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A new and updated edition of this classic work, brought right up to date In 2012 Annette Carson formed part of the team that discovered King Richard III's mortal remains, verified in 2013 by forensics including DNA matching. In response to the recent upsurge of interest, her 2009 paperback has been updated with details of the discovery plus new illustrations, and a larger typeface for easier readability. Carson's premise is that for centuries the vision of Richard III has been dominated by the fictional creations of Thomas More and Shakespeare. Many voices, some of them eminent and scholarly, have urged a more reasoned view to replace the traditional black portrait. This book seeks to redress the balance by examining the events of his reign as they actually happened, based on reports in the original sources. Eschewing the overlay of assumptions so beloved by historians, she instead traces actions and activities of the principal characters, using facts and time-lines revealed in documentary evidence. In the process Carson dares to investigate areas where historians fear to tread, and raises many controversial questions.
Richard III, King of England from 1483 to 1485, made good laws that still protect ordinary people today. Yet history concentrates on the fictional hunchback as depicted by Shakespeare: the wicked uncle who stole the throne and killed his nephews in the Tower of London. Voices have protested during the intervening years, some of them eminent and scholarly, urging a more reasoned view to replace the traditional black portrait. But historians, whether as authors or presenters of popular TV history, still trot out the old pronouncements about ruthless ambition, usurpation and murder. After centuries of misinformation, the truth about Richard III has been overdue a fair hearing. Annette Carson seeks to redress the balance by examining the events of his reign as they actually happened, based on reports in the original sources. She traces the actions and activities of the principal characters, investigating facts and timelines revealed in documentary evidence. She also dares to investigate areas where historians fear to tread, and raises some controversial questions. In 2012 Carson was a member of Philippa Langley's Looking For Richard Project, which provided important new answers from the DNA-confirmed discovery of the king's remains. Her involvement in Langley's Missing Princes Project, with its international research initiative on the 'princes in the Tower', has now informed her revelatory extra chapter.
Richard III (2 October 1452 - 22 August 1485) was King of England from 1483 until his death in 1485 in the Battle of Bosworth Field. He was the last king of the House of York and the last of the Plantagenet dynasty. His defeat at Bosworth Field, the last decisive battle of the Wars of the Roses, marked the end of the Middle Ages in England. He is the subject of the fictional historical play Richard III by William Shakespeare. In 2012, an archaeological excavation was conducted on a city council car park using ground-penetrating radar on the site once occupied by Greyfriars, Leicester. The University of Leicester confirmed on 4 February 2013 that the skeleton found in the excavation is that of Richard III, based on the results of radiocarbon dating, a comparison with contemporary reports of his appearance, and a comparison of his mitochondrial DNA with that of two matrilineal descendants of Richard III's eldest sister, Anne of York.
From acclaimed historian Chris Skidmore comes the authoritative biography of Richard III, England’s most controversial king, a man alternately praised as a saint and cursed as a villain. Richard III is one of English history’s best known and least understood monarchs. Immortalized by Shakespeare as a hunchbacked murderer, the discovery in 2012 of his skeleton in a Leicester parking lot re-ignited debate over the true character of England’s most controversial king. Richard was born into an age of brutality, when civil war gripped the land and the Yorkist dynasty clung to the crown with their fingertips. Was he really a power-crazed monster who killed his nephews, or the victim of the first political smear campaign conducted by the Tudors? In the first full biography of Richard III for fifty years, Chris Skidmore draws on new manuscript evidence to reassess Richard’s life and times. Richard III examines in intense detail Richard’s inner nature and his complex relations with those around him to unravel the mystery of the last English monarch to die on the battlefield.
The Last Days of Richard III contains a new and uniquely detailed exploration of Richard's last 150 days. By deliberately avoiding the hindsight knowledge that he will lose the Battle of Bosworth Field, we discover a new Richard: no passive victim, awaiting defeat and death, but a king actively pursuing his own agenda. It also re-examines the aftermath of Bosworth: the treatment of Richard's body; his burial; and the construction of his tomb. And there is the fascinating story of why, and how, Richard III's family tree was traced until a relative was found, alive and well, in Canada. Now, with the discovery of Richard's skeleton at the Greyfrairs Priory in Leicester, England, John Ashdown-Hill explains how his book inspired the dig and completes Richard III's fascinating story, giving details of how Richard died, and how the DNA link to a living relative of the king allowed the royal body to be identified.
A definitive new biography of one of British history's most controversial figures, that seeks to bring peace to Richard III's reputation.
The story of the archaeology behind the dig that found Richard III, told through a fascinating array of photographs, diagrams, and firsthand accounts In August 2012 a search began and on February 4, 2013 a team from Leicester University delivered its verdict to a mesmerized press room, watched by media studios around the world: they had found the remains of Richard III, whose history is perhaps the most contested of all British monarchs. History offers a narrow range of information about Richard III which mostly has already been worked to destruction. Archaeology creates new data, new stories, with a different kind of material: physical remains from which modern science can wrest a surprising amount, and which provide a direct, tangible connection with the past. Unlike history, archaeological research demands that teams of people with varied backgrounds work together. Archaeology is a communal activity, in which the interaction of personalities as well as professional skills can change the course of research. Photographs from the author’s own archives, alongside additional material from Leicester University, offer a compelling detective story as the evidence is uncovered.
Richard's family was his making and undoing...
In a remote English manor house, modern admirersof the much-maligned King Richard III—one of Shakespeare's most extraordinary villains—are gathered for a grand weekend of dress-up and make-believe murder. But the fun ends when the masquerade turns more sinister . . . and deadly. Jacqueline Kirby, an American librarian on hand for the festivities, suddenly finds herself in the center of strange, dark doings . . . and racing to untangle a murderous puzzle before history repeats itself in exceptionally macabre ways.
The classic, magnificent bestselling novel about Richard III, now in a special thirtieth anniversary edition with a new preface by the author In this triumphant combination of scholarship and storytelling, Sharon Kay Penman redeems Richard III—vilified as the bitter, twisted, scheming hunchback who murdered his nephews, the princes in the Tower—from his maligned place in history. Born into the treacherous courts of fifteenth-century England, in the midst of what history has called The War of the Roses, Richard was raised in the shadow of his charismatic brother, King Edward IV. Loyal to his friends and passionately in love with the one woman who was denied him, Richard emerges as a gifted man far more sinned against than sinning. With revisions throughout and a new author's preface discussing the astonishing discovery of Richard's remains five centuries after his death, Sharon Kay Penman's brilliant classic is more powerful and glorious than ever.