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This is the Rigveda samhitha Volume Seven consisting of Mandala manthras (suktas 71 to 114) and Mandala Ten manthras (suktas 1 to 50) . This is famous as avamana suktas . These are the manthras of purification , joy and bliss . Any disease is caused by any extraneous object entering our body complex . Our body fights to throw out this alien element and maintain its purity . So also in the mental plane . Any thought remaining in our mind too long becomes a wound and we start seeing that everywhere . The god of this mandala is the Pavamana . NAANAANAM VAA U NO DHIYO VI VRATAANY JANAANAAM | TAKSHAA RISHTAM RUTAM BHISHAG BRAHMAA SUNVANTAM ICCHATEENDRAAYENDO PARI SRAVA || 9-112-01 . Our intellects are different , desires are different . Even our methods are different . Each one should adopt his own ways for attaining supreme knowledge and bliss . Some follow work , some devotion and some take up renunciation . YATRAANANDASHCHA MODAASHCHA MUDAH PRAMUDA AASATE | KAAMASYA YATRAAPTAAH KAAMAAS TATRA MAAM AMRUTAM KRIDHEENDRAAYENDO PARI SRAVA || (11)……9 -- 113 --11 Make me Immortal in that realm , where there is lasting happiness , pleasure and supreme joy , and where the wishes of the wisher have been completely met . May You , Oh Elixir , flow for the Self . The blues that cover us vanish with the chanting AND understanding these manthras. Any wealthy man without knowledge is like a donkey carrying the dead weight . Vedic knowledge is supreme .
Elizarenkova, perhaps the greatest living scholar of the Rgveda and certainly its greatest linguist, explains here the relationships between a very complicated grammatical system and the peculiarities of style of the archaic religious poetry. The laudatory hymn is treated as an act of verbal communication between the poet Rsi and the deity, with the hymn itself transmitting certain information from man to god. From this viewpoint, the hymn is used as a means to maintain a circular exchange of gifts between the Rsis and their gods. Many peculiarities of the functioning of the grammatical system of the Rgveda are interpreted in connection with the model of the universe of the Vedic Aryan. For example, the concept of time as a circular process bears closely on the use of the verbal grammatical categories of tense and mood; the personification of some abstract forces can explain some irregularities in the functioning of the nominal category of gender; and the idea of magical power attributed to the Sacred Speech in general, and to the name of a god in particular, underlies the magical grammar of this religious poetry.
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