) at the top of his unsettling craft. It has been adapted for film twice, most notably serving as the basis for Francois Truffaut’s Mississippi Mermaid.
The most famous of all locked-room mysteries - a classic in the crime genre. 'The first deadly walking of the hollow man took place when the side streets of London were quiet with snow and the three coffins of the prophecy were filled at last...' The murderer of Dr Grimauld walked through a locked door, shot his victim and vanished. He killed his second victim in the middle of an empty street, with watchers at each end, yet nobody saw him, and he left no footprints in the snow. And so it is up to the irrepressible, larger-than-life Dr Gideon Fell to solve this most famous and taxing of locked-room mysteries.
"The White Owl," by Edmund Snell, quivers with the literary hocus pocus that affords mental relief in a materialistic age. Two adventurers, searching for an Aztec temple containing a deity, which flourished before the Spanish conquistadores overran Mexico, find it, and on opening the covering of a shaft one of them is carried down into its fathomless depths by a huge white owl. There appears to the survivor a girl, Naia, who tells him that his friend will reappear after twenty moons. The White Owl having been released, the hatred of the Aztecs for their Spanish oppressors is renewed, and a series of murders of Spaniards in various places in Europe follows, the White Owl with hideous green eyes continually appearing when the mysterious influences are at work. The vanished explorer and the girl Naia are always the instruments.
It's world war 2, and a blind detective follows unseen clues to solve a murder and undermine a German spy plot. 'Thrilling and perilous adventures' NEW YORK TIMES Captain Duncan Maclain was blinded during his service in the first World War. Now he is one of New York City's most sought-after detectives, achieving a mastery of the subtle unseen clues often missed by those who see only with their eyes. Now, with the outbreak of a second world war, Maclain is pulled into a case unlike any he's investigated before. Aided by his dogs Schnucke and Driest, the Captain puts the intelligence-gathering techniques he learned in the Army to work on a case involving German spies, where it is almost impossible to tell whose side anyone is on.