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The story is simple: a love affair ends badly. But Margarita Karapanou's novel tells the couple's story twice, from opposing perspectives. Our sympathies are inverted; we don't know whom to trust; the distinction between truth and deception blurs, and then seems simply to dissolve. But inevitably both stories must arrive at the point of rien ne va plus: the moment in roulette when all bets are off and you eitehr win or lose-the moment when the game becomes fate.
With a masterful hand Kildare Dobbs returns to Rick's Cafe to explore the triumphs and crises of the human spirit embodied in the classic film Casablanca. All the original characters are here and in their desires we come to recognize our own time and selves.
The unifying theme of this book is the interplay among noncommutative geometry, physics, and number theory. The two main objects of investigation are spaces where both the noncommutative and the motivic aspects come to play a role: space-time, where the guiding principle is the problem of developing a quantum theory of gravity, and the space of primes, where one can regard the Riemann Hypothesis as a long-standing problem motivating the development of new geometric tools. The book stresses the relevance of noncommutative geometry in dealing with these two spaces. The first part of the book deals with quantum field theory and the geometric structure of renormalization as a Riemann-Hilbert correspondence. It also presents a model of elementary particle physics based on noncommutative geometry. The main result is a complete derivation of the full Standard Model Lagrangian from a very simple mathematical input. Other topics covered in the first part of the book are a noncommutative geometry model of dimensional regularization and its role in anomaly computations, and a brief introduction to motives and their conjectural relation to quantum field theory. The second part of the book gives an interpretation of the Weil explicit formula as a trace formula and a spectral realization of the zeros of the Riemann zeta function. This is based on the noncommutative geometry of the adèle class space, which is also described as the space of commensurability classes of Q-lattices, and is dual to a noncommutative motive (endomotive) whose cyclic homology provides a general setting for spectral realizations of zeros of L-functions. The quantum statistical mechanics of the space of Q-lattices, in one and two dimensions, exhibits spontaneous symmetry breaking. In the low-temperature regime, the equilibrium states of the corresponding systems are related to points of classical moduli spaces and the symmetries to the class field theory of the field of rational numbers and of imaginary quadratic fields, as well as to the automorphisms of the field of modular functions. The book ends with a set of analogies between the noncommutative geometries underlying the mathematical formulation of the Standard Model minimally coupled to gravity and the moduli spaces of Q-lattices used in the study of the zeta function.
Winner of the Prix de meilleur livre étranger/Prize for the best foreign novel, France. At the opening of Margarita Karapanou’s stunning second novel, in disgust at mankind God vomits a new Messiah onto the earth. Or rather, onto a Greek island. Populated by villagers, ex-pats, artists, writers, this island is a Tower of Babel, a place where languages and individuals have been assembled, as though in wait for something as horrific and comic as this second coming. The Sleepwalker moves deftly and dizzyingly between genres—satire, murder mystery, magical realism, its own brand of Theater of the Absurd—following Manolis, the new Messiah, as he moves through this place and its characters like a sleepwalker, unaware to the very end of his divine nature. In The Sleepwalker Karapanou has created an unforgettable depiction of a dissolute world, desperately comic and full of compassion, a world in which nightmare and miracle both uneasily reside.
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Story of Sumire and Momo. Finally Momo sheds his pet status and becomes Takeshi, Sumire's love.