Download Free Richard Artschwager Book in PDF and EPUB Free Download. You can read online Richard Artschwager and write the review.

Published on the occasion of the exhibition at David Nolan Gallery, New York, Dec. 10, 2014-Jan. 31, 2015.
Edited by Dieter Schwarz.
One of the pioneers of contemporary object and installation art, Richard Artschwager's three dimensional paintings and two-dimensional sculptures wittily evoke associations with commonplace objects such as furniture and household appliance. Accompanying essays consider Artschwager's artistic development, the meaning of surface quality in his work, and his place within the context of relevant art movements.
Punctuation offers playful interpretations of punctuation in relation to aesthetics, performance, and experimental art.
Accompanies an exhibition of paintings, sculptures, drawings and prints from Edward R Broida's gift to the Museum of 175 works from his collection. Dating from the 1960s, the works represent a total of thirty-eight European and American artists, whose work is reproduced here.
The term "process art" describes a moment of radical, a formal experimentation in postwar American sculpture. Through the medium of drawing, Afterimage revisits process art in terms of the artists who defined the movement and suggests a transitional moment when many of its practitioners anticipated the feminist and postminimalist art of the 1970s. Nancy Grossman's use of language, for example, suggests a kind of material abstraction, and Nancy Holt's earth works and related drawings introduced content into a minimalist vocabulary. The book also explores the drawing as a residual object in works in which the process of making dictates the form of the drawing. Examples include Gordon Matta-Clark's stacked cuttings, Robert Morris' "blind time" drawings, and Sol Lewitt's folded construction drawings. Other works, such as those by Bruce Nauman and Robert Smithson, record a particular approach to body-based and process-oriented sculpture. The book, which accompanies an exhibition, contains an essay by Cornelia H. Butler on the historical ambiguity surrounding process art and one by Pamela M. Lee on temporality in work of the late1960s. The artists included in the book are William Anastasi, Richard Artschwager, Mel Bochner, Agnes Denes, Nancy Grossman, Robert Grosvenor, Marcia Hafif, Eva Hesse, Nancy Holt, Barry LeVa, SolLewitt, Lee Lozano, Sylvia Plimack Mangold, Gordon Matta-Clark, Robert Morris, Bruce Nauman, Yvonne Rainer, Dorothea Rockburne, Alan Saret, Joel Shapiro, Robert Smithson, Michelle Stuart, Richard Tuttle, and Jack Whitten. Copublished with The Museum of Contemporary Art. Los Angeles.
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system.
Catalog of an exhibition held Feb. 4-Apt. 25, 2005.