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The Pacific Islands began to appear in Western literature soon after European navigators made landfall there. From the first, there was seldom a statement of plain facts. Explorers brought their own viewpoints while editors, poets and novelists went on to interpret and moralise the first accounts. Portraying Pacific peoples as sensual, indolent, childlike and &– frequently &– wicked, such stories implied the duty of Europeans to rule and of the natives to be grateful. Modified though it sometimes was by the more accepting attitudes of beachcombers, by the exploitative activities of traders, and throgh the romantic eyes of erotic novelists, this conception of Pacific Islanders persisted through the nineteenth century and well into the twentieth.
Two Worlds is a penetrating rethinking of that view. Drawing on local tribal knowledge as well as European accounts, Anne Salmond shows those first meetings in a new light. Both Maori and European protagonists were active, all fully human, following their own practical, political and mythological agendas, 'quite unlike those of their modern-day descendants in many ways'. The result is a work of trail-blazing significance in which many popular misconceptions and bigotries to do with common perceptions of traditional Maori society are revealed. It also opens up new possibilities in the international study of European exploration and 'discovery'.
This narrative recounts the 18th and 19th century shipping out of Pacific islanders aboard European and American vessels, a kind of counter-exploring, that echoed the ancient voyages of settlement of their island ancestors.
A critical biography of the popular 1920s novelist G. B. Lancaster (the pen name of Edith Lyttleton), this book tells the moving story of her life and work. Sturm paints a fascinating picture of the harsh experience of a woman writer in the first half of the 20th century whose economic circumstances shaped much of her output but who struggled nonetheless to move beyond the limits of potboilers toward more serious and original work.
This provocative collection contains pieces both older and previously unpublished from the author's 20 year career. Readers will especially value the new material, pulled from his journalistic pieces written during his five-year employment at the Jewish Museum in Berlin. Posthumously published, this book gives one last celebratory glance at a writer who colorfully captured everyday life in New Zealand and provided many with a stronger sense of place.
This new study explores the history of cross-cultural performative encounters in the Pacific from the Eighteenth century to the present. It examines Western theatrical representations of Pacific cultures and investigates how Pacific Islanders used their own cultural performances to negotiate the colonial situation.
This book explores through theory and in-depth textual criticism how novelists from formerly colonised societies have exploited indigenous codes and conventions of aesthetic representation to transform the novel into an effective medium for cultural and political resistance to (neo)colonialism. Concentrating on novels written between the late 1940s and early 1990s in Africa, Polynesia, and the West Indies, it offers a fresh mode of postcolonial critique which takes account of the ideological impulses behind the novelists' interpretation of the colonial experience.
Rooted in a period of vigorous exploration and colonialism, The Island Race: Englishness, empire and gender in the eighteenth century is an innovative study of the issues of nation, gender and identity. Wilson bases her analysis on a wide range of case studies drawn both from Britain and across the Atlantic and Pacific worlds. Creating a colourful and original colonial landscape, she considers topics such as: * sodomy * theatre * masculinity * the symbolism of Britannia * the role of women in war. Wilson shows the far-reaching implications that colonial power and expansion had upon the English people's sense of self, and argues that the vaunted singularity of English culture was in fact constituted by the bodies, practices and exchanges of peoples across the globe. Theoretically rigorous and highly readable, The Island Race will become a seminal text for understanding the pressing issues that it confronts.
From 1888 to 1915 Robert Louis Stevenson and Jack London were uniquely placed to witness and record the imperial struggle for the South Pacific. Engaging the major European colonial empires and the USA, the struggle questioned ideas of liberty, racial identity and class like few other arenas of the time. Exploring a unique moment in South Pacific and Western history through the work of Stevenson and London, this study assesses the impact of their national identities on works like The Amateur Emigrant and Adventure; discusses their attitudes towards colonialism, race and class; shows how they negotiated different cultures and peoples in their writing and considers where both writers are placed in the Western tradition of writing about the Pacific. By contextualizing Stevenson's and London's South Pacific work, this study reveals two critical voices of late nineteenth-century and early 20th-century colonialism that deserve to stand beside their contemporary Joseph Conrad in shaping contemporary attitudes towards imperialism, race, and class.